Effects Pedals

With the Tumnus Deluxe, Brian has set a new standard. Thanks in large part to the design’s articulate-sounding buffer, all of the clarity, punch, and detailed breakup of the original Tumnus are still there. But if you prefer the sound of true bypass performance, just hit the switch on the side of the pedal for uncolored tonal purity. Brian also injected the Tumnus Deluxe with a level of tonal flexibility not previously available on this style of drive. Active bass and mid controls, as well as a regular treble control (the same as the pedal it was inspired by), encourages you to sculpt the tone from this pedal to the demands of your rig. Whether you’re boosting a driven amp or another …

The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as very musical studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent. Where our older compressors …

Distortion / Pedal Design Foot Pedal / Operation analogue / Effects Distortion

Distortion effect pedal for electric bass guitar that features a double distortion engine (Alpha and Omega) and delivers unparalleled versatility, harmonic rich and bone-crushing sound. It is designed for bassists in need of a preamplifier to be distinctively heard in any musical context. The pedal features Blend control that mixes the clean and processed signals, Level control that sets the volume of the overdriven signal and Drive control that sets the amount of gain in the overdriven signal, as well as Mod control that selects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw. Other control include …

Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.
Type: Distortion
Inputs: Jack 6,3 mm TS
Made in: USA
Package Contents: Manual
Width (mm): 122.0
Controls: Volume;Treble;Bass;Mode;Blend;Gain
USB: No
Weight (g): 200.0
Colour: Red
Power Supply: 9V;Adapter
Outputs: Jack 6,3 mm TS
Number of …

Evolved from UA´s flagship Astra Modulation Machine, Flow Vintage Tremolo gives you three flavors of tube-driven wiggle and shake — from old school to modern — in a dapper, compact package.Authentic emulations of three tube-driven tremolo effects, captured in a compact stompboxPerfectly captured tube preamp for fat, three-dimensional tremolo tonesThree tremolo modes: Dharma (harmonic tremolo), 65 (round, sine wave), and Square (choppier, square wave)Onboard tap tempo for syncing trem effectsVolume control and true/buffered bypassTimeless UA design and craftsmanship, built for decades of dependable performance
Depth (mm): 141.0
Colour: Orange
Inputs: Jack 6,3 mm TS
Outputs: Jack 6,3 mm TS
…

The EarthQuaker Devices White Light V2 is the reissue of the well-known White Light Overdrive and is limited to 2000 pieces worldwide. The White Light V2 takes its inspiration from classic vintage dirt pedals like the OD250 or Distortion+ without imitating them, giving an old sound a new voice. At the same time, the White Light V2 is much more dynamic, open and harmonically rich than the classic overdrives with which it shares its lineage.The Weight control adjusts saturation and bass, offering a wealth of tonal shaping possibilities. The Gain control goes from clean to a nice crunchy overdrive tone, and there is plenty of output volume on tap to flame-broil the input of any amplifier. The Compression …

includes ECB04 18v power supply, Sweep-U flanger sound
UK/EU Power supply included: No
Made in: USA
Battery Type: 9V
Battery Operation: Yes
Type: Flanger
Power Supply: Adapter or Battery

The True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his "blackface" amplifiers and a revolution was born. The True Spring Reverb also allows you to combine any of its iconic spring reverbs with any of the pedal's three tremolo effects. The True Spring's tremolos are the same organic effects that originally …

The Boss GT-1 Guitar Effects Processor is a pedal that delivers a wide range of high-quality effects in a compact and lightweight design perfect for any travelling or regularly gigging musician. Containing a history of Boss processing from the OD-1 overdrive to modern effects powered by MDP technology this pedal features plenty of functions that are suited to both novice and highly experienced players. Featuring a wide range of effects from distortions chorus effects and delays to instrument simulations amp tones and looper effects - with even more accessible from the Boss tone center website. With up to 7 hours of battery power with constant use the Boss GT-1 is the perfect multi-effects pedal …

Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles "Revolution 1" in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt, and Hi Pass. "Master" is the classic volume control that controls the overall output. "Pre" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As reaching 75% and above, the fuzz will begin to gate out as user picks the strings harder when playing, it is very responsive to the input signal and touch. The "Tilt" control acts as an active tone control …

Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down.
Controls: Slow;Drive;Volume;Fast;Balance
True Bypass: None
Battery Operation: No
Outputs: Mono;Stereo
UK/EU Power supply included: No
Power Supply: Adapter
Made in: USA
Type: Leslie;Overdrive;Rotary;Buffer
Inputs: Mono (Stereo)

Compact multi-effect combining Soul Food overdrive and Holy Grail Max reverb. It offers clear sound from pure boost to intense overdrive. It also has four reverb effects - Spring, Hall, Plate and Reverse, or the ability to mix the signal between wet and dry.
Type: Multieffect
Controls: Volume;Drive;Blend;Treble;Effect Order;Time
Made in: USA
Power Supply: Adapter
UK/EU Power supply included: Yes
Inputs: Return;Mono
Battery Operation: No
Outputs: Mono;Send
True Bypass: Yes

The next generation effect pedal that surpasses and redefines the distortion pedal.This all new effects unit has been developed by Fumio MiedaThe HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion.This all new effects unit has been developed by Fumio Mieda, developer of many famous legendary devices such as the Univibe. This new kind of effects unit differs from the usual “fuzz” or “distortion” pedal in many ways.The HD-S lets you freely combine the three different distortion circuits to produce a wide range of previously undiscovered sounds, from the traditional fuzz to out of this world distorte…

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

A preamp/boost effect for electric guitars, acoustic guitars or bass guitars. This is a true interpretation of the Boss FA-1 FET with JHS enhancement. In addition, it is equipped with a simple and effective equalizer. The effect is ideal for building distorted pedals, but its true charm lies in "kicking" the tupbe amplifier into its natural overdrive. The equalizer can then be adjusted precisely according to the amplifier's natural response. Controlled with Volume, Bass, Middle, Treble and with the rotary switch for three equalizer modes. In addition, it includes side DIP switches for low cut and ground lift. The effect is true bypass, it is equipped with a robust metal construction and is powered …

Delay / Pedal Design Foot Pedal / Effects Reverb

Pedal Design Foot Pedal / Operation digital

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High-pass frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. Low-pass frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Level: …

Fourth version of the popular Charlie Brown overdrive effects pedal that is voiced to transform any good amp into a living, breathing replica of the original Marshall JTM45 tone that built an era, loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. This version builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. There are Volume, Drive, Bass, Mids, and Treble controls: the Volume control acts as a master volume would on the amplifier; the Drive knob controls the amount of dirt or overdrive in the path. With the gain below 50%, it is a low gain grit overdrive that even Hendrix would be proud to turn …