Effects Pedals

Pedal effect for electric guitar from MXR - Delay. The Carbon Copy Mini Analog Delay packs organic analog warmth and ease of use into an MXR mini housing with added sonic versatility so that you can make the most out of your pedalboard real estate. In its default mode, this pedal’s repeats yield the dark, mellow wash that made the Carbon Copy Analog Delay famous. For players who want more sparkle and clarity, we added a Bright switch that accentuates high end frequencies for increased presence and distinctively vocal repeats. And of course, the Carbon Copy Mini Delay is outfitted with the same modulation section as its forebear. Push the Mod switch and adjust the internal Speed and Depth …

Acoustic Guitar Preamp / Pedal Design Foot Pedal / Operation analogue / Effects Equalizer

Discover the groundbreaking ROSS Pedals Distortion, a tribute to the timeless legacy of ROSS pedals. Meticulously crafted with classic ROSS circuits and cutting-edge improvements, this pedal delivers unparalleled versatility and tone. Experience natural tube-like overdrive distortion and seamless soft-touch bypass switching. Unleash your creativity with a mode switch offering two circuit versions, and control volume and distortion with precision. Embrace the legendary sound of the past, while forging a new path with the ROSS Pedals Distortion. Connect effortlessly with your guitar and amplifier, powered by a standard 9V DC Negative Centre. Enter a new era of distortion and elevate your musical …

The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.…

Pedal Design Foot Pedal / Operation analogue

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …

No one does analog delay and modulation like Electro-Harmonix and the Nano Deluxe Memory Man delivers the unmistakably lush delay, chorus and vibrato of the benchmark large-format Deluxe Memory Man in a compact, pedalboard ready chassis.The Nano Deluxe Memory Man delivers EHX’s signature analog delay, chorus and vibrato plus some updates we’ve added including both Rate and Depth knobs for enhanced modulation control. It features a maximum delay time of 550mS, an internal user-accessible switch to turn delay tails on or off, true bypass switching when the tails feature is off and it comes equipped with a standard 9Volt power supply. For over 44 years the Deluxe Memory Man has been the gold stan…

Cirrus is KMA Audio Machines’ first step into the fully digital realm. But they didn’t just want to do a regular and run-of-the-mill type of product.No, what they came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it’s time to jump down the sonic wormhole!This little Spatial-Temporal Modifier gives you three …

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are carefully selected and particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino offers 3 filter ranges, 2 sweep directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you can maintain the highest headroom for your tone. An incredibly robust build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley …

For more than 30 years, the key component of Tom Morello’s raw, hard-hitting sonic voice has been his amp setup. The MXR Power 50 Overdrive captures the sound and functionality of that setup for use with any rig, whether you have a simple combo amp or a high-end custom stack.The circuitry of the Power 50 Overdrive uses MOSFET technology to recreate the preamp stages of Tom’s amplifier for amp-like performance that’s uncanny in its ability to reproduce those big, gnarly tones. Tom relies solely on his amplifier for his signature distortion tones, and when you step on the Power 50 Overdrive, you’ll understand why.The Power 50 Overdrive is fitted with the same control interface as Tom’s amp, featu…

with BC-108 Silizium Transistor, reproduction of the Dallas Arbiter Fuzzface
Power Supply: None, Only Battery Operated
UK/EU Power supply included: No
Battery Operation: Yes
Battery Type: 9V
Type: Fuzz
Made in: USA

Pedal Design Foot Pedal

Synthesizer effects pedal for electric guitar with expression pedal input. The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber. The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the …

Pedal Design Foot Pedal / Operation analogue

By cramming a Paisley Drive and Brian's Underdog circuit into one single pedal, Wampler is delivering the ultimate Brad Paisley pedal. Not only do you have independent access to both tones, but you are able to stack them, for more harmonically rich drives, in any order you want. Taking a cue from Wampler's popular Tom Quayle signature Dual Fusion's groundbreaking signal routing, you're able to run each side of the Paisley Deluxe as an individual pedal - perfect for today's pedal switcher-based rigs. Whether you're looking to nail Brad's gorgeous signature tones or are looking for a great-sounding overdrive with unbelievable flexibility, you can't go wrong with the Wampler Paisley Deluxe.This …

Now you can get the dynamic versatility and space-saving footprint of the Cry Baby Mini 535Q Wah with the ultimate mod for convenient live performances—auto-return switching. With just four controls, you can radically alter your instrument’s voice with quick and easy adjustments to match the sound and vibe of the rest of your setup. First, the Range Selector allows you to choose from our four most popular sweep ranges, from warm and vintage-inspired to modern and aggressive. Next, the Q control allows you to shape the response of the wah effect from a narrow bandpass that emphasizes higher end harmonics to a wide bandpass that emphasizes lower end harmonics. Finally, the Volume knob …

Guitar pedal effect. The DDR combines the most common guitar effects–DRIVE and WET–into one pedal. Choose between two classic overdrives and then pour on some delay or reverb.
The DRIVE section gives you two styles of overdrive to choose from: Crunch or Lead. The Crunch Style gives you a gritty British tube-amp combo sound. The Lead Style gives you a warm and dark, mid-pushed overdrive. The WET side of the pedal gives you Delays and Reverbs. A Vintage/Modern Switch allows you to toggle between Spring and Plate reverb or Analog and Digital delay. Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you’ll need.
Tuner: No<…

The Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

Versatile dual reverb effect pedal that is very user-friendly thanks to its graphic faceplate and various controls for creating the perfect spring reverb full of rich overtones. It features Depth, Length, Highs and Boost knobs as well as two switchable reverb mixes Tank 1 and Tank 2. The pedal also has an effects loop that allows for putting any effect on the reverb tails, and an internal switch that allows for having the effects loop on only when Tank 2 is engaged.
Type: Reverb;Boost
Made in: USA
Power Supply: 9V;Adapter
Battery Detail: Al/Mn
UK/EU Power supply included: No

Guitar flanger / phaser pedal effect. The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity …

Chorus / Pedal Design Foot Pedal / Effects Chorus

Pedal effect – wah from Dunlop. The Gary Clark Jr. Crybaby Wah was created with the blues in mind and has a tight tone and great looks that you can't get enough of. The Gary Clark Jr. signature Wah Pedal has a modified circuit that gives it a lower frequency range.
Dunlop and Gary Clark Jr. worked together to create a wah pedal with a unique character. The result is a wah that has a certain gravity and weight to its sound. The voicing is tuned to a lower frequency range to add warmth and smoothness. A tighter sweep keeps the sound together and adds the percussive element that Gary Clark Jr is known for.
For his signature wah, Gary Clark Jr. personally chose a brushed copper finish. The …

Out of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock's simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SO…