Effects Pedals

Pedal Design Foot Pedal / Operation analogue

Finally, all the essentials in one tough little box. You need a serious D.I. for playing live and laying down killer tracks. You've got to have a preamp and finely tuned EQ to add punch to your tones. And you definitely can't do without some rich, custom distortion. This one-of-a-kind pedal gives you the whole deal in a bomb-proof enclosure that will survive even the most out of control gigs-and players. Built with the highest quality components, the M-80 can give you eve everything from warmth and transparency to a volcanic roar, without making you scroll through menu screens or an indecipherable manual. Engage the color switch for some sweet preset EQ, then tweak your tone with three band …

The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but couldn’t come to a consensus about which Muff was king. With the Muffuletta, indecision is your gain. JHS crammed five all-analog re-creations of the pedal’s most beloved tones into this box and even threw in a JHS-exclusive tone that is their take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.
Depth (mm): 121.0
Colour: Green
Controls: Volume;Mode;Sustain;Tone<&hellip;

Pedal Design Foot Pedal / Operation analogue

gain output stage with kick switch and LED, true bypass, powered via battery or Dunlop optional power supply. Made in USA.
UK/EU Power supply included: No
Made in: USA
Type: Wah-Wah;Boost
Battery Operation: Yes
Power Supply: Adapter or Battery
Battery Type: 9V

Distortion / Pedal Design Foot Pedal / Operation analogue / Effects Distortion

The polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your axe and resurrect the sound of vintage tape-based keyboards.Specifications- Pays homage to nine of the coolest Mellotron® sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir- Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!- Also works with bass guitar down do the open A string as well as keyboards- Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output- Dry Output jack outputs your input signal at unity gain- Attack control s…

Booster / Pedal Design Foot Pedal / Effects Overdrive

Silver Spring Reverb (SSR) is a compact, easy to use digital/analog reverb with a pure analog direct signal path. It creates a natural sounding ambient reverb that will not get in the way of your original signal. The Silver Spring Reverb’s bandwidth is in between the dark warmth of an amplifier’s spring reverb and the pristine clarity of a studio reverb. There is no noise reduction system, in order to keep the decay as natural as possible. The direct signal path is all analog, going straight through analog amplifiers with no filtering. With the input set below the maximum, there is no signal distortion or coloration. The Reverb signal path is filtered to produce the Silver Spring Reverb’s natura…

A vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye. The controls are simple. Rate adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation an…

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit AD/DA, 32-bit internal processing, and 96 kHz sampling rate, as well as support for additional control via external switches, an expression pedal, or MIDI.
Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different …

Pedal Design Foot Pedal / Operation analogue / Effects Overdrive

Lightweight aluminum housing, Internal switch for True Bypass or non-True Bypass operation, Vintage-style Halo Inductor, optional power supply (NT AC/PSA 108096)
Battery Operation: Yes
Battery Type: 9V
Power Supply: Adapter or Battery
Inputs: Mono
Artist / Theme: Joe Bonamassa
Type: Buffer;Wah-Wah
UK/EU Power supply included: No
True Bypass: Yes
Outputs: Mono
Made in: USA

Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. The Tone control allows for subtle coloration of the tone, while the Level control changes the overall output and is affected by the sustain and ratio settings. The Sustain control adjusts how hot the signal is, which changes the dynamics of the compression. The Ratio control determines how much the gain reduction affects the signal and the Attack controls how quickly the compressor reac…

Bass Distortion / Pedal

Expression Pedal / Pedal Design Desktop

This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. But you can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit so that your signal starts to eat itself. Push it all the way and your sound will completely duck down before violently coming back to life. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.
Type: Fuzz;Distortion<&hellip;

Pedal Design Foot Pedal / Operation analogue

The GT-1B gives bass players a massive range of pro tone-shaping power in a small and robust package. Backed by Boss's flagship sound engine, you have full access to a huge selection of bass-optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time. And by connecting to Boss Tone Central, you can download new patches, editing software, and more. Compact, rugged, and battery powered, the GT-1B is the ultimate mobile tone companion for every bassist.
Type: Multieffect
Battery Operation: Yes
Number of Presets: 198
Power Supply: 9V;Adapter …

The Sub Octave Bass Fuzz dishes out thunderous low end with earth-shaking fuzz.To create this sonic behemoth, MXR’s engineers combined the Growl section of the Bass Octave Deluxe with a long-forgotten fuzz circuit. With three separate output level controls for the fuzz, sub octave, and dry signals, you can create your own recipe of subterranean tones without sacrificing any of your instrument’s natural sound. Further versatility comes in the form of the fuzz section’s tone controls and two switchable voices—warm and compressed or bright and aggressive—along with the Mid Level control, which allows you to give your dry signal some more punch in the midrange.
Controls: Fuzz;Dry;Bass;Treble;Mid+ Level;Gain&hellip;

Model OD-200 Hybrid Drive vnáší do efektů Overdrive a Distortion novou úroveň zvuku, feelingu a všestrannosti, a to díky spojení zkušeností a inovativních technologií značky BOSS. Tento pedál snů dokáže vytvořit jakýkoli zvuk Drive, který si představíte. Nabízí totiž 12 jedinečných režimů, hybridní analogové/digitální obvody, třípásmový ekvalizér výkonný Boost na Pre/Post pozici pro detailní modelování gainu. Najdete zde dokonce i sofistikovaný Gate obvod, který je ideální pro eliminaci šumu a ostřejší a „tužší“ high-gain drive zvuky.
With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Gra…

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay. Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch cont…

Pedal Design Foot Pedal

Keeley 30ms Automatic Double Tracker. The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals. In Stereo Double Tracker Pro mode the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp and flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. The user can program by internal switches the wet output to …