Effects Pedals

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit AD/DA, 32-bit internal processing, and 96 kHz sampling rate, as well as support for additional control via external switches, an expression pedal, or MIDI.
Version 1.1 Update: User Memory Expansion
The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard …

Pedal Design Foot Pedal / Operation analogue

Harmoniser / Pedal Design Foot Pedal

Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.
Primary modulation switchable between tremolo, chorus, and phaser
Secondary modulation switchable between tremolo and chorus
Rate and Depth controls for primary modulation
Secondary knob to simultaneously …

An Old Blood original reinvented. If dark dirty delay and whirling wistful modulation are your thing youve come to the right place. The Old Blood Noise Endeavors Black Fountain V3 Delay modelled on oil-can delay units from the 50s takes the beloved boutique delay circuit and adds a wealth of up-to-the-minute features for a single-pedal stompbox that really packs a punch. Build spaced-out pads with the newly extended delay time and infinite feedback or dial up the vintage vibes with Organ modes modulated slapback. And the V3s new tap-tempo subdivision select and expression pedal connectivity give you maximum control with unbridled creativity. The Black Fountain V3 scores high on quality features …

status LED and EVH LED, metal footswitch, suitable 18 V power supply (not included)
Power Supply: Battery;Adapter;Adapter or Battery;18V
Type: Flanger
UK/EU Power supply included: No
Artist / Theme: Eddie Van Halen
Battery Type: 9V
Battery Operation: Yes
Made in: USA

Compressor / Pedal Design Foot Pedal / Operation analogue

Loop Station / Pedal Design Desktop / Operation digital / Effects Reverse

Expression Pedal / Pedal Design Desktop

Pedal Design Foot Pedal / Operation analogue

The GT-1B gives bass players a massive range of pro tone-shaping power in a small and robust package. Backed by Boss's flagship sound engine, you have full access to a huge selection of bass-optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time. And by connecting to Boss Tone Central, you can download new patches, editing software, and more. Compact, rugged, and battery powered, the GT-1B is the ultimate mobile tone companion for every bassist.
Controls: Easy;Memory Edit;Expression;FS;Menu;Effect;Write;Select Knob
Battery Operation: …

The Boss CE-2W Waza Craft Chorus Pedal is a special addition to the Boss family to celebrate the 40th anniversary of BOSS innovation. This model takes inspiration from the classic CE-2 chorus sound and adds an expansive new field with stereo output something that was unavailable in the mono CE-2. This model delivers a stunning sound boasting a stereo chorus and vibrato of the legendary CE-1. Thanks to its compact size this model is guaranteed to fit onto any pedalboard. The Boss CE-2W Chorus pedal is the perfect addition to any existing rig.

Distortion

If you like to play it safe, the Way Huge Attack Vector Phaser & Envelope is not for you. It combines two different effects—phase shifter and envelope filter—into a single, dangerous machine. This pedal cranks out an array of off-kilter sounds, twisting your riffs into crazy new forms. Bee stings, perfect for funky moods. Gloopy syrup to drench your low-string twanging. Fifty shades of rude behavior that’ll turn a pleasant cocktail party into a drunken brawl. Controls:FDBK knob adjusts intensity of phaser effectSPEED knob sets rate of phaser effectRANGE knob slider adjusts envelope filter rangPHASE/BOTH/ENVELOPE switchSENS knob sets envelope filter sensitivityFOOTSWITCH toggles effect on/byp…

The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog …

From familiar phase and vibe sounds to resonant random step filtering, warm delays, and previously unheard in-betweens, the Dweller is capable of countless sonic textures with five controls and six modes.
Toggle switches to select between two phaser voices (four-stage and eight-stage) and three wave shapes (sine, triangle, and random step)
Three controls to shape the sound of the phaser: Rate to set rate, Depth to set depth, and Regen to increase intensity.
An innovative Stretch control that changes delay time inside each phaser stage
Mix control from 100% dry (unaffected signal) to 100% wet (affected signal)
Expression jack for external control of the Stretch parameter
Internal trimpot …

Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. The Tone control allows for subtle coloration of the tone, while the Level control changes the overall output and is affected by the sustain and ratio settings. The Sustain control adjusts how hot the signal is, which changes the dynamics of the compression. The Ratio control determines how much the gain reduction affects the signal and the Attack controls how quickly the compressor reac…