Effects Pedals

Silver Spring Reverb (SSR) is a compact, easy to use digital/analog reverb with a pure analog direct signal path. It creates a natural sounding ambient reverb that will not get in the way of your original signal. The Silver Spring Reverb’s bandwidth is in between the dark warmth of an amplifier’s spring reverb and the pristine clarity of a studio reverb. There is no noise reduction system, in order to keep the decay as natural as possible. The direct signal path is all analog, going straight through analog amplifiers with no filtering. With the input set below the maximum, there is no signal distortion or coloration. The Reverb signal path is filtered to produce the Silver Spring Reverb’s natura…

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High-pass frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. Low-pass frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Level: …

A vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye. The controls are simple. Rate adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation an…

Earthquaker Devices’ Afterneath V3 is an updated version of an already amazing boutique reverb effect, with 9 new onboard modes.It features a completely analogue dry signal path, a completely digital reverb/delay path, the Earthquaker Devices buffered bypass with Flexi Switch Technology and a tails/no tails option.In addition to new graphics, the Reflect and Drag controls have been swapped on this latest incarnation of the pedal, and a little Mode control added just under the Drag knob. This sets the mode for the now connectable expression pedal or CV source, allowing yet further manipulation of the reverb/delay.
Inputs: Jack 6,3 mm TS;Expression
USB: No
Tuner: No
MIDI Interface: No
Type: …

Legendary delay pedal effect with 3 pressure-sensitive footswitches, new algorithms and 6 presets. 3 footswitches with MASH let you toggle between delay sounds instantly. New pristine Crystal algorithm along with hyper-realistic Analog and Tape algorithms. Preset bank switch lets you easily access up to 6 stored delay presets. 10 quality delay types plus 6 TonePrint slots that let you store effects and artist TonePrints. Dedicated tap tempo switch keeps your delay effects right on the beat. MASH footswitches give you powerful effect-specific real-time parameter control. Subdivision knob with 11 tempo settings for a wealth of rhythmic delay possibilities. Craft delays and customize MASH functionality …

Pedal Design Foot Pedal / Operation analogue

The new .45 Caliber is a pedal we have been asked to create for some time now. It is a recreation of the original 1962 JTM 45 sound, overdriven. The sonic influence came directly from the old Malcolm Young, brilliantly crunchy rhythm tones and the old Pete Townsend Live at Leeds, ''face-melting'' goodness! To achieve that sound seems like an easy task but this design proved to be quite a challenge. After a year or so we feel we have nailed it, not only in sound, but also in feel. True Bypass. Speed Switch system. Power: 9 V Negative tip not included, 9 V battery. Dimensions: 18,4 x 13 x 6,4 cm. Weight: 0,72 kg.
Power Supply: Adapter or Battery
Number of Buttons: 1
USB: No
MIDI Interface: No
Depth …

Guitar compressor/drive pedal effect. Features: Combines Keeley's Red Dirt Overdrive and Compressor effects in one stompbox. Switch allows you to place compressor either before or after overdrive. High-quality components used throughout. Extremely dynamic, touch-sensitive gain at both low and high gain settings. Input: 1 x 1/4'' TRS. Output: 1 x 1/4'' TRS. True Bypass. Power Source: 9 V DC power supply required (not included) or 1 x 9 V battery.
Type: Overdrive;Compressor;DI Box
Battery Operation: Yes
UK/EU Power supply included: No
True Bypass: Yes
Made in: USA
Power Supply: Adapter;9V
Battery Detail: Al/Mn

Operation analogue

The polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your axe and resurrect the sound of vintage tape-based keyboards.Specifications- Pays homage to nine of the coolest Mellotron® sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir- Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!- Also works with bass guitar down do the open A string as well as keyboards- Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output- Dry Output jack outputs your input signal at unity gain- Attack control s…

Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. The Tone control allows for subtle coloration of the tone, while the Level control changes the overall output and is affected by the sustain and ratio settings. The Sustain control adjusts how hot the signal is, which changes the dynamics of the compression. The Ratio control determines how much the gain reduction affects the signal and the Attack controls how quickly the compressor reac…

Pedal Design Foot Pedal / Operation analogue / Effects Overdrive

The polyphonic STRING9 String Ensemble transforms a guitar into nine different string ensembles and string synthesizers while requiring zero modifications, special pickups, or MIDI implementation. It relies on the same technology powering all EHX 9 Series pedals. In a 9 Series first, the STRING9 includes the signature EHX Freeze effect on 3 of the presets to sample and hold notes and chords with infinite sustain.
Battery Operation: No
Number of Presets: 9
Outputs: Mono (Effect OUT);Jack 6,3mm TS
Made in: USA
Type: Synth
Colour: Black
Power Supply: 9V;Adapter
Number of Buttons: 1
USB: No
MIDI Interface: No
Controls: Selector;Effect;Dry;Control
Inputs: Jack 6,3 mm TS
Package Contents: Manual;Adapter<…

Overdrive effects pedal for electric guitar or bass guitar that is a highly unique and massively tweaked version of the most famous overdrive ever created and is an ideal tool for shaping and creating unique mid heavy tones for almost any need or genre. It has the core tone of the version one and retains the simple Volume, Tone, and Drive knobs. However, it also features an added Clean knob to blend in any amount of clean signal to the tone. The simple 2-position "Proof" toggle provides everything from low gain amp-like breakup with powerful coloured boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. The pedal uses an internal 9V to 18V charge …

This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. But you can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit so that your signal starts to eat itself. Push it all the way and your sound will completely duck down before violently coming back to life. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.
Type: Distortion;Fuzz<&hellip;

The GT-1B gives bass players a massive range of pro tone-shaping power in a small and robust package. Backed by Boss's flagship sound engine, you have full access to a huge selection of bass-optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time. And by connecting to Boss Tone Central, you can download new patches, editing software, and more. Compact, rugged, and battery powered, the GT-1B is the ultimate mobile tone companion for every bassist.
Made in: China
Outputs: Stereo;Mono;Headphone Jack 3,5mm;USB
Inputs: FS;Mono;AUX IN
Type: …

This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you’ve never heard anything quite like it. Vexter Series pedals are lower priced, featuring silk-screened art. The parts inside Vexters are identical to the hand painted pedals.
True Bypass: Yes
Made in: USA
Colour: Silver;Red
Controls: Pulse Width;Speed;Volume;Tone;Bright/Off/Dark switch;Depth;Comp;Mode …

Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already hot amp into massive sustain, everyone needs a screamer on their board. Over the last 40 years there have been hundreds of models from different brands, some more original than others. But with so much choice it can be really hard to find the one that is right for your rig. That is no longer a problem thanks to the JHS Bonsai a 9-way TS style pedal that has perfect replications of 9 different screamer …

The Carbon Copy Deluxe Analog Delay features extended delay time with tap tempo functionality, optional modulation, a switch to toggle between the warm sound of the original pedal and vibrant sound of the Bright version, and much more. The Carbon Copy Deluxe Analog Delay adds a bevy of new features to fine-tune the warm, organic sound that has made the original the bestselling analog delay in the world. With extended delay time-now up to 1.2s-and tap tempo functionality, you now have more control over your Carbon Copy repeats than ever. The Tap Division feature, with an easy-to-read status display, gives you four different subdivisions: dotted 8ths, 8ths, triplets, and 16ths. On the tonal side,…

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay. Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch cont…

An active, wear-free expression pedal equipped with a precise magnetic sensor. Known from the Lehle Volume pedals, this sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the Lehle Dual Expression the Hall sensor is accurately calibrated to the built-in magnet and the control range of the pedal – where the pedal moves only the magnet, whose distance is measured by the Hall sensor.Two digital potentiometers, working with analogue voltages, are used for the precise and reliable generation of the expression data. Both outputs can control nearly all common devices with expression inputs from 5k to 100k, regardless if TS, TRS or RTS – the …

Model OD-200 Hybrid Drive vnáší do efektů Overdrive a Distortion novou úroveň zvuku, feelingu a všestrannosti, a to díky spojení zkušeností a inovativních technologií značky BOSS. Tento pedál snů dokáže vytvořit jakýkoli zvuk Drive, který si představíte. Nabízí totiž 12 jedinečných režimů, hybridní analogové/digitální obvody, třípásmový ekvalizér výkonný Boost na Pre/Post pozici pro detailní modelování gainu. Najdete zde dokonce i sofistikovaný Gate obvod, který je ideální pro eliminaci šumu a ostřejší a „tužší“ high-gain drive zvuky.
With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Gra…

The Sub Octave Bass Fuzz dishes out thunderous low end with earth-shaking fuzz.To create this sonic behemoth, MXR’s engineers combined the Growl section of the Bass Octave Deluxe with a long-forgotten fuzz circuit. With three separate output level controls for the fuzz, sub octave, and dry signals, you can create your own recipe of subterranean tones without sacrificing any of your instrument’s natural sound. Further versatility comes in the form of the fuzz section’s tone controls and two switchable voices—warm and compressed or bright and aggressive—along with the Mid Level control, which allows you to give your dry signal some more punch in the midrange.
Type: Fuzz;Compressor
Inputs: Mono
…

Main features:• Pedal with filtered germanium distortion• Based on a console-style drive perimeter• Uses old germanium transistors• Huge gain range - Moves from mild overdrive to blurred fuzz• Filter section for detailed control of the frequency response of the converters - for huge bass, picked up mids and sharp, penetrating highs• The controls work with the guitar volume control• Trimpot Internal Volume - to set and forget the overall output level control• True Bypass Switching• Compact dimensions and top jacks for easy pedalboard mounting• Power supply by standard 9 V DC PSU (medium -, 2.1 mm, current consumption ~ 5 mA)The control of the filter is extremely unconventional - it transports you …