Effects Pedals

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output through your board like normal.
metal housing
6.3 mm mono IN jack
2 x 6.3 mm OUT jacks
power supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) center
battery operation not supported
current draw: less than 100 mA
dimensions (L x W x H): 95 x 47 x 35 mm
weight: 120 g
Depth (cm): 4.3
Colour: Black
Power Supply: Adapter
Height (cm): 3.5
Width (cm): 9.5
Net Weight (kg): 0.…

Fourth version of the popular Charlie Brown overdrive effects pedal that is voiced to transform any good amp into a living, breathing replica of the original Marshall JTM45 tone that built an era, loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. This version builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. There are Volume, Drive, Bass, Mids, and Treble controls: the Volume control acts as a master volume would on the amplifier; the Drive knob controls the amount of dirt or overdrive in the path. With the gain below 50%, it is a low gain grit overdrive that even Hendrix would be proud to turn …

The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.…

A preamp/boost effect for electric guitars, acoustic guitars or bass guitars. This is a true interpretation of the Boss FA-1 FET with JHS enhancement. In addition, it is equipped with a simple and effective equalizer. The effect is ideal for building distorted pedals, but its true charm lies in "kicking" the tupbe amplifier into its natural overdrive. The equalizer can then be adjusted precisely according to the amplifier's natural response. Controlled with Volume, Bass, Middle, Treble and with the rotary switch for three equalizer modes. In addition, it includes side DIP switches for low cut and ground lift. The effect is true bypass, it is equipped with a robust metal construction and is powered …

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …

The JHS Hard Drive is the first attempt in the company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level.The Hard Drive goes harder and further than any gain or distortion we’ve released so far. A fres…

Looking for spine-tingling razor-sharp tone? The JHS Pedals Haunting Mids EQ is the answer to your prayers. Give your lead lines an electrifying edge with this Sweepable-Mids EQ pedal that allows you to boost your guitars midrange. A 10dB volume boost means your solos will cut through any mix and sound sharp and defined as they do giving you the power to exhilarate audiences at the loudest of gigs. JHS are world renowned for their hand-built FX pedals and their wide ranging models have become favourites of everyone from Noel Gallagher to Matt Bellamy and Elvis Costello to The Edge. Its time to experience why theyre so popular.

The JHS Pedals 3 Series Flanger is inspired by the classic analog flangers of the past. The intuitive controls for Blend, Rate and Intensity cover a wide range of vintage-inspired sounds. The switchable Tape mode moves the sound into tape-like sweeps with zero through flanging. This mode is inspired by real tape flanging as done in studios by altering the speed of tape machines during playback. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds.
metal housing
6.3 mm mono in / output jacks
power supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
battery operation: not supported
current draw: 70 mA
dimensions (L x W x H): 112 x 60 x …

The JHS Pedals 3 Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
metal housing
6.3 mm mono in / output jacks
power supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
battery operation: not supported
current draw: 70 mA
dimensions (L x W x H): 112 x 60 x 31 mm
weight: ca. 210 g
Type: Reverb
Outputs: Jack 6,3 mm TRS
USB: No
UK/EU Power …

The JHS Pedals 3 Series Screamer is the beloved JHS TS 'Strong Mod', but in a brand-new stand-alone pedal. This pedal represents years of JHS Pedals playing around with the legendary TS-circuit and wanting to offer those changes in an affordable package. The Screamer offers more clean headroom, a better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response than standard TS-style pedals. After years of hard work, this might be the most well-balanced TS-style pedal on earth!
Controls: Switch;Volume;Tone;Drive
True Bypass: Yes
Made in: USA
Original Colour by Producer: White
UK/EU Power supply included: No
Inputs: Jack 6,3 mm
Outputs: Jack 6,3 …

Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles "Revolution 1" in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt, and Hi Pass. "Master" is the classic volume control that controls the overall output. "Pre" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As reaching 75% and above, the fuzz will begin to gate out as user picks the strings harder when playing, it is very responsive to the input signal and touch. The "Tilt" control acts as an active tone control …

The JHS Pedals Overdrive Preamp is a faithful replication of the first version ("Big Box V1") of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this version has been modified (corrected) from the original wiring, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up the Gain control creates more clipping as it pushes the op-amp and hard clipping into overdrive. JHS Pedals also added a slider switch, which wasn't included with the original DOD 250. While researching the original …

2-in-1 echo/slap delay and boost effects pedal that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. It can be simply set it low at unity gain for an always-on enhancer that fattens up and clarifies the tone, or turned more clockwise to push the tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analogue BBD delay, and cover the tonal grounds between both. The controls are simple and it sounds good in every setting.…

Versatile dual reverb effect pedal that is very user-friendly thanks to its graphic faceplate and various controls for creating the perfect spring reverb full of rich overtones. It features Depth, Length, Highs and Boost knobs as well as two switchable reverb mixes Tank 1 and Tank 2. The pedal also has an effects loop that allows for putting any effect on the reverb tails, and an internal switch that allows for having the effects loop on only when Tank 2 is engaged.
Type: Boost;Reverb
Battery Detail: Al/Mn
Made in: USA
Power Supply: 9V;Adapter
UK/EU Power supply included: No

The pulsating, throbbing sound of vintage Fender and Vox amplifier tremolo lives on in the JHS Tidewater mini tremolo pedal. With a simple control set — volume, mix, and speed — the Tidewater pedal delivers amp-like warmth and dimension. So much so, that you can even dial the mix knob back and simply use it as a wonderfully rich preamp boost by pushing its volume up. Guitarists appreciate the ability to adjust the range of the speed control via internal DIP switches. If you've been searching for classic tube-tremolo tone that you can use with any amplifier, the JHS Tidewater pedal may bring that search to an end.
UK/EU Power supply included: No
Type: Tremolo;Preamp;Boost
Made in: USA
Power Supp…

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

Guitar pedal - analogue attenuator. Tames a screaming-loud tube amp by running through the effects loop and controlling the amount of signal sent to the power section. Lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. Retain the response and tone of your amp’s sweet spot at lower levels.
Made in: USA
UK/EU Power supply included: No
Power Supply: Passive
Type: Preamp

When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined. This is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

Guitar pedal - A/B footswitch. Simple footswitch design selects between a pair of 6,3 mm jacks on the left side of the unit. Instantly swap between two instruments. Perfect for switching tones on dual-amplifier rigs. Isolate your tuner from the signal chain, while achieving silent onstage tuning. Small size is ideal for saving pedalboard space.
UK/EU Power supply included: No
Made in: USA
Power Supply: Adapter;9V

Fourth version of the JHS's most known and praised overdrive effect pedal - Morning Glory. It features Volume, Drive, Tone and Gain controls. The Volume control acts as a master output level control. One improvement of this version is the doubled amount of available headroom of this control. The Drive control dials in overdrive as user turns it clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as user turns it clockwise, the tone becomes brighter. As he turns this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, …

Foot switch designed for mutes the signal completely. It is equipped with a two-color LED and a metal body. The switch has a built-in single 6.3 mm mono jack input and output. It is powered by a 9 V DC adapter with a 2.1 x 5.5 mm barrel connector and center negative polarity (not included). Dimensions: 95 x 47 x 35 mm, Weight: 130 g
Power Supply: Adapter;9V
Type: Muter
Made in: USA
UK/EU Power supply included: No