Effects Pedals

Distortion

The Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 prese more→ts and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite …

The Teletronix LA-2A Studio Compressor puts the sounds of our legendary optical tube limiter at your feet, voiced to precisely match the original hand-wired hardware — with all the inspiring tone and more→classic feel on tap.Whether it's ringing clean tones and single-note guitar lines, or adding focus to bass, synths, and keys, the Teletronix LA-2A enhances instruments like no other compressor. This pedal gives you all the big, three-dimensional sound of the original hardware — including its transformers, tubes, and T4 optical cell distortions — right on your pedalboard.Even without compression, Teletronix LA-2A will elevate your tone with bold tube thickening, easily pushing your already-cooking tube a…

Other companies need a lot of buttons for a good sound, we only need 3 for each overdrive pedal and 2 for the clean boost pedal. From slightly distorted bass with tube sound character to completely di more→storted - no problem for the LDP (OD/CB). The overdrive pedal has a deep boost (toggle switche) to push the lower frequencies without getting muddy. The clean boost with deep boost (toggle switch) gives a lot of pressure to the sound and up to +20 dB (toggle switch) output level. From sweet to neutral to funky, the clean boost active tone control does it all. Two completely different sounds - one pedal for a professional bass sound.LDP (OD/CB) = LOW DOWN PRESSURE
Controls: Gain;Deep;Tone;Drive;+20dB;Level;Clean …

Booster / Effects Overdrive

Pedal Design Foot Pedal / Operation analogue

Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker is our second studio themed pedal. Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound a more→s well as sounds you’ve not heard before. It’s NeoVintage. It’s an Echo and Reverb pedal.
Battery Operation: Yes
True Bypass: Yes
Power Supply: 9V;Adapter or Battery
Made in: China
UK/EU Power supply included: No
Type: Doubler;Delay;Echo;Reverb
Battery Detail: Al/Mn

Ampero Mini is the smallest guy in Ampero family so far, offering you uncompromised Ampero sound in an ultra compact aluminum case. It has the essentials of stunning Ampero effects armory with 3rd par more→ty IR support. Onboard essential I/O jacks are more than enough for daily use, the touch screen and intuitive UI ensures smooth, straight-forward experience on a minimalized chassis. Ampero Mini will offer you excellent performance on the money, especially for players who want to experience Ampero tone, rookies on a budget, session musicians who need both ultra-compact size and pro tone, even experienced amp modeler players.
UK/EU Power supply included: Yes
True Bypass: No
Type: Multieffect
Battery …

Effects Pedal / Pedal Design Foot Pedal / Operation analogue / Effects Delay

With the SY-1, it’s never been easier to infuse your creative arsenal with BOSS’s legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all dist more→illed down into a BOSS compact pedal that slides easily into any setup. Best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music.

Controls: Guitar/Bass;Vocal;Depth;Tone;Effect;Variation;Direct
Inputs: Stereo Expression/Control;Return;Mono
USB: No
Battery Operation: Yes
MIDI Interface: No
True Bypass: None
Type: Synth
Made in: Malaysia
Outputs: Send;Mono
UK/EU Power supply included: No
…

Fuzz / Pedal Design Foot Pedal / Operation analogue

A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb get blasted with gloom and distorted shimmer. F more→lip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.
Battery Type: 9V
Type: Reverb
Battery Detail: Al/Mn
UK/EU Power supply included: No
Power Supply: 9V;Adapter or Battery
Made in: USA
True Bypass: Yes

BL-82 is a chorus pedal within OBNEs BL line. It challenges the definition of chorus, managing to be both lush and grimy. The Clock slider moves from a shimmering three-dimensional mono chorus through more→to a long, deeply modulated delay, with many textures in between. Soft-touch bypass footswitch for true bypass and minimal switch noise. Requires 9V DC center negative 2.1mm jack power supply capable of 110mA (not included). The art of BL-82 is by Brandy M. Patterson.
Controls: Feedback;Mix;Clock;Volume
Power Supply: Adapter;9V DC ( - )
Inputs: Jack 6,3 mm TS
Depth (cm): 12.0
Package Contents: Manual
Outputs: Jack 6,3 mm TS
Depth (mm): 120.0
Weight (g): 300.0
Height (cm): 5.8
Height (mm): 58.0
Number …

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expa more→nded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.
Battery Operation: Yes
Built-in Effects: Yes
MIDI Interface: Yes
USB: Yes
Controls: Rhytm On/Off;Setup;Memory;Memory/Loop Level
Made in: Malaysia
UK/EU Power supply included: No
Number of Buttons: 4
True Bypass: None
Inputs: Jack 6,3mm
Outputs: 6,3mm Jack
Type: Looper
Colour: Red
Battery Detail: …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of F more→uzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

2-in-1 echo/slap delay and boost effects pedal that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side. This boost is a more→discreet amplifier based circuit with tons of power and character. It can be simply set it low at unity gain for an always-on enhancer that fattens up and clarifies the tone, or turned more clockwise to push the tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analogue BBD delay, and cover the tonal grounds between both. The controls are simple and it sounds good in every setting.…

Synthesizer effects pedal for electric guitar with expression pedal input. The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz f more→rom the synth. Go from churning slow-gear reverse swells to sounding like a light saber. The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the …