Comparison Tanix TX6 32 Gb vs Android TV Box X96 Max 32 Gb

A wireless technology that allows you to directly broadcast video and audio from one device to another directly over a Wi-Fi connection. At the same time, unlike AirPlay, transmission does not require a router and building a local network — it is enough that the receiver and transmitter are compatible with Miracast. One of the most popular ways to use this technology is to output a “picture” from a smartphone / tablet screen to a TV, and vice versa. A media centre or TV receiver with Miracast is useful if the TV itself does not support this function.

— AV output. Analogue output for video and audio transferring. Previously, due to the large size of the equipment, it consisted of 3 RCA jacks and was connected to the TV accordingly. Now the devices have become more compact and don't have free space on the case. Therefore, the AV output is a single headphone jack, to which a tee cable is already connected (check availability in the package). Since all components of the video signal are on the same cable, the picture quality and immunity to interference are low.

In this case, the term coaxial refers to a type of SP/DIF interface that uses an electrical cable with an RCA connector. This interface provides sound transmission, including multichannel, in digital format; at the same time, the electrical cable is more susceptible to interference than the optical one, but is not as fragile.

A variation of the SP/DIF audio interface that uses a TOSLINK fibre optic cable. Like the coaxial connector, the optical output uses a digital data transfer format and can work with multi-channel audio. At the same time, optical fibre requires rather delicate handling, but it is absolutely insensitive to electrical interference.

The model of the CPU installed in the media player.

This information is mainly of reference value: the processor is selected in such a way as to provide certain practical characteristics (maximum resolution, support for certain standards, embedded applications, etc.). So when choosing, you should focus primarily on these specifications. However, if you wish, knowing the processor model, you can find detailed data on it and evaluate the capabilities of the media centre to work with resource-consuming applications. This can be useful, in particular, if you choose an Android model (see above) and plan to use additional software intensively — the set of applications for this OS is very extensive, and some of them are quite demanding on system resources.

Also note that CPU data is often specified for advertising purposes — to emphasize that the device has a fairly advanced chip from a well-known brand. Among the most common brands of such processors are Allwinner, Amlogic, Rockchip, Realtek.

The clock speed of the CPU installed in the media centre.

On the technical side, the higher this indicator, the faster the processor works and the higher, accordingly, the overall system performance. At the same time, the CPU performance depends, in addition to the frequency itself, on a number of factors — architecture, number of cores, special design features, etc.; and the actual speed of the entire system is affected by performance of components other than the processor. In addition, manufacturers usually select processors in such a way that their computing power is guaranteed to be enough for all the features claimed for a media centre. Therefore, in this case, the CPU frequency is more of a reference parameter (and partly an advertising indicator that demonstrates the advanced specifications of the device), rather than practically significant for buyer.

HDR standard supported by the media player.

For more details about HDR in general, see above, while the standard defines some features of the implementation of this feature. Today, the following HDR formats are relevant:

— HDR10. Historically the first of the consumer HDR formats, less advanced than the options described below, but extremely widespread. In particular, HDR10 is supported by almost all streaming services that provide HDR content at all, and it is also common for Blu-ray discs. Allows to work with a colour depth of 10 bits (hence the name). At the same time, devices of this format are also compatible with content in HDR10 +, although its quality will be limited by the capabilities of the original HDR10.

— HDR10+. An improved version of HDR10. With the same colour depth (10 bits), it uses the so-called dynamic metadata, which allows transmitting information about the colour depth not only for groups of several frames, but also for individual frames. This results in an additional improvement in colour reproduction.

— Dolby Vision. An advanced standard used particularly in professional cinematography. Allows to achieve a colour depth of 12 bits, uses the dynamic metadata described above, and also makes it possible to transmit two image options at once in one video stream — HDR and standard (SDR). At the same time, Dolby Vision is based on the same tec...hnology as HDR10, so in modern video technology this format is usually combined with HDR10 or HDR10 +.

Codec — from the phrase "Encoder-DECoder" — in this case is the format used for encoding digital video during storage/transmission and decoding during playback (without encoding, video data would take up an unjustifiably large amount of space). Do not confuse this parameter with the format of video files: different files of the same format can be encoded with different codecs, and if the corresponding codec is not supported by the player, video playback will be impossible, even if the file format itself corresponds to the capabilities of the device. And in models with online TV support (see "Features") this nuance also determines compatibility with a specific broadcast: the general format of the broadcast is indicated by the codec used for this.

In general, modern devices usually have quite extensive sets of codecs (one of the most advanced is H.265, AV1 codecis also popular), and there are usually no problems with video playback; in extreme cases, you can use special programs for transcoding files. As for specific codecs, detailed data on them can be found in special sources, but with standard use of media players, such details are not needed.