Effects Pedals

Beyond imagination. Thats how you might describe the Old Blood Noise Endeavors Visitor Parallel Multi-Modulator. Because its loaded with some of the most unique sounds youve ever seen out of a guitar pedal thanks to the ability to run multiple modulation effects in parallel. Whether its tremolo chorus or phaser - the Visitor allows each effect to constantly push pull stretch and weave in and out of each other achieving some of the most exotic textures a guitar can handle. You wont believe the possibilities until you hear them... But to really make the most of this pedal you need to take control. Which is why Old Blood Noise Endeavours have equipped the Visitor with a wide range of tone knobs …

An Old Blood original reinvented. If dark dirty delay and whirling wistful modulation are your thing youve come to the right place. The Old Blood Noise Endeavors Black Fountain V3 Delay modelled on oil-can delay units from the 50s takes the beloved boutique delay circuit and adds a wealth of up-to-the-minute features for a single-pedal stompbox that really packs a punch. Build spaced-out pads with the newly extended delay time and infinite feedback or dial up the vintage vibes with Organ modes modulated slapback. And the V3s new tap-tempo subdivision select and expression pedal connectivity give you maximum control with unbridled creativity. The Black Fountain V3 scores high on quality features …

The Boss GT-1 Guitar Effects Processor is a pedal that delivers a wide range of high-quality effects in a compact and lightweight design perfect for any travelling or regularly gigging musician. Containing a history of Boss processing from the OD-1 overdrive to modern effects powered by MDP technology this pedal features plenty of functions that are suited to both novice and highly experienced players. Featuring a wide range of effects from distortions chorus effects and delays to instrument simulations amp tones and looper effects - with even more accessible from the Boss tone center website. With up to 7 hours of battery power with constant use the Boss GT-1 is the perfect multi-effects pedal …

status LED and EVH LED, metal footswitch, suitable 18 V power supply (not included)
Made in: USA
UK/EU Power supply included: No
Artist / Theme: Eddie Van Halen
Battery Operation: Yes
Battery Type: 9V
Power Supply: Adapter or Battery;Battery;18V;Adapter
Type: Flanger

The Fender Shields Blender is a revolutionary effect pedal that pays homage to the iconic sound of Kevin Shields the renowned guitarist known for his unique fuzz-laden tones. This pedal is a reimagined version of the legendary 1970s Fender Blender brought to life through a collaborative effort between Fender and Shields himself. Drawing inspiration from his personal pedal this model faithfully reproduces the vintage circuit capturing the distinctive fuzz voice that defined alternative rock in the 80s and 90s. However this pedal takes it a step further by introducing innovative features for enhanced control and performance. With two foot-switchable channels each equipped with dedicated level …

Compressor / Pedal Design Foot Pedal / Operation analogue

Overdrive

The GT-1B gives bass players a massive range of pro tone-shaping power in a small and robust package. Backed by Boss's flagship sound engine, you have full access to a huge selection of bass-optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time. And by connecting to Boss Tone Central, you can download new patches, editing software, and more. Compact, rugged, and battery powered, the GT-1B is the ultimate mobile tone companion for every bassist.
Inputs: AUX IN;Mono;FS
Made in: China
Outputs: Headphone Jack 3,5mm;Stereo;USB;Mono
Battery …

If you like to play it safe, the Way Huge Attack Vector Phaser & Envelope is not for you. It combines two different effects—phase shifter and envelope filter—into a single, dangerous machine. This pedal cranks out an array of off-kilter sounds, twisting your riffs into crazy new forms. Bee stings, perfect for funky moods. Gloopy syrup to drench your low-string twanging. Fifty shades of rude behavior that’ll turn a pleasant cocktail party into a drunken brawl. Controls:FDBK knob adjusts intensity of phaser effectSPEED knob sets rate of phaser effectRANGE knob slider adjusts envelope filter rangPHASE/BOTH/ENVELOPE switchSENS knob sets envelope filter sensitivityFOOTSWITCH toggles effect on/byp…

Pedal Design Foot Pedal / Operation analogue

The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog …

Expression Pedal / Pedal Design Desktop

This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. But you can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit so that your signal starts to eat itself. Push it all the way and your sound will completely duck down before violently coming back to life. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.
Power Supply: …

Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. The Tone control allows for subtle coloration of the tone, while the Level control changes the overall output and is affected by the sustain and ratio settings. The Sustain control adjusts how hot the signal is, which changes the dynamics of the compression. The Ratio control determines how much the gain reduction affects the signal and the Attack controls how quickly the compressor reac…

Pedal Design Foot Pedal / Operation analogue / Effects Overdrive