Effects Pedals

Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal with an added boost section. The new boost section in the AT+ is a completely independent single control boost that you can kick in at any moment with the dedicated footswitch. On it's own it provides a little bit of grit, pushing your clean sound a bit up to a light crunch on some amps. Combine it with the AT drive inside though and you can take that amazing overdriven sound into a sweet sustaining lead …

Pedal Design Foot Pedal / Operation analogue

KH95, signature model wah wah pedal
Type: Wah-Wah
Artist / Theme: Kirk Hammett
Power Supply: Adapter or Battery
Battery Type: 9V
Battery Operation: Yes
Made in: USA
UK/EU Power supply included: No

Pedal Design Foot Pedal / Operation analogue

Overdrive

The ZIO is a fully analog preamp / amplifier pedal that includes a choice of four different preamp circuits, each with up to +20 dB of additional output amplification. ZIO is the first fully analog effects pedal from Source Audio and designed in collaboration with Christopher Venter, owner and sole engineer at SHOE Pedals.ZIO is a flexible unit that can serve many different purposes at different points in your signal path. Use it at the front of the effects chain to shape the rest of your outgoing tone, after the drive pedals to completely tune the tone or increase the volume, or at the end of the pedal board to trigger a long cable effect, or as a device to restore the sound of your guitar.…

Tweaking the platform of Fault overdrive/distortion, they’ve carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.
Master Volume, Gain, and Voice controls
Footswitchable second gain stage set by the Gain 2 knob
Sliders for Low, Mid, and High frequencies
Boost toggle to set range of Gain 1 knob from clean to mean
Crush toggle to add an additional post-EQ clipping stage
Relay bypass switching
Requires 9V 2.1mm negative center-pin power adapter (not included).
UK/EU Power …

The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but couldn’t come to a consensus about which Muff was king. With the Muffuletta, indecision is your gain. JHS crammed five all-analog re-creations of the pedal’s most beloved tones into this box and even threw in a JHS-exclusive tone that is their take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.
Depth (mm): 121.0
Colour: Green
Controls: Volume;Mode;Sustain;Tone<&hellip;

Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.
Variant: Standard
Inputs: Jack 6,3 mm TS
Package Contents: Manual
Power Supply: 9V;Adapter
True Bypass: Yes
Colour: Red
Controls: Gain;Treble;Bass;Volume;Mode;Blend
Battery Operation: No
Depth (mm): 58.0
Made in: USA
UK/EU Power supply included: …

Pedal Design Foot Pedal / Operation analogue

Distortion / Pedal Design Foot Pedal / Operation analogue / Effects Distortion

The polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your axe and resurrect the sound of vintage tape-based keyboards.Specifications- Pays homage to nine of the coolest Mellotron® sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir- Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!- Also works with bass guitar down do the open A string as well as keyboards- Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output- Dry Output jack outputs your input signal at unity gain- Attack control s…

Booster / Pedal Design Foot Pedal / Effects Overdrive

Silver Spring Reverb (SSR) is a compact, easy to use digital/analog reverb with a pure analog direct signal path. It creates a natural sounding ambient reverb that will not get in the way of your original signal. The Silver Spring Reverb’s bandwidth is in between the dark warmth of an amplifier’s spring reverb and the pristine clarity of a studio reverb. There is no noise reduction system, in order to keep the decay as natural as possible. The direct signal path is all analog, going straight through analog amplifiers with no filtering. With the input set below the maximum, there is no signal distortion or coloration. The Reverb signal path is filtered to produce the Silver Spring Reverb’s natura…

A vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye. The controls are simple. Rate adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation an…

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit AD/DA, 32-bit internal processing, and 96 kHz sampling rate, as well as support for additional control via external switches, an expression pedal, or MIDI.
Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different …

Lightweight aluminum housing, Internal switch for True Bypass or non-True Bypass operation, Vintage-style Halo Inductor, optional power supply (NT AC/PSA 108096)
Battery Operation: Yes
Battery Type: 9V
Power Supply: Adapter or Battery
Inputs: Mono
Artist / Theme: Joe Bonamassa
Type: Buffer;Wah-Wah
UK/EU Power supply included: No
True Bypass: Yes
Outputs: Mono
Made in: USA

Pedal Design Foot Pedal / Operation analogue / Effects Overdrive

Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. The Tone control allows for subtle coloration of the tone, while the Level control changes the overall output and is affected by the sustain and ratio settings. The Sustain control adjusts how hot the signal is, which changes the dynamics of the compression. The Ratio control determines how much the gain reduction affects the signal and the Attack controls how quickly the compressor reac…

Bass Distortion / Pedal

Expression Pedal / Pedal Design Desktop

This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. But you can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit so that your signal starts to eat itself. Push it all the way and your sound will completely duck down before violently coming back to life. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.
Type: Fuzz;Distortion<&hellip;

Pedal Design Foot Pedal / Operation analogue

The GT-1B gives bass players a massive range of pro tone-shaping power in a small and robust package. Backed by Boss's flagship sound engine, you have full access to a huge selection of bass-optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time. And by connecting to Boss Tone Central, you can download new patches, editing software, and more. Compact, rugged, and battery powered, the GT-1B is the ultimate mobile tone companion for every bassist.
Type: Multieffect
Battery Operation: Yes
Number of Presets: 198
Power Supply: 9V;Adapter …