Effects Pedals

Keeley DS-9 is a unique distortion pedal combining the best of the famous green and orange stompboxes from the past, now adding a bass boost for zero loss of low frequencies. Level controls the amountThe DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.
True Bypass: Yes
UK/EU Power supply included: No
Power Supply: 9V;Adapter
Made in: China
Type: Reverb;Tremolo;Vibe…

Guitar pedal effect - multi-function reverb. The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. The toggle switch adds options for low, medium and high modulation. Use the dampen knob to fine tune the tone of the reverb's decay. The Fathom features 4 different algorithms. Hall - Wide, open and vast with decay that ends with high-frequency rolloff. X knob adjusts pre-delay. Plate - Full Body reverb with a smooth decay. X knob adjusts pre-delay. Lo-fi - Filtered reverb with decay ranging from warm, to thin AM-sounding radio. X knob adjusts filter width.…

Bass Chorus / Pedal

Effect for electric guitar - Distortion/Tube Amp High Gain. Features True bypass, 100% Analog, 7 EQ knobs, three stacked Gain stages, jacks: input, output. Works with 9-18 VDC - Louder and More Powerful at 18 Volts, negative tip, power supply connector. Made from premium components. Dimensions (D x W x H) 112 mm x 68 mm x 51 mm. Weight 277 g. Made in USA. In a black finish.
Power Supply: 9V;Adapter
Type: High Gain;Equalizer;Distortion;Tube Amp Modeler
Made in: China
UK/EU Power supply included: No
True Bypass: Yes

The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard 'JHS Mode'. Push that button for more gain and a mid frequency boost to send …

MG-400 Guitar Multi-FX PedalThe NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into …

Guitar pedal effect. The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With ot…

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are carefully selected and particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino offers 3 filter ranges, 2 sweep directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you can maintain the highest headroom for your tone. An incredibly robust build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley …

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Type: Overdrive
Made in: USA
UK/EU Power supply included: No
Power Supply: 9V;Adapter
True Bypass: Yes…

Chorus / Pedal Design Foot Pedal / Operation analogue

Bass Pitch Shift / Pedal

Pedal Design Foot Pedal / Operation digital

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

The Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs. The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.Like the other members of the Walrus Audio …

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …

Guitar flanger / phaser pedal effect. The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity …

This True Bypass pedal switches the signals from magnetic and piezo pick-ups just as free of losses and background noise as it does line signals. The secret is in its gold-plated-contact relays and its active pop-and-click suppression. Any differences in level can be ironed out, and Outputs A and B lowered relative to C. You can also feed signals from totally different sound sources, such as keyboards and CD/MP3 players, to an amp or a PA channel. All inputs and outputs, plus the internal signal path, are stereo. Press the active footswitch again to route the signal to the second output, and thus to an instrument tuner, another amp, or a mixing console channel. The Lehle 3at1 SGoS can be remote …

The EarthQuaker Devices White Light V2 is the reissue of the well-known White Light Overdrive and is limited to 2000 pieces worldwide. The White Light V2 takes its inspiration from classic vintage dirt pedals like the OD250 or Distortion+ without imitating them, giving an old sound a new voice. At the same time, the White Light V2 is much more dynamic, open and harmonically rich than the classic overdrives with which it shares its lineage.The Weight control adjusts saturation and bass, offering a wealth of tonal shaping possibilities. The Gain control goes from clean to a nice crunchy overdrive tone, and there is plenty of output volume on tap to flame-broil the input of any amplifier. The Compression …

The Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. The iKon uses a different set of germanium diodes compared to the silver Archer in order to emulate the tones of the original famous gold pedal. Please experiment!!Dimensions: 4.00″ x 2.30″9V adaptor, negative tip and a 5.5mm x 2.1mm jack (not included)9V batteryBuffered Switching
MIDI Interface: No
USB: No
UK/EU Power supply included: No
Battery Operation: Yes
True Bypass: Yes
Controls: Treble;Level;Gain
Made in: USA
Type: Overdrive;Boost
Colour: Gold…

The True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his "blackface" amplifiers and a revolution was born. The True Spring Reverb also allows you to combine any of its iconic spring reverbs with any of the pedal's three tremolo effects. The True Spring's tremolos are the same organic effects that originally …

Overdrive / Pedal Design Foot Pedal

includes ECB04 18v power supply, Sweep-U flanger sound
Battery Operation: Yes
UK/EU Power supply included: No
Power Supply: Adapter or Battery
Type: Flanger
Made in: USA
Battery Type: 9V

Guitar Multi Effects Pedal

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High-pass frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. Low-pass frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Level: …