Effects Pedals

The Moon Op Amp Fuzz is a supermassive destroyer, spinning galaxies of gain. Tidal wave bass response gives you tones heavy as gravity itself. The filter control offers an expanded range of usable tones and the filter switch gives you three distinct EQ phases: Scooped Mids ‘classic’, Flat EQ, or Full Range. Feed the Moon Op Amp Fuzz with your favorite drive pedals and unlock worlds of complex tones.The Moon’s massive sound is achieved with a quad op amp delivering four stages of gain and fuzz. This circuit has its roots in popular Dark Side pedal. In that design they tailored the tone and gain of the pedal to be a vintage sounding fuzz for lead work. This is a punishingly heavy …

Overdrive / Pedal Design Foot Pedal / Effects Overdrive

Acoustic Guitar Preamp / Pedal Design Foot Pedal / Operation analogue / Effects Equalizer

FX loop, vibrato and sweep, up to 550 ms delay time, tap-tempo, includes power supply (95DC-200BI).
Battery Operation: No
Made in: USA
True Bypass: Yes
UK/EU Power supply included: Yes
Battery Detail: Al/Mn
Type: Delay
Power Supply: Adapter

The Leo Nocentelli Cry Baby Mardi Gras Wah pays tribute to a master of funk, the magical city New Orleans he was born and raised in, and the greasiest effect ever conceptualized.Dressed in deep purple, flashy gold, and cash-money green with a custom fleur-de-lis tread. With a lowered frequency range, it serves up the warm vocalic wah tones that Leo has conjured up his entire career. This Cry Baby Wah is voiced by a vintage-style Halo™ Inductor for added harmonic content and growl, with an internal switch for true bypass/non-true bypass operation.
True Bypass: Yes
Artist / Theme: Leo Nocentelli
Number of Buttons: 1
Battery Type: 9V
Outputs: Jack 6,3 mm
Made in: USA
Colour: Violet
Inputs: …

This pedal combines the tone-sweetening magic of the Echoplex® Preamp with a three-band EQ and midrange frequency adjustment so that you can dial in the perfect bass tone to punch up a solo, boost your signal in a live mix, sculpt more edge into the sound of a passive bass, and more.This pedal can be powered by a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
Power Supply: Adapter
True Bypass: Yes
Battery Operation: No
UK/EU Power supply included: No
Made in: USA

Guitar flanger / phaser pedal effect. The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity …

Effect pedal for electric guitar - Wah Wah from Dunlop. The Cry Baby Mini 535Q Wah provides the perfect balance of wah control and pedalboard-efficiency. Set the tonal character of your sound with the Range Selector, which allows you to choose one of the standard 535Q Wah’s four most popular sweep ranges. With the Q control, you can shape the wah’s response, from a narrow bandpass that emphasizes higher end harmonics to a wide bandpass that emphasizes lower end harmonics. If you want to bump yourself up to the front of the mix, just crank the Volume control and then kick the Boost switch to engage the level change. There’s a handy LED next to the Boost switch that lets you …

Auto Wah

Pedal effect for electric guitar from MXR - Delay. The Carbon Copy Mini Analog Delay packs organic analog warmth and ease of use into an MXR mini housing with added sonic versatility so that you can make the most out of your pedalboard real estate. In its default mode, this pedal’s repeats yield the dark, mellow wash that made the Carbon Copy Analog Delay famous. For players who want more sparkle and clarity, we added a Bright switch that accentuates high end frequencies for increased presence and distinctively vocal repeats. And of course, the Carbon Copy Mini Delay is outfitted with the same modulation section as its forebear. Push the Mod switch and adjust the internal Speed and Depth …

Guitar Preamp

Analogue overdrive effect pedal for electric guitar that re-creates the circuitry of a Supro lamp amp and includes an actual output transformer because the real tone of a genuine Supro amp is based on the unique phase inverter design, Class A power amp section and the magnetic saturation that occurs via the old-school transformers found in these vintage tone machines. It offers a greater range of gain, dynamics and natural compression than the Tube Screamer, Klon or any of their many derivatives. The pedal sports a simple control layout with Volume, Gain and Tone knobs as well as a toggle switch to select between the different windings of the custom, multi-tapped output transformer – either fo…

Wah-Wah / Pedal Design Foot Pedal / Operation analogue

The Keeley Super Phat Mod Overdrive is developed from the Keeley BD-2 and exhibits a dynamic sound that can be tailored to fit your style through the simple and intuitive control layout. Featuring an overdrive switch between flat and phat youll be able to access a more subtle sound that delivers an extra push of bass all the way to a full blown overdriven voice. Designed for use over multiple genres such as country and rock the pedal demonstrates a full range of sounds to experiment with helping you take your sound even further. All of these features are encased within a sturdy compact exterior that will integrate effortlessly into any rig physically and with the gold finish it will enhance …

The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more …

Ultra-compact fuzz effect pedal for electric guitar that features legendary Fuzz Face tones in smaller, more pedalboard-friendly housing with several modern appointments – a bright status LED, and AC power jack and a convenient battery door. Pedal has the same circuit as the JHF1 Hendrix Fuzz Face Distortion, so it delivers the same sweet sound with smooth and even sustain, harmonic overtones that complement the base note and chords, and compressed attack that provides violin-like tones. As the original model, pedal also features true bypass switching. Sound can be further shape via Volume and Fuzz control knobs.
Battery Type: 9V
Power Supply: Adapter or Battery
Battery Operation: Yes
True By…

Solid Studio IR & Power Amp SimulatorThe New Era of Mic-ing! NU-X Solid Studio was created and designed to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets. NU-X is proud to introduce the new Verdugo series Solid Studio IR & Power Amp simulator, a pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes. Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above …

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, l…

Loop Station / Pedal Design Foot Pedal / Operation digital

Harmoniser / Pedal Design Foot Pedal / Operation analogue

Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level an…

Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.With the RE-2, the authentic sound and behavior of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint—realized in flawless detail by the company that designed the or…

Cirrus is KMA Audio Machines’ first step into the fully digital realm. But they didn’t just want to do a regular and run-of-the-mill type of product.No, what they came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it’s time to jump down the sonic wormhole!This little Spatial-Temporal Modifier gives you three …

Now you can get the rich, resonant vocality of a fixed-position Cry Baby Wah in a standard pedal box. With this reissue of the Cry Baby Q Zone Fixed Wah, there's no need to mess around with the rocker and try to listen for the sweet spot every time you go onstage. Like the Cry Baby 95Q Wah, this pedal allows you to boost your effect signal and adjust the bandpass shape from wide to narrow with the Volume and Q Zone controls respectively. The Peak control acts like the rocker pot of a wah pedal, setting the frequency center of the effect exactly where you want it so that you don’t have worry about bumping the rocker and losing your position. Find your sweet spot and start jamming.
Battery …