Effects Pedals

with BC-108 Silizium Transistor, reproduction of the Dallas Arbiter Fuzzface
UK/EU Power supply included: No
Type: Fuzz
Made in: USA
Battery Operation: Yes
Battery Type: more→9V
Power Supply: None, Only Battery Operated

Pedal Design Foot Pedal

controls for output level, tone and gain, status LED, powered via 9V battery or power supply (9V or 18V). optional power supply (Dunlop ECB-004).
Battery Operation: Yes
Power Supply: Adapt more→er or Battery
Battery Type: 9V
Made in: USA
UK/EU Power supply included: No
Type: Overdrive;Boost

Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly for more→m of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level an…

Extraordinary tone shaping control, dynamic arrays of distortion and exceptional amounts of EQ are all laid out at your feet. The Pentatone preamp from Ibanez affords the perfect blend of features all more→wrapped up in an intuitive, all-analog platform. This preamp brings together five individual tone shaping sections in the form of a pre boost, distortion with two band EQ, a noise gate, 5-band parametric EQ, and post boost. The pedal also includes a bright switch, which enhances treble response by boosting the high frequency range. The two integrated footswitches control the preamp bypass and post boost functions, while adding an Ibanez IFS2L external foot-switch enhances the player’s control ev…

Out of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts more→out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock's simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SO…

Guitar pedal effect. The DDR combines the most common guitar effects–DRIVE and WET–into one pedal. Choose between two classic overdrives and then pour on some delay or reverb.
The DR more→IVE section gives you two styles of overdrive to choose from: Crunch or Lead. The Crunch Style gives you a gritty British tube-amp combo sound. The Lead Style gives you a warm and dark, mid-pushed overdrive. The WET side of the pedal gives you Delays and Reverbs. A Vintage/Modern Switch allows you to toggle between Spring and Plate reverb or Analog and Digital delay. Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you’ll need.
Battery …

Pedal Design Foot Pedal

Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo more→sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.With the RE-2, the authentic sound and behavior of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint—realized in flawless detail by the company that designed the or…

Overdrive / Pedal Design Foot Pedal / Effects Overdrive

Overdrive / Pedal Design Desktop

The Royal Blue Overdrive is an extremely touch sensitive overdrive. It offers a wide range of tones from light overdrive into distortion and at lowest Distortion knob setting works as an EQ. It can al more→so be used to create tube amp-like crunchy ‘strike hard for distortion’ effect. There is not much filtering on the overdrive, to provide a transparent tone that you can tailor with both the Treble and Bass controls. Like the best boutique amps, the Royal Blue OD lets you determine the amount of breakup by how hard you strike the strings with your pick, and/or by adjusting the volume knob on your guitar. The Royal Blue can add this level of expressiveness to any clean or slightly overdriven amplifier.

Wah-Wah / Pedal Design Foot Pedal / Operation analogue

Guitar effect - compact fuzz pedal from Fuzz Face series, which is a reincarnation of the pedal Band of Gypsys Fuzz Face and offers slightly more aggressive, but still classic "Hendrix´s" sound of '70 more→s. It features smaller design, controls Volume and Fuzz, LED indicator of on/off status, true bypass switch, 1/4" input and output and input for power adapter (not included).
Type: Fuzz
True Bypass: Yes
Made in: USA
Battery Operation: Yes
Battery Type: 9V
Power Supply: Adapter or Battery
UK/EU Power supply included: No

Bass guitar pedal effect. The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players dem more→and. This pedal delivers an impressive range of smooth, musical sounds - from a tone-thickening growl to chest-rumbling dub tones-all in the space-saving MXR mini housing. The voice of the Vintage Bass Octave is rich and throaty, and it comes in two forms - one octave down and two octaves down. Each can be dialed in separately with the Oct 1 and Oct 2 volume controls, and with a Dry volume control to dial in your clean signal, you can concoct just the right blend for your rig. For extra clarity …

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pe more→dals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …

Overdrive / Pedal Design Foot Pedal / Operation analogue

The Keeley Super Phat Mod is Keeley's famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way. The original pedal was a great design that features tube-like amp more→stages, tube amp tone stacks, and a variety of tone shaping circuits that bring out the best in any guitar’s pickups. Keeley had found the magic device that pushed it over the top.overdrive effects pedaltube-like JFET gain-stagetrue bypasscontrols for Drive, Tone and Leveltoggle switch to select between „Flat“ and „Fat“ gain modesbypass footswitchstatus LEDmetal housing6.3 mm mono IN/OUT jackspower supply via optional 9V battery or 9V DC adapter 2.1 x 5.5 mm barrel plug, polarity (-) centerdime…

The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perf more→ectly capture the magic The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more …

Noise Gate / Pedal Design Foot Pedal / Effects Boost

Brought to you by Blackstar’s R&D division responsible for blue-sky innovation and design, Dept. 10 are the most advanced valve pedals in the world. Meticulously designed and engineered by a tea more→m of musicians for musicians. Choose from Boost, Dual Drive or Dual Distortion to help you craft your perfect tone. At the heart of each Dept. 10 pedal is an ECC83 triode valve, running at more than 200V internally like a valve amp, which allows them to deliver organic tone, dynamics and break up. Dual Drive and Dual Distortion include Cab Rig, next-generation DSP speaker simulator that reproduces the sound and feel of a mic’d up guitar cab in incredible detail. Deep-dive using free software …

Pedal Design Foot Pedal / Operation analogue