Dark mode
United Kingdom
Catalog   /   Photo   /   Digital Cameras

Comparison Canon EOS 90D kit 18-55 vs Canon EOS 80D kit 18-135

Add to comparison
Canon EOS 90D  kit 18-55
Canon EOS 80D  kit 18-135
Canon EOS 90D kit 18-55Canon EOS 80D kit 18-135
Compare prices 3
from $1,190.00 up to $2,038.42
Outdated Product
TOP sellers
Main
Advanced Dual Pixel phase focusing, which also works when recording video. Remote control from smartphones and tablets. “Long-range” complete lens – 18 – 135 mm.
Advanced Dual Pixel phase focusing, which also works when recording video. Remote control from smartphones and tablets. “Long-range” complete lens – 18 – 135 mm.
Camera typedigital mirrordigital mirror
DxOMark rating79
Sensor
SensorCMOS (CMOS)CMOS (CMOS)
Sensor sizeAPS-C (23x15.5 mm)APS-C (23x15.5 mm)
Total MP3426
Effective MP number3324
Maximum image size6960x4640 px6000x4000 px
Light sensitivity (ISO)100-25600100-16000
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Canon EF-S, Canon EFCanon EF-S, Canon EF
Kit lens
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length18-55 mm18 - 135 mm
Optical zoom37.5
Manual focus
Image stabilizationis absentis absent
Photo shooting
Frames per series (JPEG)110 шт
Frames per series (RAW)19 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 120 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 30 fps
File recording formatsMPEG-4, H.264MPEG-4, H.264
Manual video focus
Connection ports
HDMI v 1.4
headphone Jack
microphone Jack
HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points45 шт45 шт
Touch focus
Front / back adjustment?
Contour enhancement
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.95 x0.95 x
Frame coverage100 %100 %
Shutter speed30-1/8000 с30-1/8000 с
Continuous shooting10 fps7 fps
Shutter typeelectronic/mechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
Memory cards typesSD, SDHC, SDXCSD, SDHC, SDXC
Communications
Wi-Fi 4 (802.11n)
Bluetooth
 
smartphone control
Wi-Fi 4 (802.11n)
 
NFC
smartphone control
Flash
Built-in flash
Guide number1212
External flash connect
Power source
Power source
battery
battery
Battery modelLP-E6NLP-E6N
Shots per charge1300 шт960 шт
General
Charger modelLP-E6NLC-E6
Materialaluminium / plasticaluminium / plastic
Dimensions (WxHxD)141x105x77 mm139х105х79 mm
Weight701 g935 g
Color
Added to E-Catalogaugust 2019february 2016

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Focal length

Focal length of the camera lens.

Focal length is such a distance between the camera matrix and the optical center of the lens, focused at infinity, at which a clear and sharp image is obtained on the matrix. For models with interchangeable lenses ( mirrorless cameras and MILC, see “Camera Type”), this parameter is indicated if the camera is supplied with a lens (“kit”); Let us recall that, if desired, optics with other characteristics can be installed on such a camera.

The longer the focal length, the smaller the viewing angle of the lens, the higher the degree of approximation and the larger the objects visible in the frame. Therefore, this parameter is one of the key for any lens and largely determines its application (specific examples are given below).

Most often in modern digital cameras, lenses with a variable focal length are used: such lenses are able to zoom in and out of the image (for more details, see "Optical Zoom"). For "DSLRs" and MILC, specialized optics with a constant focal length (fixed lenses) are produced. But in digital compacts, "fixes" are used extremely rarely, usually such a lens is a sign of a high-end model with specific characteristics.

It should be borne in mind that the actual focal length of the lens is usually given in the characteristics of the camera. And the viewing angles and the general purpose of the optics are determined not only by this parameter, but also...by the size of the matrix with which the optics are used. The dependence looks like this: at the same viewing angles, a lens for a larger matrix will have a longer focal length than a lens for a small sensor. Accordingly, only cameras with the same sensor size can be directly compared with each other in terms of lens focal length. However, to facilitate comparisons in the characteristics, the so-called. EGF - focal length in 35 mm equivalent: this is the focal length that a lens for a full frame matrix having the same viewing angles would have. You can compare by EGF lenses for any matrix size. There are formulas that allow you to independently calculate the equivalent of 35 mm, they can be found in special sources.

If we talk about a specific specialization, then the EGF up to 18 mm corresponds to ultra-wide-angle fisheye lenses. Wide-angle is considered "fixed" optics with EGF up to 28 mm, as well as vario lenses with a minimum EGF up to 35 mm. Values up to 60mm correspond to "general purpose" optics, 50 - 135mm are considered optimal for shooting portraits, and higher focal lengths are found in telephoto lenses. More detailed information about the specifics of various focal lengths can be found in special sources.

Optical zoom

The magnification factor provided by the camera by using the capabilities of the lens (namely, by changing its focal length). In models with interchangeable lenses (see “Camera type”), indicated for the complete lens, if available.

Note that in this case the magnification is indicated not relative to the image visible to the naked eye, but relative to the image produced by the lens at minimum magnification. For example, if the characteristics indicate an optical zoom of 3x, this means that at the maximum magnification, objects in the frame will be three times larger than at the minimum.

The degree of optical zoom is directly related to the range of focal lengths (see above). You can determine this degree by dividing the maximum focal length of the lens by the minimum, for example 360mm / 36mm=10x magnification.

To date, optical zoom provides the best "close" image quality and is considered to be superior to digital zoom (see below). This is due to the fact that with this format of work, the entire area of \u200b\u200bthe matrix is constantly involved, which allows you to fully use its capabilities. Therefore, even among low-cost models, devices without optical zoom are very rare.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).
Canon EOS 90D often compared
Canon EOS 80D often compared