Effects Pedals

Delay / Pedal Design Foot Pedal / Operation analogue / Effects Delay

A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb get blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.
Power Supply: 9V;Adapter or Battery
Made in: USA
Battery Type: 9V
Battery Detail: Al/Mn
UK/EU Power supply included: No
True Bypass: Yes
Type: Reverb

Being able to control the gain on your signal is the most significant part of making your guitar playing sound as heavy as possible. The huge range of gain control is what sets the G3 apart from the competition. It's perfect for Metal, Punk, and the most extreme music styles you can think of. The G3 from Revv has very simple controls so you can dial in the perfect tone with ease. A must have for those who err on the extreme side of music.
Original Colour by Producer: Purple
Controls: Middle;Gain;Bass;Treble;Volume
USB: No
Battery Operation: No
Package Contents: Manual
Variant: G3
Outputs: Jack 6,3 mm TS
Inputs: Jack 6,3 mm TS
UK/EU Power supply included: No
Colour: Violet
Made in: Canada
Type: …

Stimulate inspiration with class-leading sound quality and latest BOSS reverb algorithm. Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate. Twelve versatile modes provide a wide range of reverb types (inc. two new reverb types). Dedicated time, pre-delay, effect level, low/high frequency, and density controls, plus parameter knob that changes function with the selected mode. Access 128 user setups from the panel or MIDI program change. Selectable carryover function allows reverb tails to continue with patch change or effect bypass. Recall consecutive memories plus real-time panel setting via footswitch or dedicated panel button. Panel Lock …

The Cry Baby Daredevil Fuzz Wah fuses the sweet and expressive voice of a modded Cry Baby Wah with a gnarly custom fuzz circuit for a full palette of raw and aggressive tones. This pedal’s origin lies in Daredevil proprietor and builder Johnny Wator’s love for classic vintage circuits and the desire to create bold new sounds.The Cry Baby Daredevil Fuzz Wah is the resulting collaboration, and in true Daredevil fashion, it’s straight-forward and downright dirty. The only external control is a heavy-duty baseball bat switch to toggle the fuzz on and off. Removing the bottom plate reveals two more controls: one to set the pedal’s output when the fuzz is engaged and another …

The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That's a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that'll help you reel in the big one. The Sea Machine ain't no one-trick seahorse. A variable waveshape LFO (adjustable via the Shape control) modulates your chorus tone from a smooth triangle shape, to a rough and choppy square wave, and an extended delay line allows you to dive deeper into uncharted modulated waters than ever before. Other LFO controls include Rate, which sets the speed of the LFO, and Depth,…

A powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.HX Modeling technology captures the unique behavior of analog effects devices by measuring their individual components, resulting in authentic recreations of even notoriously difficult-to-model effects such as germanium fuzz and “bucket-brigade” analog delay pedals.Selecting and engaging effects is straightforward — …

Delay

Out of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock's simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SO…

Walrus Audio’s Julia was an instant favorite of guitarists at Sweetwater, with its rich, cascading chorusing, vibrant vibrato, and unique lag function, which can send the effect into sea-sick, loping ambulation. Julianna offers up all of her little sister’s capabilities but shows off a handful of unique tricks. First and foremost, Julianna features stereo outputs, ideal for wet/dry/wet setups or for creating extra-wide effects in the studio. Next, Julianna treats you to a tap tempo for setting the rate of the effect and a tap division control to split the tempo into quarter notes, quarter note triples, or an eighth-note multiplier. Julianna’s expansive LFO controls take chorusing into unexpl…

Guitar Preamp

Bass Multi Effects Pedal / Pedal / Number of Factory Presets 3 / 3 User Presets

Distortion / Pedal Design Foot Pedal / Effects Overdrive

Reverb

Pedal Design Foot Pedal / Operation analogue

The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but couldn’t come to a consensus about which Muff was king. With the Muffuletta, indecision is your gain. JHS crammed five all-analog re-creations of the pedal’s most beloved tones into this box and even threw in a JHS-exclusive tone that is their take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.
Number of Buttons: 1
Weight (g): 260.0
Power Supply: Adapter;9V<…

Fusing together the powerful evolution of KMA’s highly regarded WURM Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, GUARDIAN of the WURM is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond.
Number of Buttons: 2
Colour: Black
Controls: Blend;High;Master;Gate;Grid;Low;Mid
Made in: Germany
Power Supply: Adapter;9V
Type: Distortion;Noise Gate
True Bypass: Yes
Inputs: Trigger;Jack 6,3 mm TS
USB: No<…

Overdrive

Chorus

The pedal is called Supreme because it simply excels in both tone and functionality. Supreme was born in collaboration with the world famous tone connoisseur Matt Schofield. Matt was looking after the best guitar overdrive tones possible and a specific functionality: two pedals in one, switching from one side to the other with just a single press on the switch.The tones were set for a great all around boost to low gain drive on the A side used mostly on a neck pickup. The A side is heavily based on our famous Royal Blue Overdrive pedal. And for the B side a fat dynamic tone containing some ”power amp” response with a lot of headroom. The B side is a completely new design and is used mostly on a…

The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool Stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect. The 8 reverb modes include a huge reverb with no octave effect (Abyss), reverb with added upper, lower or both octaves to the reverb tail (Shimmer, Sub, Sub Shimmer), added upper and lower octave combined with a regenerating tail (Astral), reverb with upward or downward pitch bending (Ascend, Descend) and reverb with an added regenerating fifth to the reverb …

The Hoof is loosely based on the classic green Russian muff-style fuzz circuit, and features a hybrid Germanium / Silicon design, pairing maximum tone with maximum temperature stability not found in finicky and expensive vintage units. We hand-match our NOS Germanium transistors to exacting specifications for pedal-to-pedal consistency, taking the guesswork out of your fuzz purchase, and guaranteeing that your Hoof delivers the same smooth, natural, and harmonically rich sustain as all your friends' Hoofs. All your friends have Hoof fuzzes, right? The Hoof has a wide gain range, providing everything from dirty and organic amp-like overdrive, to monstrous fuzz madness. This, paired with the "Shift" …

Tremolo guitar effect with JFET-driven Level control provides plenty of clean input gain. This is the fourth generation of the original model with an updated flexi-switch allows momentary or latching operation. The effect offers three Slow, Mid-Tempo and Fast sound modes that can be controlled with the 3-way switch. In addition, the sound can be set using the Depth, Level and Rate potentiometers. The effect is true bypass and is equipped with a metal construction, an expression pedal input, a single footswitch, an LED, and is powered by a 9 V adapter (not included).
Made in: USA
Type: Tremolo
True Bypass: Yes
Power Supply: Adapter;9V
UK/EU Power supply included: No&hellip;

Bass driver pedal effect. Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers.…