Effects Pedals

Effects Pedal / Pedal Design Foot Pedal / Operation analogue / Effects Delay

The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as very musical studio-grade compressor in stomp box format! It uses more→high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent. Where our older compressors …

Synthesizer effects pedal for electric guitar with expression pedal input. The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz f more→rom the synth. Go from churning slow-gear reverse swells to sounding like a light saber. The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the …

Pedal effect – wah from Dunlop. The Gary Clark Jr. Crybaby Wah was created with the blues in mind and has a tight tone and great looks that you can't get enough of. The Gary Clark Jr. signature more→Wah Pedal has a modified circuit that gives it a lower frequency range.
Dunlop and Gary Clark Jr. worked together to create a wah pedal with a unique character. The result is a wah that has a certain gravity and weight to its sound. The voicing is tuned to a lower frequency range to add warmth and smoothness. A tighter sweep keeps the sound together and adds the percussive element that Gary Clark Jr is known for.
For his signature wah, Gary Clark Jr. personally chose a brushed copper finish. The …

2-in-1 echo/slap delay and boost effects pedal that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side. This boost is a more→discreet amplifier based circuit with tons of power and character. It can be simply set it low at unity gain for an always-on enhancer that fattens up and clarifies the tone, or turned more clockwise to push the tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analogue BBD delay, and cover the tonal grounds between both. The controls are simple and it sounds good in every setting.…

Guitar pedal effect - multi-function reverb. The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modul more→ated trails dripping of ambient goodness. The toggle switch adds options for low, medium and high modulation. Use the dampen knob to fine tune the tone of the reverb's decay. The Fathom features 4 different algorithms. Hall - Wide, open and vast with decay that ends with high-frequency rolloff. X knob adjusts pre-delay. Plate - Full Body reverb with a smooth decay. X knob adjusts pre-delay. Lo-fi - Filtered reverb with decay ranging from warm, to thin AM-sounding radio. X knob adjusts filter width.…

This limited edition version of the Disaster Transport pedal has been redesigned so the delay line reduces the noise floor and improves the quality of the delay. The output is boosted with a cleaner m more→ixing section; it’s now filtered to sound more like an analog delay than any of the previous versions. This delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialed in for more of a dramatic effect of your choosing. A Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gi…

Keeley DS-9 is a unique distortion pedal combining the best of the famous green and orange stompboxes from the past, now adding a bass boost for zero loss of low frequencies. Level controls the amount more→The DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.
True Bypass: Yes
UK/EU Power supply included: No
Power Supply: 9V;Adapter
Made in: China
Type: Reverb;Tremolo;Vibe…

Bass Chorus / Pedal

Effect for electric guitar - Distortion/Tube Amp High Gain. Features True bypass, 100% Analog, 7 EQ knobs, three stacked Gain stages, jacks: input, output. Works with 9-18 VDC - Louder and More Powerf more→ul at 18 Volts, negative tip, power supply connector. Made from premium components. Dimensions (D x W x H) 112 mm x 68 mm x 51 mm. Weight 277 g. Made in USA. In a black finish.
Power Supply: 9V;Adapter
Type: High Gain;Equalizer;Distortion;Tube Amp Modeler
Made in: China
UK/EU Power supply included: No
True Bypass: Yes

The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The contro more→ls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard 'JHS Mode'. Push that button for more gain and a mid frequency boost to send …

MG-400 Guitar Multi-FX PedalThe NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high definition models and increased flexi more→bility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into …

Chorus / Pedal Design Foot Pedal / Operation analogue

Bass Pitch Shift / Pedal

Pedal Design Foot Pedal / Operation digital

The Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs. The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lilli more→an. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.Like the other members of the Walrus Audio …

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine more→that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

Guitar pedal effect. The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the AR more→P-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With ot…

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. Envelope filters or auto-wahs as they are often called, sound and react best when they are more→opto-coupler based. The opto-couplers used in the Neutrino are carefully selected and particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino offers 3 filter ranges, 2 sweep directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you can maintain the highest headroom for your tone. An incredibly robust build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley …

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and off more→ers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Type: Overdrive
Made in: USA
UK/EU Power supply included: No
Power Supply: 9V;Adapter
True Bypass: Yes…

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back hi more→s original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …

Ready for take off? With the Walrus Audio Lillian Analog Phaser youll discover a new dimension of sound. It will take your tone to new heights as you fly through riffs in impeccable style offering mul more→tiple voicings for you to explore.You can choose between four or six phasing stages and dial in your own phasing tone with intuitive control dials. Youll be able to give your riffs a dreamlike aura unlocking a completely new sound altogether. Boasting immense quality craftsmanship and most importantly tone this is one pedal which you wont want to turn off.

Guitar flanger / phaser pedal effect. The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in th more→e late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity …

This True Bypass pedal switches the signals from magnetic and piezo pick-ups just as free of losses and background noise as it does line signals. The secret is in its gold-plated-contact relays and it more→s active pop-and-click suppression. Any differences in level can be ironed out, and Outputs A and B lowered relative to C. You can also feed signals from totally different sound sources, such as keyboards and CD/MP3 players, to an amp or a PA channel. All inputs and outputs, plus the internal signal path, are stereo. Press the active footswitch again to route the signal to the second output, and thus to an instrument tuner, another amp, or a mixing console channel. The Lehle 3at1 SGoS can be remote …