Effects Pedals

A vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye. The controls are simple. Rate adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation an…

Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. The Tone control allows for subtle coloration of the tone, while the Level control changes the overall output and is affected by the sustain and ratio settings. The Sustain control adjusts how hot the signal is, which changes the dynamics of the compression. The Ratio control determines how much the gain reduction affects the signal and the Attack controls how quickly the compressor reac…

Pedal Design Foot Pedal / Operation analogue / Effects Overdrive

This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. But you can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit so that your signal starts to eat itself. Push it all the way and your sound will completely duck down before violently coming back to life. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.
UK/EU Power …

Expression Pedal / Pedal Design Desktop

The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog …

Pedal Design Foot Pedal / Operation analogue

The GT-1B gives bass players a massive range of pro tone-shaping power in a small and robust package. Backed by Boss's flagship sound engine, you have full access to a huge selection of bass-optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time. And by connecting to Boss Tone Central, you can download new patches, editing software, and more. Compact, rugged, and battery powered, the GT-1B is the ultimate mobile tone companion for every bassist.
Controls: Menu;Select Knob;Expression;Easy;FS;Write;Effect;Memory Edit
Power Supply: 9V;Adapter …

Overdrive

Pedal Design Foot Pedal

The Sub Octave Bass Fuzz dishes out thunderous low end with earth-shaking fuzz.To create this sonic behemoth, MXR’s engineers combined the Growl section of the Bass Octave Deluxe with a long-forgotten fuzz circuit. With three separate output level controls for the fuzz, sub octave, and dry signals, you can create your own recipe of subterranean tones without sacrificing any of your instrument’s natural sound. Further versatility comes in the form of the fuzz section’s tone controls and two switchable voices—warm and compressed or bright and aggressive—along with the Mid Level control, which allows you to give your dry signal some more punch in the midrange.
Controls: Mid+ Level;Gain;Dry;Treble;Fuzz;Octave;Bass
Inpu…

The Carbon Copy Deluxe Analog Delay features extended delay time with tap tempo functionality, optional modulation, a switch to toggle between the warm sound of the original pedal and vibrant sound of the Bright version, and much more. The Carbon Copy Deluxe Analog Delay adds a bevy of new features to fine-tune the warm, organic sound that has made the original the bestselling analog delay in the world. With extended delay time-now up to 1.2s-and tap tempo functionality, you now have more control over your Carbon Copy repeats than ever. The Tap Division feature, with an easy-to-read status display, gives you four different subdivisions: dotted 8ths, 8ths, triplets, and 16ths. On the tonal side,…

Pedal Design Foot Pedal / Operation analogue

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay. Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch cont…

UltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation. It’s the perfect tool for staccato leads, swelling chords, and other evolving effects — everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!
UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedal—Number of Taps, Delay and Feedback—are just the basics. Controls for Spread, Slurm, and Chop open up a new world of possibilities.
Features:
Control the stereo image of taps to alternate between hard-panned and mono.
Five presets …

Floor effect offering the possibility of transforming the tone of a guitar or a key into an organ sound. It contains 9 presets set up to exactly mimic some of the most popular, classical organs and keyboard instruments. The sound is adjusted and controlled using potentiometers for percussive attack level, modulation speed, organ and dry volume.
Type: Emulator;Synth
Battery Operation: No
Made in: USA
Controls: Mod;Click;Volume(Dry/Organ);Preset Select/Store
Outputs: Mono
True Bypass: None
Power Supply: Adapter
Inputs: Mono
UK/EU Power supply included: No

Polyphonic effects pedal that has been built on the synthesis platform of the award-winning Superego model and raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. It also has a complete effects section featuring 11 effects types (DETUNE, DELAY, ECHO, FLANGE, PHASE, MOD, ROTARY, TREM 1, TREM 2, PITCH, FILTER), an EXP input for effect parameter control/preset recall and an EXT jack for a 3-button controller. The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four …

Harmonic tremolo guitar effect with adjustable filters. This is the second generation of the original model with flexi-switch for momentary or latching operation. It splits your signal into high and low frequency ranges and then processes them with an LFO that is split 180 degrees for an intoxicating push-pull effect. The sound is adjusted using the Level, Depth, Rate and Frequency potentiometers. In addition, it features the Rate (Attack/Manual) and Frequency (LFO/Manual/Attack) switches. The effect is true bypass and is equipped with a metal construction, one footswitch, an LED and is powered by a 9 V adapter (not included).
True Bypass: Yes
Power Supply: Adapter;9V
Made in: USA
UK/EU Power …

The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more.
Colour: Red
Controls: Memory;Mic Input Level;Rhytm Tempo;Rhytm On/Off;Exit;Menu;Memory/Value;Write;Track …

Playing on the relationship between pedal and player, input and output, OBNE presents Sunlight dynamically held reverb. Sunlight features three new reverb algorithms unique to the OBNE lineup, each with the added ability to freeze the reverb trails when the player stops playing.
Input knob for dynamic sensitivity and Decay knob for reverb feedback to create enveloping infinite reverb
Tape, Comb, and Pass modes to apply wobbling vibrato, stacked resonant delays, or random step filtering to the reverb
Rate and Depth controls specific to each mode
Expression control over Input, Decay, Rate, and Depth parameters
Alt footswitch to quickly snap to a particular knob setting
Soft-touch switching …

Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already hot amp into massive sustain, everyone needs a screamer on their board. Over the last 40 years there have been hundreds of models from different brands, some more original than others. But with so much choice it can be really hard to find the one that is right for your rig. That is no longer a problem thanks to the JHS Bonsai a 9-way TS style pedal that has perfect replications of 9 different screamer …

Loop Station / Pedal Design Desktop / Operation digital / Effects Reverse

Distortion / Pedal Design Foot Pedal

What else can you say about Luke's sound? He has played the GAS-789SL for years and now also the SL-OD Overdrive in front of his overdriven / distorted amplifiers to make the sound even faster, more smooth overdrive sounding without changing the basic sound. Two Overdrives (Low Gain and High Gain) + Boost (Clean boost) with +20dB boost (toggle switch) in one box - three separate bass boost (toggle switches) for each pedal to push the lower frequencies without getting muddy, the pedal couldn't be more variable. The new SL-OD is just 5.7 inch wide! Steve Lukather:Just wanted you yo know how much I LOVE the box you sent me. Hard to describe it ... it just makes it sound BETTER. Smooths out the …