Effects Pedals

Ultra-compact fuzz effect pedal for electric guitar that features legendary Fuzz Face tones in smaller, more pedalboard-friendly housing with several modern appointments – a bright status LED, and AC power jack and a convenient battery door. Pedal has the same circuit as the JHF1 Hendrix Fuzz Face Distortion, so it delivers the same sweet sound with smooth and even sustain, harmonic overtones that complement the base note and chords, and compressed attack that provides violin-like tones. As the original model, pedal also features true bypass switching. Sound can be further shape via Volume and Fuzz control knobs.
Battery Operation: Yes
UK/EU Power supply included: No
Type: Fuzz
True Bypass: Ye…

controls for output level, tone and gain, status LED, powered via 9V battery or power supply (9V or 18V). optional power supply (Dunlop ECB-004).
Battery Operation: Yes
Power Supply: Adapter or Battery
Type: Boost;Overdrive
Made in: USA
Battery Type: 9V
UK/EU Power supply included: No

Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level an…

with BC-108 Silizium Transistor, reproduction of the Dallas Arbiter Fuzzface
Power Supply: None, Only Battery Operated
Battery Type: 9V
UK/EU Power supply included: No
Made in: USA
Type: Fuzz
Battery Operation: Yes

Solid Studio IR & Power Amp SimulatorThe New Era of Mic-ing! NU-X Solid Studio was created and designed to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets. NU-X is proud to introduce the new Verdugo series Solid Studio IR & Power Amp simulator, a pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes. Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above …

Extraordinary tone shaping control, dynamic arrays of distortion and exceptional amounts of EQ are all laid out at your feet. The Pentatone preamp from Ibanez affords the perfect blend of features all wrapped up in an intuitive, all-analog platform. This preamp brings together five individual tone shaping sections in the form of a pre boost, distortion with two band EQ, a noise gate, 5-band parametric EQ, and post boost. The pedal also includes a bright switch, which enhances treble response by boosting the high frequency range. The two integrated footswitches control the preamp bypass and post boost functions, while adding an Ibanez IFS2L external foot-switch enhances the player’s control ev…

Guitar pedal effect. The DDR combines the most common guitar effects–DRIVE and WET–into one pedal. Choose between two classic overdrives and then pour on some delay or reverb.
The DRIVE section gives you two styles of overdrive to choose from: Crunch or Lead. The Crunch Style gives you a gritty British tube-amp combo sound. The Lead Style gives you a warm and dark, mid-pushed overdrive. The WET side of the pedal gives you Delays and Reverbs. A Vintage/Modern Switch allows you to toggle between Spring and Plate reverb or Analog and Digital delay. Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you’ll need.
Tuner: No<…

Pedal Design Foot Pedal

Overdrive / Pedal Design Foot Pedal / Effects Overdrive

Overdrive / Pedal Design Desktop

The Royal Blue Overdrive is an extremely touch sensitive overdrive. It offers a wide range of tones from light overdrive into distortion and at lowest Distortion knob setting works as an EQ. It can also be used to create tube amp-like crunchy ‘strike hard for distortion’ effect. There is not much filtering on the overdrive, to provide a transparent tone that you can tailor with both the Treble and Bass controls. Like the best boutique amps, the Royal Blue OD lets you determine the amount of breakup by how hard you strike the strings with your pick, and/or by adjusting the volume knob on your guitar. The Royal Blue can add this level of expressiveness to any clean or slightly overdriven amplifier.

Wah-Wah / Pedal Design Foot Pedal / Operation analogue

Guitar effect - compact fuzz pedal from Fuzz Face series, which is a reincarnation of the pedal Band of Gypsys Fuzz Face and offers slightly more aggressive, but still classic "Hendrix´s" sound of '70s. It features smaller design, controls Volume and Fuzz, LED indicator of on/off status, true bypass switch, 1/4" input and output and input for power adapter (not included).
Made in: USA
True Bypass: Yes
Type: Fuzz
Power Supply: Adapter or Battery
Battery Type: 9V
UK/EU Power supply included: No
Battery Operation: Yes

Bass guitar pedal effect. The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players demand. This pedal delivers an impressive range of smooth, musical sounds - from a tone-thickening growl to chest-rumbling dub tones-all in the space-saving MXR mini housing. The voice of the Vintage Bass Octave is rich and throaty, and it comes in two forms - one octave down and two octaves down. Each can be dialed in separately with the Oct 1 and Oct 2 volume controls, and with a Dry volume control to dial in your clean signal, you can concoct just the right blend for your rig. For extra clarity …

The Keeley Super Phat Mod is Keeley's famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way. The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits that bring out the best in any guitar’s pickups. Keeley had found the magic device that pushed it over the top.overdrive effects pedaltube-like JFET gain-stagetrue bypasscontrols for Drive, Tone and Leveltoggle switch to select between „Flat“ and „Fat“ gain modesbypass footswitchstatus LEDmetal housing6.3 mm mono IN/OUT jackspower supply via optional 9V battery or 9V DC adapter 2.1 x 5.5 mm barrel plug, polarity (-) centerdime…

Pedal Design Foot Pedal / Operation analogue

Noise Gate / Pedal Design Foot Pedal / Effects Boost

Overdrive / Pedal Design Foot Pedal / Operation analogue

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …

Brought to you by Blackstar’s R&D division responsible for blue-sky innovation and design, Dept. 10 are the most advanced valve pedals in the world. Meticulously designed and engineered by a team of musicians for musicians. Choose from Boost, Dual Drive or Dual Distortion to help you craft your perfect tone. At the heart of each Dept. 10 pedal is an ECC83 triode valve, running at more than 200V internally like a valve amp, which allows them to deliver organic tone, dynamics and break up. Dual Drive and Dual Distortion include Cab Rig, next-generation DSP speaker simulator that reproduces the sound and feel of a mic’d up guitar cab in incredible detail. Deep-dive using free software …

Effect pedal for electric bass guitar that combines a pristine bass preamp with a studio-quality Direct Out in a Phase 90-sized box, providing clear tone without hogging precious pedal board space. It can be used to add a new voice to an old passive bass, sweeten up any amp, or put some special sauce on a particular song. It can be dial it in any way and send straight to the house – pre or post-EQ – with the built-in Direct Out. Pedal features separate INPUT and OUTPUT level controls and a 3-band EQ section with sweepable midrange (from 250 Hz to 1kHz) for extensive tonal flexibility. It is all delivered super clean with high headroom thanks to the Constant Headroom Technology, while PRE/POST EQ s…

Fuzz / Pedal Design Foot Pedal / Operation analogue

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …

The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.…