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Comparison Akai MPK-225 vs M-AUDIO Code 25

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Akai MPK-225
M-AUDIO Code 25
Akai MPK-225M-AUDIO Code 25
from £214.00 
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Keys25 шт25 шт
Key sizefull sizefull size
Mechanicsactive (dynamic)active (dynamic)
Rigiditysemi-weightedsemi-weighted
Aftertouch
Control
Pitch controller
Modulation controller
Octave shift
Keyboard split
Arpeggiator
Transport control
Pads816
Faders5
Regulators (encoders)85
Connections
MIDI in
MIDI out
USB to host (type B)
Connectable pedals2 шт2 шт
General
Programming function
Displaymonochromemonochrome
Dimensions (WxHxD)489x92x298 mm530x71x255 mm
Weight2.8 kg2.8 kg
Color
Added to E-Catalogfebruary 2018february 2018

Keyboard split

The presence in the device of the function of splitting the keyboard.

This function, as the name suggests, allows you to divide the keyboard into two parts, each of which will have a different timbre. Thus, on one device, you can play the part of two instruments at once (for example, add the sound of a string orchestra to the violin) or accompany the part of the instrument with various effects (siren, klaxon, thunder, etc.). Some models allow you to select the position of the border between the keyboard zones.

Arpeggiator

The presence of an arpeggiator in the keyboard.

The name of this function comes from "arpeggio" — a technique for playing chords, in which notes are not played all at once, but in turn. Accordingly, the arpeggiator is a function that allows you to play a taken chord in the arpeggio technique: the musician presses all the keys at once, and the keyboard plays them in turn. This effect can also be achieved manually, but in some cases the arpeggiator turns out to be more convenient: it plays notes at a clearly defined speed and interval, can accompany them with various effects, and provides other additional features. These features vary depending on the model, but some instruments allow you to create entire songs with the arpeggiator by simply pressing a sequence of chords.

Pads

The number of pads provided in the design of the keyboard.

Pads are auxiliary controls in the form of characteristic pads, usually square. The pads respond to touch, each of them can be tied to a specific sound or even a sequence of sounds. One of the most popular ways to use pads is to play drums or other rhythmic instruments.

Faders

The number of faders provided in the design of the keyboard.

A fader is a slider control. The simplest kind of such controls is the volume setting; if there is one fader in the design, most likely it is responsible for the volume. If there are more controls, other functions can be tied to them, respectively — in particular, changing the settings in the recording programme on the computer to which the keyboard is connected.

Regulators (encoders)

The number of encoder controlsprovided in the design of the keyboard.

Such a knob looks like a rotary knob, with which you can control various functions of the device to which the keyboard is connected — for example, turn the virtual knobs in the programme for recording and sound processing. At the same time, we note that a full-fledged encoder is capable of rotating 360 ° and turning to any angle in any direction, however, keyboards can also contain knobs with a limited rotation sector — they can also be called encoders. None of these options has a clear advantage: in some cases, an unlimited turning sector is more convenient, in others, a limited one.
M-AUDIO Code 25 often compared