Effects Pedals

Parametric mid EQ effects pedal; analog operation; up to +/- 15 dB mid boost or cut; center frequency sweepable from 400 Hz to 7.5 kHz; switchable Q (LO/HI); true bypass; controls for volume, mids and sweep; Lo/Hi toggle switch for selecting the Q setting; bypass footswitch; status LED; metal housing; 6.3mm mono IN/OUT jacks; power supply via optional 9V DC adapter 2.1 x 5.5mm barrel plug; polarity: (-) center; current draw less 100 mA; dimensions: 66mm x 122mm x 40mm; weight: 290g.
Made in: USA
Type: Equalizer
Power Supply: Adapter;9V
UK/EU Power supply included: No

The Overdrive provides unparalleled versatility, combining discrete clean and overdrive signal paths to deliver one of the most organic, amp-like overdrive pedals available. To give discerning guitarists a dynamic, finger-friendly overdrive with plug-and-play simplicity, the Overdrive automatically balances the optimum ratio of the two with a single control.This exceptional design provides for everything from a pure unity-gain buffer to a clean boost and all the way to a salaciously buttery overdrive. To top it all off, this pedal has a passive tone control circuit that works by reducing the high end to help create a smooth, round sound.
Battery Operation: Yes
Power Supply: 9V;Adapter or Battery<&hellip;

Multi-effects processor for Acoustic Guitar, Saxophone, Trumpet, Violin, Harmonica, Acoustic Bass and more from Zoom. With specially engineered effects, built-in looper and drum machine, the A1X FOUR is the first multi-effects processor designed for a variety of acoustic string and wind instruments. The A1X FOUR is preloaded with over 80 effects, including more than 35 new groundbreaking effects designed and engineered for acoustic instruments. The A1X FOUR comes with 8 pedal-controlled effects to adjust volume, pitch, reverb, delay and wah. Add a multitude of warm and rich tones to your guitar. From live “unplugged” performance sounds to the finger-playing style of country and blues, there’s so muc…

The MXR Timmy Overdrive provides a huge range of gritty, textured tones that enhance your rig’s sound while preserving its fundamental voice—and in an MXR mini housing, it’ll free up serious pedalboard space. The pedal’s based on a design from veteran pedal builder Paul Cochrane that’s widely celebrated among high level pros, from first-call Nashville player Kenny Greenberg to first-call L.A. player Lyle Workman to rockstar Brad Whitford. When Paul decided to bring his pedal to a wider audience, he chose to work with the MXR design team. “It’s an honor to work with MXR,” Paul says. “My first ever pedal was a Phase 90.”
Thanks to Paul’s …

The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations.…

The Microtubes B1K is a phenomenal tribute to one of our most legendary distortion circuits in a compact and intuitive format. We are proud to introduce our Microtubes B1K distortion pedal, the first of its kind from an all-new lineup.Input Impedance 1 MΩOutput Impedance 1 kΩCurrent Consumption ~30 mAVoltage 9V DC (Center Negative)
Outputs: Jack 6,3 mm
Depth (cm): 10.0
Package Contents: Manual
Controls: Level;Drive
Height (cm): 4.5
Battery Operation: No
Inputs: Jack 6,3 mm
Number of Buttons: 1
Type: Overdrive;Distortion
Made in: Finland
Number of Outputs: 1
Power Supply: Adapter
Width (cm): 5.0
Net Weight (kg): 0.205
Number of Input Ports: 1
Colour: Black
UK/EU Power supply included: No
True By…

The MXR M228 Dyna Comp Deluxe upgrades MXRs most iconic compression pedal with more control over your tone. Still equipped with the same CA3080 metal can circuit as the original the Dyna Comp Deluxe provides superior vintage tones with excellent transparency a wide dynamic range and a quiet operation. The additional attack switch tone control and clean control lets you personalise the compressed signal to suit your playing style. You still have access to the output and sensitivity knobs from the original. Experiment with the controls to go from squishy 70s compression to an open transparent light touch compression.

Pedal Tuner / Precision 0.1

Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix&rsquo;s Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features. The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

Multi-instrument capable, stereo overdrive/distortion with a broad range of sound options and controls. With the Operation Overlord, whether you play guitar, bass, keyboards or pretty much any electronic instrument—-dialing in great drive sounds is fast and foolproof. Silent foot-switchable Normal and Boost modes deliver distortion ranging from mild to saturated. Active Treble, Mid and Bass controls, plus a Dry blend, for total tone shaping. Fully stereo capable, equipped with left and right 1⁄4" input and output jacks. Comes with a standard EHX 9.6DC200mA power supply. Dimensions: 70 x 115 x 54 mm.
Controls: Gain;Middle;Bass;Boost;Treble;Dry;Volume
UK/EU Power supply included: No
Battery Oper&hellip;

Vocal Effect Pedal with Mic-Preamp and 24V Phantom Power, offers various efects, especially Doubling (Choice of 3 Doubling styles, including Tight, Loose and Octaves), Reverb, Pitch Correction, Mic Control for remote on/off switching with optional TC-Helicon MP-75 microphone, Rugged all-metal construction, connectors XLR Mic-Input balanced, XLR Line-Out balanced, USB, power supply not included, Dimensions: 140 x 90 x 60 mm, Weight: 0.42 kg
Type: Doubler;Pitch Shifter;Reverb
Made in: China
Power Supply: Adapter
UK/EU Power supply included: No

The TC Helicon VoiceTone R1 vocal effects pedal adds warm studio-quality reverb to your live vocals. Eight preset reverb styles cover everything from intimate clubs to wide arenas so you can always find the perfect reverb for each song.

Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as durable and solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable.
The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can…

Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow. You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current. Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range. Ojai’s all analog circuitry offers two stag…

Compact, next-generation echo effect pedal that is powered by Multi-Dimensional Processing technology (MDP) and produces a dynamic stereo ambience effect that goes far beyond traditional delay and reverb. It is realized with proprietary technology and custom DSP for rich, spacious echo and ambience effects that dramatically enhance the direct tone but never overwhelm it. The pedal features a Freeze function which holds the ambient sound for lead backing and sound effects. It is ultra-responsive to volume changes and playing dynamics and offers a wide range of sound adjustment with simple controls including Echo Level, Tone, Feedback and S-Time. The pedal provides mono/stereo input and output.…

Reverb effects pedal that not only shares the EHX Holy Grail’s remarkable Spring and Hall reverbs but also features a Plate reverb, with its wonderfully lush tone, and a Reverse reverb for the sonically adventurous players. The multi-function control allows for adjusting decay or reverse time. The pedal is a true bypass for maximum signal path integrity and features a compact, rugged die-cast chassis. A 9.6DC-200 power supply is included. Dimensions: 102 x 121 x 89 mm.
True Bypass: Yes
Type: Reverb;Reverse;Hall
Battery Detail: Al/Mn
Battery Type: 9V
UK/EU Power supply included: No
Inputs: Mono
Made in: USA
Outputs: Mono
Controls: Blend;Time
Battery Operation: Yes
Power Supply: Adapter or Battery…

The Bit Mixer is a small, high-quality mixer designed for pedalboards. It features ultra-low distortion, low noise op-amps, its high-impedance inputs are designed for guitar, but work with line level signals as well. The Bit Mixer allows you to connect multiple instruments to one amp or combine parallel effect chains.
metal housing
power supply via optional 9-18V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
current draw: 40 mA
dimensions (L x W x H): 66 x 112 x 38 mm
weight: 250 g
Inputs: Jack 6,3 mm
Type: Mixer
Made in: USA
Package Contents: Manual
Power Supply: Adapter
Colour: Black
UK/EU Power supply included: No
Battery Operation: No
Rackmountable: No
Controls: Volume
Outputs: …

The Super Badass Variac Fuzz is a dream come true for guitar players chasing vintage fuzz tone. This tasty fuzz is aggressive and biting, and with the twist of a knob, you can drag it into that ''dying battery'' territory much prized by tonechasers - no need to manage a collection of half - dead batteries. To create the Super Badass Variac Fuzz, the MXR design team dusted off a rare vintage silicon circuit, tuned it up, and added a Variac control so you can set the pedal's voltage anywhere from 5 to 15 V. For that wonderful saggy fuzz effect you get as a 9 V battery loses its power, just lower the voltage by turning the Variac knob counterclockwise. Increasing the voltage raises the effect's …

Guitar effect based on the legendary Uni-Vibe effect from the 60's. The effect is equipped with three controls and one Vibe switch with which you set the effect type. You can choose between Chorus or Vibrato. The Depth potentiometer then adjusts the depth of the filter oscillation, Speed ​​takes care of its speed and Level adjusts the overall volume of the effect. In addition, the box is equipped with ture bypass switching and the possibility of powering using a 9V battery or adapter (center negative, not included).
Type: Vibe;Vibrato;Chorus
Power Supply: Adapter or Battery
Made in: USA
Battery Operation: Yes
Battery Type: 9V
UK/EU Power supply included: No…

adds up to 2 additional notes to create solos with 3 voices (pitch-shifting also works for chords), extreme chorus and tremolo bar effects, powered via battery, optional power supply
Type: Harmonizer;Detune;Pitch Shifter
UK/EU Power supply included: No
Outputs: Stereo;Mono
Inputs: Mono;Expression
Controls: Balance;Mode;Shift;Fall Time
True Bypass: None
Made in: Taiwan

The latest BOSS guitar synthesizer products feature the Serial GK digital interface, a newly developed connection method that delivers evolved performance over the analog 13-pin GK interface used in earlier BOSS and Roland guitar synth and modeling products. The GKC-DA GK Converter allows you to drive a 13-pin GK device such as the BOSS SY-1000 or GP-10 using the Serial GK output on a GK-5 or GK-5B Divided Pickup or the GM-800 Guitar Synthesizer. Converts the Serial GK digital interface to the classic 13-pin analog GK interface Serial GK input and 13-pin GK output Instrument input for passing normal guitar/bass pickup sounds to the 13-pin output Compact and rugged metal design
Compatible with: …

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …