Effects Pedals

Guitar pedal - analogue attenuator. Tames a screaming-loud tube amp by running through the effects loop and controlling the amount of signal sent to the power section. Lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. Retain the response and tone of your amp’s sweet spot at lower levels.
Type: Preamp
Power Supply: Passive
Made in: USA
UK/EU Power supply included: No

FET Compressor guitar effect pedal. It is ideal for studio work, but also for live use and it has compact dimensions. It is set using three Volume, Compression and Blend potentiometers. The effect is true bypass, it is equipped with a robust metal construction and is powered by a 9 V adapter (not included).
Type: Fet;Compressor
Controls: Comp
UK/EU Power supply included: No
Number of Buttons: 1
Power Supply: 9V;Adapter
Battery Operation: No
True Bypass: Yes
Made in: USA
Outputs: Jack 6,3 mm TS
Colour: White
Inputs: Jack 6,3 mm TS

Since the fuzz effect was invented in the early sixties, guitar players have gone to great lengths to achieve the perfect fuzz tone. Legends say that Duane Allman placed his fuzz pedal in the freezer between sessions to cool down the transistors, and that Roger Mayer meticulously modified Hendrix’s Fuzz Faces beyond recognition in search of an elusive, magical fuzz experience. Fortunately, even apart from these mythological methods, there’s one trick that always works: use a dying battery. Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different …

Versatile dual reverb effect pedal that is very user-friendly thanks to its graphic faceplate and various controls for creating the perfect spring reverb full of rich overtones. It features Depth, Length, Highs and Boost knobs as well as two switchable reverb mixes Tank 1 and Tank 2. The pedal also has an effects loop that allows for putting any effect on the reverb tails, and an internal switch that allows for having the effects loop on only when Tank 2 is engaged.
Power Supply: 9V;Adapter
Battery Detail: Al/Mn
Type: Reverb;Boost
UK/EU Power supply included: No
Made in: USA

2-in-1 echo/slap delay and boost effects pedal that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. It can be simply set it low at unity gain for an always-on enhancer that fattens up and clarifies the tone, or turned more clockwise to push the tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analogue BBD delay, and cover the tonal grounds between both. The controls are simple and it sounds good in every setting.…

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Type: Overdrive
Made in: USA
UK/EU Power supply included: No
Power Supply: 9V;Adapter
True Bypass: Yes…

A preamp/boost effect for electric guitars, acoustic guitars or bass guitars. This is a true interpretation of the Boss FA-1 FET with JHS enhancement. In addition, it is equipped with a simple and effective equalizer. The effect is ideal for building distorted pedals, but its true charm lies in "kicking" the tupbe amplifier into its natural overdrive. The equalizer can then be adjusted precisely according to the amplifier's natural response. Controlled with Volume, Bass, Middle, Treble and with the rotary switch for three equalizer modes. In addition, it includes side DIP switches for low cut and ground lift. The effect is true bypass, it is equipped with a robust metal construction and is powered …

Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal with an added boost section. The new boost section in the AT+ is a completely independent single control boost that you can kick in at any moment with the dedicated footswitch. On it's own it provides a little bit of grit, pushing your clean sound a bit up to a light crunch on some amps. Combine it with the AT drive inside though and you can take that amazing overdriven sound into a sweet sustaining lead …

Distortion

Fuzz / Pedal Design Foot Pedal / Operation analogue

The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more …

Booster

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog …

Foot switch designed for mutes the signal completely. It is equipped with a two-color LED and a metal body. The switch has a built-in single 6.3 mm mono jack input and output. It is powered by a 9 V DC adapter with a 2.1 x 5.5 mm barrel connector and center negative polarity (not included). Dimensions: 95 x 47 x 35 mm, Weight: 130 g
Type: Muter
Power Supply: 9V;Adapter
Made in: USA
UK/EU Power supply included: No

The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but couldn’t come to a consensus about which Muff was king. With the Muffuletta, indecision is your gain. JHS crammed five all-analog re-creations of the pedal’s most beloved tones into this box and even threw in a JHS-exclusive tone that is their take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.
Controls: Sustain;Tone;Volume;Mode
Colour: Green
Made in: …

Fourth version of the JHS's most known and praised overdrive effect pedal - Morning Glory. It features Volume, Drive, Tone and Gain controls. The Volume control acts as a master output level control. One improvement of this version is the doubled amount of available headroom of this control. The Drive control dials in overdrive as user turns it clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as user turns it clockwise, the tone becomes brighter. As he turns this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

Distortion

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …

Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles "Revolution 1" in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt, and Hi Pass. "Master" is the classic volume control that controls the overall output. "Pre" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As reaching 75% and above, the fuzz will begin to gate out as user picks the strings harder when playing, it is very responsive to the input signal and touch. The "Tilt" control acts as an active tone control …

The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.…

Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already hot amp into massive sustain, everyone needs a screamer on their board. Over the last 40 years there have been hundreds of models from different brands, some more original than others. But with so much choice it can be really hard to find the one that is right for your rig. That is no longer a problem thanks to the JHS Bonsai a 9-way TS style pedal that has perfect replications of 9 different screamer …