Effects Pedals

Synthesizer effects pedal for electric guitar with expression pedal input. The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber. The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the …

Pedal effect – wah from Dunlop. The Gary Clark Jr. Crybaby Wah was created with the blues in mind and has a tight tone and great looks that you can't get enough of. The Gary Clark Jr. signature Wah Pedal has a modified circuit that gives it a lower frequency range.
Dunlop and Gary Clark Jr. worked together to create a wah pedal with a unique character. The result is a wah that has a certain gravity and weight to its sound. The voicing is tuned to a lower frequency range to add warmth and smoothness. A tighter sweep keeps the sound together and adds the percussive element that Gary Clark Jr is known for.
For his signature wah, Gary Clark Jr. personally chose a brushed copper finish. The …

Effect for electric guitar - Distortion/Tube Amp High Gain. Features True bypass, 100% Analog, 7 EQ knobs, three stacked Gain stages, jacks: input, output. Works with 9-18 VDC - Louder and More Powerful at 18 Volts, negative tip, power supply connector. Made from premium components. Dimensions (D x W x H) 112 mm x 68 mm x 51 mm. Weight 277 g. Made in USA. In a black finish.
Made in: China
Power Supply: Adapter;9V
Type: Equalizer;High Gain;Tube Amp Modeler;Distortion
UK/EU Power supply included: No
True Bypass: Yes

This limited edition version of the Disaster Transport pedal has been redesigned so the delay line reduces the noise floor and improves the quality of the delay. The output is boosted with a cleaner mixing section; it’s now filtered to sound more like an analog delay than any of the previous versions. This delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialed in for more of a dramatic effect of your choosing. A Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gi…

Keeley DS-9 is a unique distortion pedal combining the best of the famous green and orange stompboxes from the past, now adding a bass boost for zero loss of low frequencies. Level controls the amountThe DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.
Type: Tremolo;Vibe;Reverb
True Bypass: Yes
Power Supply: Adapter;9V
Made in: China
UK/EU Power supply included: No…

This True Bypass pedal switches the signals from magnetic and piezo pick-ups just as free of losses and background noise as it does line signals. The secret is in its gold-plated-contact relays and its active pop-and-click suppression. Any differences in level can be ironed out, and Outputs A and B lowered relative to C. You can also feed signals from totally different sound sources, such as keyboards and CD/MP3 players, to an amp or a PA channel. All inputs and outputs, plus the internal signal path, are stereo. Press the active footswitch again to route the signal to the second output, and thus to an instrument tuner, another amp, or a mixing console channel. The Lehle 3at1 SGoS can be remote …

Tremolo/reverb guitar pedal effect. These lush, dynamic amp effects inspired entire genres of music. The Tre-Verb pedal places independent Tremolo and Reverb effects at your feet in a compact, easy-to-use pedal. We included classic reverb voicings based on our renowned spring reverb units from 1963 and 1965 and multiple tremolo modes. A full suite of tone-shaping controls, including tap tempo for the tremolo effect, make this pedal sonically flexible, while the stereo inputs and outputs ensure it’s easy to connect to any pedalboard or amp. Designed by our in-house team of experts, the Tre-Verb is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, a…

The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard 'JHS Mode'. Push that button for more gain and a mid frequency boost to send …

MG-400 Guitar Multi-FX PedalThe NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into …

Wah-Wah

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are carefully selected and particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino offers 3 filter ranges, 2 sweep directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you can maintain the highest headroom for your tone. An incredibly robust build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley …

Explore tonal landscapes. Vibrate with a new cloud of harmonics. The Walrus Audio Julia V2 Chorus/Vibrato is an awe-inspiring pedal brimming with a plethora of sonic possibilities. The range of effects you can achieve in this compact pedal is astonishing. Youll get that classic tempting and ultra-smooth chorus all the way to a frenzied vibrato sending you into a dizzy world of pure imagination. With multiple control knobs you can invoke a familiar ambience or play around with the exciting non-traditional settings to dream up a universe of new tonal boundaries. Shake up your sound. If youre looking for a powerful chorus/vibrato effect to transform your music at the push of a button - the Julia …

Guitar pedal effect. The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With ot…

The Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs. The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.Like the other members of the Walrus Audio …

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

Bass Chorus / Pedal

The Slö Multi Texture Reverb allows players to create lush, modulated and ambient soundscapes.The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell) and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.
Battery Detail: Al/Mn
Power Supply: Adapter;9V
Battery Operation: No
Outputs: Jack 6,3mm TS
Controls: Rate;Mix;Filter;Reverb;Depth;Decay;Modulation
Type: Reverb
Made in: USA
Inputs: Jack 6,3mm TS
True Bypass: Yes
UK/EU Power supply included: No
Colour: Blue
MP3 / Line In: No
Compatible with: Phoenix 15-output Power Supply 230V
Package Contents: Manual
USB: No…

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Made in: USA
Type: Overdrive
UK/EU Power supply included: No
True Bypass: Yes
Power Supply: 9V;Adapter…

Bass Pitch Shift / Pedal

The EarthQuaker Devices White Light V2 is the reissue of the well-known White Light Overdrive and is limited to 2000 pieces worldwide. The White Light V2 takes its inspiration from classic vintage dirt pedals like the OD250 or Distortion+ without imitating them, giving an old sound a new voice. At the same time, the White Light V2 is much more dynamic, open and harmonically rich than the classic overdrives with which it shares its lineage.The Weight control adjusts saturation and bass, offering a wealth of tonal shaping possibilities. The Gain control goes from clean to a nice crunchy overdrive tone, and there is plenty of output volume on tap to flame-broil the input of any amplifier. The Compression …

Pedal Design Foot Pedal / Operation analogue

Auto Wah

includes ECB04 18v power supply, Sweep-U flanger sound
Made in: USA
Battery Type: 9V
Battery Operation: Yes
Type: Flanger
Power Supply: Adapter or Battery
UK/EU Power supply included: No

The True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his "blackface" amplifiers and a revolution was born. The True Spring Reverb also allows you to combine any of its iconic spring reverbs with any of the pedal's three tremolo effects. The True Spring's tremolos are the same organic effects that originally …