Effects Pedals

Take your favorite studio compressor to the stage with the MXR Bass Compressor. A complete array of controls—Attack, Release, Ratio, Input, and Output—makes it easy to fine-tune your sound, from subtle peak limiting to hard squashed compression effects. Its CHT Constant Headroom Technology gives you plenty of headroom and clear performance. This totally transparent compressor allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the ten, highly visible gain-reduction status LEDs. It's all packed into a durable, lightweight aluminum-housing pedal that's the size of a Phase 90.
UK/EU Power supply included: No
Type: Compressor
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Pedal effect for electric guitar. The polyphonic effect of the BASS9 Bass Machine transforms the sound of a guitar into the sound of a bass guitar (9 modes) without the need for special pickups and MIDI connections. It uses the same technology as all pedals from the EHX 9 - MEL9 Tape Replay Machine series with a new algorithm for transposition one to two octaves downwards and excellent dynamics.9 modes: Precision, Longhorn, Fretless, Synth, Virtual, Bowed, Split Bass, 3:03, Flip-FlopThe pedal includes independent volume control for the Effect and Dry channels. This allows the ratio to be set optimally for the output signal.Controls 1 and 2 are designed to adjust the specific parameters of each …

Pedal Design Foot Pedal

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

A preamp/boost effect for electric guitars, acoustic guitars or bass guitars. This is a true interpretation of the Boss FA-1 FET with JHS enhancement. In addition, it is equipped with a simple and effective equalizer. The effect is ideal for building distorted pedals, but its true charm lies in "kicking" the tupbe amplifier into its natural overdrive. The equalizer can then be adjusted precisely according to the amplifier's natural response. Controlled with Volume, Bass, Middle, Treble and with the rotary switch for three equalizer modes. In addition, it includes side DIP switches for low cut and ground lift. The effect is true bypass, it is equipped with a robust metal construction and is powered …

Fourth version of the JHS's most known and praised overdrive effect pedal - Morning Glory. It features Volume, Drive, Tone and Gain controls. The Volume control acts as a master output level control. One improvement of this version is the doubled amount of available headroom of this control. The Drive control dials in overdrive as user turns it clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as user turns it clockwise, the tone becomes brighter. As he turns this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, …

The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where Keeley´s older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! …

6 Whammy Presets and 2 Detune Presets (Shallow & Deep), Harmony, Presets and Effects can be controlled by MIDI, True Bypass, stable Metal Enclosure, Bypass, Detune and Whammy Effects: 9 Harmony Bend Presets, included AC/DC Power Supply (PS 913 DC)
Outputs: Jack 6,3 mm TS
Number of Buttons: 1
Depth (mm): 197.0
Height (mm): 64.0
Inputs: MIDI IN;Jack 6,3 mm TS
Type: Harmonizer;Whammy;Octaver
Controls: Classic/Chords;Mode Detune
Power Supply: Adapter;9V DC ( - )
Package Contents: Manual;Adapter
Width (mm): 165.0
Battery Operation: No
True Bypass: Yes
Colour: Red
UK/EU Power supply included: Yes
MIDI Interface: Yes…

Noise Gate / Pedal Design Desktop

Pedal Design Foot Pedal / Operation analogue

After many, many, requests, they have finally made a "Small Foot" version of this fat monster tone machine. For practical reasons, they of course had to sacrifice some of the neat features of the first Caprid, in order to fit the circuit into the pedal-board friendly 125-style box of the Small Foot. It sound very similar like his big brother. On the small foot they used quieter, metal film resistors, standard size metal film and ceramic capacitors, as well as a smaller (duh) PCB in order to fit into the box.
Power Supply: Adapter;9V;Battery
Width (mm): 65.0
Weight (g): 284.0
Type: Fuzz
Package Contents: Manual
Inputs: Jack 6,3 mm TS
Outputs: Jack 6,3 mm TS
Colour: White
Depth (mm): 121.0
Battery …

Guitar pedal effect - Sample and Hold Envelope Filter, auto-wah and voltage controlled envelope filter (VCF), 3 modes: Up Sweep, Down Sweep and Sample & Hold, true bypass, 3 controls for Range, Resonance and Filter, silent relay-based soft touch switching, bypass footswitch, 6.3 mm mono IN/OUT jacks, status LED, metal housing, power supply optional 9V DC adapter (not included), battery operation not supported, dimensions (D x W x H) 117 x 64 x 57 mm
Made in: USA
Power Supply: 9V;Adapter
Type: Multieffect
UK/EU Power supply included: No
Battery Operation: Yes
True Bypass: Yes

Wah-Wah

Nobody does Reverse Delay like this! Invented by ­Danelectro® in 1999, this pedal has achieved cult status. Originals cost a small fortune. Why? Because of its warm violin-like, organ-like tone. It literally flips the phrase you just played and plays it ­backwards. There’s nothing like it! Party like it’s 1999. Because it is!
Type: Delay
Package Contents: Manual
Outputs: Jack 6,3mm TS
Made in: China
Controls: Mix;Repeats;Speed
Battery Detail: Al/Mn
Power Supply: 9V
UK/EU Power supply included: No
Battery Operation: No
Inputs: Mono
Colour: Green
True Bypass: Yes

The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain, tight, bass, treble and presence. These responsive knobs will take you from light, slightly broken up overdrives to straight up gain nirvana. Built in the USA and designed to withstand decades of abuse the BE-OD is a must have pedal for any tone enthusiast.
Controls: Bass;Presence;Treble;Volume;Tight;Gain
Type: Equalizer;Overdrive;Preamp
True Bypass: Yes
Power Supply: Adapter
Made in: USA
Inputs: Mono<…

Harmoniser

Legendary delay pedal effect with 3 pressure-sensitive footswitches, new algorithms and 6 presets. 3 footswitches with MASH let you toggle between delay sounds instantly. New pristine Crystal algorithm along with hyper-realistic Analog and Tape algorithms. Preset bank switch lets you easily access up to 6 stored delay presets. 10 quality delay types plus 6 TonePrint slots that let you store effects and artist TonePrints. Dedicated tap tempo switch keeps your delay effects right on the beat. MASH footswitches give you powerful effect-specific real-time parameter control. Subdivision knob with 11 tempo settings for a wealth of rhythmic delay possibilities. Craft delays and customize MASH functionality …

Pedal Design Foot Pedal / Operation analogue

Ledges is a compact, three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. If you’re looking for that classic, standard reverb tone from the players and songs you love, then this is your pedal. If you want to push the limits and take it further to sonic reaches that only you can uncover, then this is also your pedal. It’s everything you’ve ever wanted and needed out of a reverb.
Number of Buttons: 1
Inputs: Jack 6,3 mm TS
Height (mm): 57.0
Controls: Mix;Damping;Length;Mode Selector;Preset Save/Recall;Preset
Power Supply: Adapter;9V DC ( - )
Outputs: Jack 6,3 mm TS
Width (mm): 64.0
Weight (g): 279.0
Number of Pre…

The Pitch Fork®+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it’s your ultimate harmonizer.• Dedicated volume controls for both Shift voices and the Dry signal.• Two outputs, Main and Aux, with multiple routing options.• 10 unique factory presets plus the ability to easily save/recall 100 programs.• A Bypass footswitch that toggles between effect on and buffered bypass. In latch mode it switches between effect and bypass mode. In Momentary mode the effect is on when …

Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal with an added boost section. The new boost section in the AT+ is a completely independent single control boost that you can kick in at any moment with the dedicated footswitch. On it's own it provides a little bit of grit, pushing your clean sound a bit up to a light crunch on some amps. Combine it with the AT drive inside though and you can take that amazing overdriven sound into a sweet sustaining lead …

Finally, all the essentials in one tough little box. You need a serious D.I. for playing live and laying down killer tracks. You've got to have a preamp and finely tuned EQ to add punch to your tones. And you definitely can't do without some rich, custom distortion. This one-of-a-kind pedal gives you the whole deal in a bomb-proof enclosure that will survive even the most out of control gigs-and players. Built with the highest quality components, the M-80 can give you eve everything from warmth and transparency to a volcanic roar, without making you scroll through menu screens or an indecipherable manual. Engage the color switch for some sweet preset EQ, then tweak your tone with three band …

Tweaking the platform of Fault overdrive/distortion, they’ve carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.
Master Volume, Gain, and Voice controls
Footswitchable second gain stage set by the Gain 2 knob
Sliders for Low, Mid, and High frequencies
Boost toggle to set range of Gain 1 knob from clean to mean
Crush toggle to add an additional post-EQ clipping stage
Relay bypass switching
Requires 9V 2.1mm negative center-pin power adapter (not included).
Controls: …

Bass Amp Modeler