Effects Pedals

This limited edition version of the Disaster Transport pedal has been redesigned so the delay line reduces the noise floor and improves the quality of the delay. The output is boosted with a cleaner mixing section; it’s now filtered to sound more like an analog delay than any of the previous versions. This delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialed in for more of a dramatic effect of your choosing. A Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gi…

The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard 'JHS Mode'. Push that button for more gain and a mid frequency boost to send …

Guitar pedal effect. The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With ot…

Pedal Design Foot Pedal / Operation analogue

The Slö Multi Texture Reverb allows players to create lush, modulated and ambient soundscapes.The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell) and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.
Controls: Reverb;Rate;Decay;Depth;Modulation;Filter;Mix
True Bypass: Yes
Type: Reverb
Made in: USA
Colour: Blue
UK/EU Power supply included: No
Compatible with: Phoenix 15-output Power Supply 230V
Battery Operation: No
Battery Detail: Al/Mn
USB: No
Outputs: Jack 6,3mm TS
Inputs: Jack 6,3mm TS
Power Supply: Adapter;9V
MP3 / Line In: No
Package Contents: Manual…

The Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs. The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.Like the other members of the Walrus Audio …

Chorus / Pedal Design Foot Pedal / Operation analogue

Pedal Design Foot Pedal

Pedal Switch / Pedal Design Foot Pedal

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

Bass Chorus / Pedal

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Made in: USA
Type: Overdrive
Power Supply: 9V;Adapter
True Bypass: Yes
UK/EU Power supply included: No…

Distortion

Pedal Design Foot Pedal

Offering a total of 30 pitch shift options and expanded controls, the Pico Pitch Fork is the next evolution in pitch shifting from Electro-Harmonix. The original Pitch Fork has garnered praise from all styles of player at every level and the Pico Pitch Fork brings even more features to the celebrated pedal in an impossibly small package.The Pico Pitch Fork features 10 pitch shift intervals and three modes of pitch-shifting – Up, Down and Dual. Dual mode features specially paired pitch shift intervals to allow for more musical effects.Controls on the Pico Pitch Fork are simple and effective. SHIFT selects the Pitch Shift interval. BLEND sets the wet/dry blend of the output mix while VOL …

Chorus

Overdrive

UltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation. It’s the perfect tool for staccato leads, swelling chords, and other evolving effects — everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!
UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedal—Number of Taps, Delay and Feedback—are just the basics. Controls for Spread, Slurm, and Chop open up a new world of possibilities.
Features:
Control the stereo image of taps to alternate between hard-panned and mono.
Five presets …

includes ECB04 18v power supply, Sweep-U flanger sound
Type: Flanger
Power Supply: Adapter or Battery
Battery Type: 9V
Battery Operation: Yes
UK/EU Power supply included: No
Made in: USA

The True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his "blackface" amplifiers and a revolution was born. The True Spring Reverb also allows you to combine any of its iconic spring reverbs with any of the pedal's three tremolo effects. The True Spring's tremolos are the same organic effects that originally …

Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles "Revolution 1" in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt, and Hi Pass. "Master" is the classic volume control that controls the overall output. "Pre" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As reaching 75% and above, the fuzz will begin to gate out as user picks the strings harder when playing, it is very responsive to the input signal and touch. The "Tilt" control acts as an active tone control …

Compact multi-effect combining Soul Food overdrive and Holy Grail Max reverb. It offers clear sound from pure boost to intense overdrive. It also has four reverb effects - Spring, Hall, Plate and Reverse, or the ability to mix the signal between wet and dry.
Battery Operation: No
UK/EU Power supply included: Yes
Inputs: Return;Mono
Outputs: Mono;Send
Power Supply: Adapter
Type: Multieffect
Controls: Volume;Drive;Treble;Time;Blend;Effect Order
Made in: USA
True Bypass: Yes

Bass Compressor / Pedal

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High-pass frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. Low-pass frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Level: …