Effects Pedals

Ultra-portable and easy to use guitar multi-effect with the powerful BOSS GT-series engine, which gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. By connecting to BOSS Tone Central, you can download free pro patches, editing software, and more. Four AA batteries provide up to seven hours of playing time.
Inputs: AUX;Mono;FS/Expression
UK/EU Power supply included: No
Number of Presets: 99 + 99
MIDI Interface: No
USB: Yes
Made in: China
Battery Operation: Yes
Type: Multieffect
Controls: …

A vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye. The controls are simple. Rate adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation an…

The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog …

Vocal Effects Processor / Effects Delay

Pedal Design Foot Pedal

Silver Spring Reverb (SSR) is a compact, easy to use digital/analog reverb with a pure analog direct signal path. It creates a natural sounding ambient reverb that will not get in the way of your original signal. The Silver Spring Reverb’s bandwidth is in between the dark warmth of an amplifier’s spring reverb and the pristine clarity of a studio reverb. There is no noise reduction system, in order to keep the decay as natural as possible. The direct signal path is all analog, going straight through analog amplifiers with no filtering. With the input set below the maximum, there is no signal distortion or coloration. The Reverb signal path is filtered to produce the Silver Spring Reverb’s natura…

chorus and vibrato, creates sweeping sounds, true bypass, included power supply 24DC-100
Made in: USA
Battery Detail: Al/Mn
Type: Chorus;Vibrato;Delay
UK/EU Power supply included: Yes
True Bypass: Yes
Battery Operation: No
Power Supply: Adapter

Pedal Design Foot Pedal

Booster / Pedal Design Foot Pedal / Effects Overdrive

The Tone Job is a complete tone enhancement tool with EQ and Booster suitable for guitar, bass, synthesizer and more. Controls: Level - Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 O'Clock. Treble - Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon. Bass - Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon. Middle - Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon.The Tone Job take a standard 9 volt DC power supply with a 2.1mm negative center barrel. Recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will …

Organ pedal effect that transforms the tone of a guitar or keyboard into one of convincing, full-body electric organ, and features 9 presets that were finely tuned to emulate the most legendary organs from the 60’s and beyond. It provides the user with control over percussive Attack Level, Modulation Speed, Organ and Dry Volume. The unit performs best if placed as the first pedal in an effects chain, and using the bridge pickup of a guitar. Power adapter EHX 9.6 DC-200 PSU is included. Dimensions: 102 x 121 x 89 mm.
Made in: USA
UK/EU Power supply included: Yes
Package Contents: Manual;Adapter
True Bypass: None
Type: Emulator
Power Supply: Adapter
Battery Operation: No…

Distortion / Pedal Design Foot Pedal / Operation analogue / Effects Distortion

Larger-than-life tones in a compact size. The Electro Harmonix Micro POG Polyphonic Octave Generator will make your guitar sound like never before. Youll be able to create the illusion of 12-strings the rich watery tones of an organ as well as the down-right weird and wonderful. The Micro Pog is incredibly versatile. It can also be used with bass guitars to provide even more low-end if youre not satisfied. Achieve the exact tone you like thanks to the dry knob. Youll be able to adjust it in accordance to the wants and needs of your performance. If you wish to take the sonics of your tone to the next level then look no further than the Electro Harmonix Micro POG Polyphonic Octave Generator.

Pedal Design Foot Pedal / Operation analogue

Pedal Design Foot Pedal / Effects Synth

Ledges is a compact, three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. If you’re looking for that classic, standard reverb tone from the players and songs you love, then this is your pedal. If you want to push the limits and take it further to sonic reaches that only you can uncover, then this is also your pedal. It’s everything you’ve ever wanted and needed out of a reverb.
Inputs: Jack 6,3 mm TS
Controls: Preset Save/Recall;Preset;Damping;Mode Selector;Mix;Length
Power Supply: Adapter;9V DC ( - )
Depth (mm): 121.0
Weight (g): 279.0
Outputs: Jack 6,3 mm TS
Number of Presets: 6
Height (mm): 57.0
…

The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but couldn’t come to a consensus about which Muff was king. With the Muffuletta, indecision is your gain. JHS crammed five all-analog re-creations of the pedal’s most beloved tones into this box and even threw in a JHS-exclusive tone that is their take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.
MIDI Interface: No
Type: Distortion;Fuzz
Weight (g): 260.0<&hellip;

The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where Keeley´s older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! …