Effects Pedals

The Boss VE-1 is a vocal echo effects pedal for professional vocalists to help add space and depth to any vocal performance. Offering seven rich reverb algorithms with level and tone controls for flexibility the VE-1 will let you achieve characterful and professional vocal sounds to enhance your voice. Perfect both on stage and in the studio this stompbox also offers vocal enhancement effects doubling for thickened effects and pitch correction for tightly tuned performances or robotic auto-tune sounds. The VE-1 includes easy and intuitive controls in a straightforward user interface making it easy to use on-stage. In the studio however the VE-1 can be operated over USB audio to enhance YouTube …

The Boss VE-2 Vocal Harmonist is a vocal effects pedal for live and studio use. The core of the VE-2 is a harmoniser that lets you create lush vocals readily. Simply set the songs key from the dial or plug a guitar into the input of the pedal and sing and the harmoniser will follow your music to create stirring emotional sounds without requiring advanced music theory knowledge. Blend control also allows you to adjust the volume of the harmonies to sit perfectly in the mix. The VE-2 also provides additional effects such as reverb delay a blended reverb and delay and an enhancer effect. Three memory slots allow you to save and recall your favourite settings perfect for dynamic performances or …

With an affordable BOSS VE-5 Vocal Performer effects processor in your rig, there's simply no excuse for bland vocals. Seriously, if you're a vocalist or vocal performer, then you need to get your hands on a BOSS VE-5. This fun little effects box makes it brain-dead simple to enhance your voice with six amazing vocal effects types - all taken straight from BOSS's flagship VE-20 vocal effects pedal. Choose from Reverb, Delay, Double/Harmony, Dynamics, or Pitch Correct (including that wonderful "hard tune" effect you hear everywhere). There's also the Tone/SFX mode, which gives you access to Distortion, Radio, and Strobe effects. And we're just getting started into what the VE-5 can do. Color: …

Vocal Effects Processor / Effects Delay

The BOSS VE-8 Acoustic Singer is a compact innovative preamp and module designed with singer/songwriters who play guitar in mind. The unit provides you with all you need to produce studio-quality vocal and guitar processing including added effects such as real-time harmonics and looping functions. With its wide range of parameters and functions plus its portable size the VE-8 is the ideal solution for acoustic guitar players and singers who wish to add a new layer of creativity to their performance. Whats more all these great features are housed within a highly durable chassis built to withstand all the trials of life on the road.

With the constant addition of very 'power hungry' digital pedals on the market, Carl Martin designed the DC Factory to address that very need. Highly powered and totally noise free, the DC Factory doesn't take up too much real estate on your pedalboard and literally weighs about 2/3 of a kilogram (1.5 lbs). To meet these goals, they had to forget about the standard toroidal transformers and design a fully digital switch mode power supply! The benefits go beyond ample power, the size and weight are reduced and most importantly, there is no radiation of hum to Wah pedals or certain analog drive pedals.
Made in: China
Width (mm): 150.0
Depth (mm): 85.0
Voltage: 12V;9V
Net Weight (kg): 0.68
Polarity: …

The new Carl Martin Panama Overdrive, cool anodized case and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally. Check it out yourself, Gain Level and Tone controls along with the new Damping control, head mounted input/outputs and 9V DC input which requires a regular 9V 100mA external power supply and the new small footprint. Bigger sound, bigger tone, all analog, all Carl Martin!
Type: Overdrive
Controls: Tone;Level;Gain;Damping
Battery Operation: No
Package Contents: Manual
Colour: Grey
True Bypass: None
UK/EU Power supply included: No
Power Supply: Adapter;9V
Made in: Denmark

When we look back to the glory days of rock guitar (mid 60's to mid 70's), some of the most popular amplifier set-ups were British Marshalls and Vox's.....often with multi-speaker cabinets. Players like Tony Iommi, Ritchie Blackmore, Brian May etc, carved their signature sounds on stage and in the studio with these rigs, and in order to deal with the over-powering bottom end, they made use of 'The Treble Booster'. Treble Boosters add top end or higher frequencies to the guitar tone, and depending on how the amp is set up, some much desired overdrive. As much as companies like Dallas (Rangemaster) and Hornby Skewes (Treble Booster) were solving a bottom-end problem, they had also created a new …

Whether you want to push your amp’s natural overdrive into the sweet spot, or give a little extra colour to your tone which is definitely the British Black and Gold, the Carl Martin Plexitone Lo-gain Pedal hits the mark.The Carl Martin Plexitone Lo-gain will make single coils sing, and give humbuckers extra punch. Stack it with your other pedals to give you extra boost and smooth out your overdrive, the Carl Martin Plexitone Lo-gain gives your sound that Plexi character.The Plexi Lo-gain also incorporates our new DC-DC converter circuitry, so the pedal can be powered by a regulated 9V Power Supply but will still operate on the same +-12V level as the original AC powered PlexiTone. This allows us…

Pedal Design Foot Pedal

Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity,…

From its humble beginnings as defective console tubes and punctured speaker cones, the CB Fuzz distills 60 years of gear history in one refined example.Whether you’re a complete fuzz novice or a well-seasoned fuzz freak, the CB Fuzz is a perfectly balanced silicon fuzz circuit (hey, even Hendrix preferred silicon!). Most folks in the know keep the fuzz knob cranked and use their guitar’s volume to tame the fuzz level at will, and Catalinbread taken the liberty of internally maxing that control for you; just turn on and rock!
Type: Fuzz
UK/EU Power supply included: No
Inputs: Jack 6,3 mm
Package Contents: Manual
Power Supply: Adapter;9V
Battery Operation: No
Outputs: Jack 6,3 mm
Original …

Since rock music began, people have been cranking the volume controls on their amps in order to push them into distortion, an effect now known as "overdrive." The CB Overdrive gives you some refined yet gritty cranked-amp tones without the hearing loss.All the way back when electric amplification was invented, what we now know as “overdrive” was an unwanted byproduct of low-headroom amplifiers. Despite giving you the freedom to do so, product manuals sternly instructed against turning the amp’s volume knob up past a certain level, lest the amp distort. Amp manufacturers released bigger and bigger amps to allow for more volume without distortion. Eventually, everyone came to …

Everyone from Eddie Van Halen to East Bay Ray of the Dead Kennedys relied on the EP-3 preamp to take their sound to previously unreachable heights. And now you can also, with Epoch Boost.
They refer to the Epoch Boost as a “mastering pedal,” because it sounds like your base tone, but sculpted to perfection by a mastering engineer. This is accomplished by employing the same internal circuitry as a real EP-3, from the NOS Orange Drop capacitors to the output mixer stage that acts as a rudimentary frequency selector---it’s all there. They’ve taken the liberty of kicking the internal voltage all the way up to 22 volts, just like the original unit, giving you unparalleled …

Harmonic Percolator circuit has the amazing property of generating predominantly even-order harmonics – which creates an amazingly sweet and clear distortion. You may know of this circuit from its use by Steve Albini, who owns one particular unit that apparently has magical properties no other unit seems to have. They could search for holy grails and chase rainbows, but they saw a potential beyond one person’s use of it. Oddly enough, the ‘Percolator has a reputation for creating an ugly sound, albeit a cool and ugly sound. But they found something beautiful in it. So beautiful that you could play complex jazz chords through it and every note rings sweet and clear. So, using …

Fuzz and distortion Katzenkönig guitar pedal effect. Katzenkönig offers a very large distortion range and has four potentiometers for function control. The Input knob controls the input sensitivity and adapts to all pickup types, Gain knob controls the gain of the second gain stage by controlling the amount of negative feedback and Filter allows you to dial in your final tone.
Made in: USA

Auto Wah

The Soft Focus patch on the Yamaha FX500 was widely used in the ‘90s by early shoegaze bands, most notably Slowdive on Souvlaki. With its roots in that patch, the Catalinbread Soft Focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit: no mix control, a sub-par preamp, and a ghastly tone-sucking bypass signal. At its heart, the Soft Focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three paths. One path contains a multi-voiced chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched. The Mod knob controls …

Pedal Design Foot Pedal / Operation analogue