Effects Pedals

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Chorus / Pedal Design Foot Pedal / Operation analogue

The Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs. The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.Like the other members of the Walrus Audio …

The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard 'JHS Mode'. Push that button for more gain and a mid frequency boost to send …

Guitar pedal effect. The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With ot…

The Slö Multi Texture Reverb allows players to create lush, modulated and ambient soundscapes.The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell) and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.
Type: Reverb
Battery Detail: Al/Mn
True Bypass: Yes
Power Supply: Adapter;9V
Inputs: Jack 6,3mm TS
Controls: Modulation;Rate;Depth;Filter;Mix;Reverb;Decay
Colour: Blue
Made in: USA
Battery Operation: No
UK/EU Power supply included: No
MP3 / Line In: No
USB: No
Package Contents: Manual
Outputs: Jack 6,3mm TS
Compatible with: Phoenix 15-output Power Supply 230V…

Pedal Switch / Pedal Design Foot Pedal

Pedal Design Foot Pedal

PitchShifter / Harmony Pedal floor effect designed for electric bass guitar. It is equipped with Harmony, Shift, Detune sections and a built-in Expression pedal. The Shift section contains 9 different expression modes for obtaining different musical intervals, such as instant shifting by two octaves or tuning to a different key.
UK/EU Power supply included: Yes
True Bypass: Yes
Type: Pitch Shifter;Whammy;Detune
Outputs: Jack 6,3 mm TS
Controls: Classic/Chords;Detune
Power Supply: Adapter
Depth (cm): 19.68
Package Contents: Adapter
Inputs: MIDI IN;Jack 6,3 mm TS
Height (cm): 6.35
Battery Operation: No
Width (cm): 16.5
Number of Buttons: 1
Colour: Blue…

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

Guitar effect - fuzz/octave pedal from MXR series, which combines the functions and circuitry La Machine Fuzz pedal with an added signal circuit Sub-Octave. It offers classic controls Volume, Tone, Fuzz, but in addition it also features control Sub for adjusting Sub-Octave signal and switches Series (between modes Series/Parallel), Octave (fuzz Octave increase) and Bypass (pedal on/bypass mode). Power supply by 9 V battery or AC adapter. Dimensions: 124 x 92 x 54 mm.
Power Supply: Adapter or Battery
UK/EU Power supply included: No
Battery Type: 9V
Battery Operation: Yes
Made in: China

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Power Supply: 9V;Adapter
Type: Overdrive
True Bypass: Yes
Made in: USA
UK/EU Power supply included: No…

The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as very musical studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent. Where our older compressors …

Distortion / Pedal Design Foot Pedal / Operation analogue / Effects Distortion

Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.
Made in: USA
Width (mm): 122.0
Controls: Volume;Mode;Bass;Blend;Gain;Treble
Height (mm): 74.0
UK/EU Power supply included: No
Colour: Red
Power Supply: Adapter;9V
Depth (mm): 58.0
Weight (g): 200.0
Outputs: Jack 6,3 mm TS
Inputs: Jack 6,3 …

The EarthQuaker Devices White Light V2 is the reissue of the well-known White Light Overdrive and is limited to 2000 pieces worldwide. The White Light V2 takes its inspiration from classic vintage dirt pedals like the OD250 or Distortion+ without imitating them, giving an old sound a new voice. At the same time, the White Light V2 is much more dynamic, open and harmonically rich than the classic overdrives with which it shares its lineage.The Weight control adjusts saturation and bass, offering a wealth of tonal shaping possibilities. The Gain control goes from clean to a nice crunchy overdrive tone, and there is plenty of output volume on tap to flame-broil the input of any amplifier. The Compression …

includes ECB04 18v power supply, Sweep-U flanger sound
Type: Flanger
Power Supply: Adapter or Battery
Made in: USA
Battery Operation: Yes
Battery Type: 9V
UK/EU Power supply included: No

The True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his "blackface" amplifiers and a revolution was born. The True Spring Reverb also allows you to combine any of its iconic spring reverbs with any of the pedal's three tremolo effects. The True Spring's tremolos are the same organic effects that originally …

Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles "Revolution 1" in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt, and Hi Pass. "Master" is the classic volume control that controls the overall output. "Pre" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As reaching 75% and above, the fuzz will begin to gate out as user picks the strings harder when playing, it is very responsive to the input signal and touch. The "Tilt" control acts as an active tone control …

Compact multi-effect combining Soul Food overdrive and Holy Grail Max reverb. It offers clear sound from pure boost to intense overdrive. It also has four reverb effects - Spring, Hall, Plate and Reverse, or the ability to mix the signal between wet and dry.
Type: Multieffect
True Bypass: Yes
Controls: Effect Order;Treble;Drive;Blend;Volume;Time
Battery Operation: No
Outputs: Mono;Send
UK/EU Power supply included: Yes
Inputs: Mono;Return
Made in: USA
Power Supply: Adapter

Delay / Pedal Design Foot Pedal / Effects Reverb

A preamp/boost effect for electric guitars, acoustic guitars or bass guitars. This is a true interpretation of the Boss FA-1 FET with JHS enhancement. In addition, it is equipped with a simple and effective equalizer. The effect is ideal for building distorted pedals, but its true charm lies in "kicking" the tupbe amplifier into its natural overdrive. The equalizer can then be adjusted precisely according to the amplifier's natural response. Controlled with Volume, Bass, Middle, Treble and with the rotary switch for three equalizer modes. In addition, it includes side DIP switches for low cut and ground lift. The effect is true bypass, it is equipped with a robust metal construction and is powered …

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High-pass frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. Low-pass frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Level: …