Comparison Sony GTK-XB7 vs Sony GTK-X1BT

- Music Center. Music centers are stationary audio systems, including a player, amplifier and acoustics; Their distinctive feature is the speakers, made separately from the main unit. Some models may provide mounts for installing speakers on the main unit, but these mounts are quick-release, and the length of the wires allows you to place the speakers separately.

- Minisystem. Minisystems are relatively small devices made in one-piece housings; Despite their small size, they are usually designed for stationary use, although they may have independent power supplies (see below). The functionality of mini-systems can be different: some models, in fact, are speakers with slightly expanded capabilities, in others these capabilities can be comparable to full-fledged music centers and even have wireless charging.

— Radio tape recorder. The radios have a distinctive design reminiscent of cassette recorders; and some of them are even capable of working with cassettes, see "Media". Like the music centers described above, such devices have everything you need for listening - a player, an amplifier and acoustics; however, the speakers are made non-removable, and the functionality of radio tape recorders is usually more modest. On the other hand, such models are portable and can even be used to play music on the go - almost mandatory f...eatures of radio tape recorders are the presence of a handle for transportation and the ability to be autonomously powered (see below) from replaceable batteries.

— Floor system. The purpose of audio systems of this type is already clear from the name: they are initially designed for installation on the floor. This installation allows you to create fairly large devices with powerful acoustics; in fact, most floor-standing audio systems are actually a set of speakers with a built-in player. However, there are also quite compact models of this type that allow desktop or wall installation with the stand disconnected.

- For parties. Audio systems for organizing incendiary musical parties with friends and family. Such models are capable of sounding a vast space both indoors and on the street dance floor. Often, audio systems for parties are complemented by built-in lighting effects to create a disco atmosphere; microphones can also be connected to them, which karaoke lovers will appreciate. Alternative names for such audio systems are Party speaker or PartyBox.

— For musicians. Advanced speakers without light and music with good sound quality, especially for musicians who give performances on the street or participate in outdoor events. Such models are not intended for full-fledged concerts, but rather for “live” performances in public places. Audio systems often include the ability to connect musical instruments, and they are often equipped with a suitcase-type handle for ease of carrying the equipment. If it falls under the above, but there are lighting effects - For parties.

— Smart speaker. Audio systems in the form of relatively small single speakers with “smart” control electronics. For such devices, four key features can be distinguished: Internet connection (usually via Wi-Fi), synchronization with a smartphone or tablet (usually the same), support for voice commands and advanced functionality. In fact, smart speakers are not classic audio systems, but universal “assistants” with speakers for playing music; and the voice control capabilities in them go far beyond the “musical” functions. Thus, many models allow you to set a timer or alarm on a smartphone, control smart home components, receive help on a variety of requests, etc. At the same time, contextual recognition of commands is often supported, with the ability to process complex requests like “put on the band I listened to yesterday In the evening".

The type of tuner installed in the audio system. In this case, the type refers solely to the way of setting; for digital broadcasting, see "Tuner bands".

— Analogue. Tuning to the desired frequency in such tuners is carried out mechanically, usually using a wheel and a scale with a slider. Analogue receivers are simpler and cheaper than digital ones, but they are less accurate — you can only approximately set the frequency with such control. This can make it difficult to tune in with numerous stations in a small frequency range (especially for FM broadcasts in large cities). In addition, these tuners "do not know how" to memorize stations. Therefore, analogue modules are used relatively rarely; they are mainly equipped with low-cost audio systems, as well as devices in the “retro” style, where a mechanical scale and a tuning knob are mandatory design elements.

— Digital. The direct tuning of the tuner in such models is performed by an electronic circuit; the user only sets the required frequency by giving commands to the electronics using buttons, a rotary wheel or other control element. Digital tuners are more advanced than analogue tuners, they are more accurate in tuning and can support various additional features — station memory (see below), automatic search, etc.

Radio bands received by the tuner of the music center. Today, the most common support for such ranges is:

- FM. Part of the ultra-short wave (VHF) range ranging from 87.5 MHz to 108 MHz. Uses frequency modulation, which allows you to broadcast music in stereo format with fairly high sound quality, as well as transmit RDS signals (see RDS). At the moment, most music radio stations in the CIS broadcast in this range, as a result of which FM is supported in the vast majority of audio systems. The disadvantage of this option is the limited reception area - a maximum of several tens of kilometers from the transmitter - so FM broadcasts can usually be listened to within the same city and nearby environs.

- AM (from the English amplitude modulation - amplitude modulation) - radio broadcasting using amplitude modulation. Typically this term refers to medium wave broadcasting in the range 520–1610 kHz; Most consumer AM receivers are designed for these same frequencies. The reception range of AM stations can be hundreds of kilometers, but the sound quality is lower than on FM, so this format is mainly broadcast by talk and news radio stations.

- DAB+. DAB is an abbreviation for Digital Audio Broadcasting, i.e. “digital radio broadcasting”; and “+” means an improved version of this standard. Formally, DAB+ is not only a band, but also a signal transmission format: unlike all the options described above, it is, as the name suggests, digital. This provi...des a number of advantages over traditional transmitters - in particular, longer range with less power and high quality of broadcast audio. In addition, this sound is practically not subject to distortion: weak interference does not affect its quality, and when the transmitter power is critically reduced, the signal is not distorted, but disappears entirely. The latter, however, can be written down as a disadvantage; but the really significant drawback of this option is its low prevalence (so far) in the CIS countries. Technically, such broadcasting can be carried out in any range above 30 MHz, but in practice several options are used (depending on the country) related to the VHF range. Note that DAB+ tuners are capable of receiving radio broadcasts of the original DAB standard, but not vice versa.

The number of radio stations that can be stored in the tuner's memory.

By itself, the memory greatly simplifies the work with the tuner. Instead of having to manually search for your favorite stations each time, it is enough to “remember” them and in the future simply select the desired wave from the list in the receiver’s memory. The number of memory cells in modern audio systems can reach several tens; this will be especially useful for residents of metropolitan areas, where there are many stations on the air, as well as for those who often have to travel and tune the receiver to local frequencies.

Tuner support for Radio Data System technology. This technology is used mainly in the FM band; it allows, in addition to the sound signal, to transmit additional textual information by radio — for example, the names of broadcast compositions, announcements, advertising messages, etc. For RDS-enabled audio systems, this information is shown on the display.

The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).

The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.

The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.

The phase inverter is a tube installed in the column housing and having an outlet to the surrounding space. The length of the tube is chosen so that a signal comes out of the outlet, inverted in phase relative to the signal from the front of the diffuser. This enhances the sound pressure and improves the sound of the speakers, including at low frequencies. Note that such audio systems should be placed at a certain distance from walls, furniture, etc. — otherwise, a hum may occur due to the movement of air through the phase inverter tube.

A similar function in some models is performed by a passive radiator (see below).

The presence of an equalizer function in the audio system.

Equalizer allows you to change the timbre of the sound by adjusting the volume for individual frequency bands. The simplest version of this adjustment provides 2 bands (high and low frequencies), but most often there are more bands. Anyway, the equalizer can be useful both for fine-tuning the sound to your own preferences, and for compensating for the shortcomings of external or standard acoustics, connected headphones, etc. - for example, if the speakers "fail" certain frequency bands. In addition, many audio systems have a set of equalizer presets (presets), usually designed for different styles of music - "Classic", "Rock", "Pop", etc. You may also be able to create and edit your own presets.