Effects Pedals

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …

The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more …

Overdrive / Pedal Design Foot Pedal / Operation analogue

The Keeley Super Phat Mod is Keeley's famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way. The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits that bring out the best in any guitar’s pickups. Keeley had found the magic device that pushed it over the top.overdrive effects pedaltube-like JFET gain-stagetrue bypasscontrols for Drive, Tone and Leveltoggle switch to select between „Flat“ and „Fat“ gain modesbypass footswitchstatus LEDmetal housing6.3 mm mono IN/OUT jackspower supply via optional 9V battery or 9V DC adapter 2.1 x 5.5 mm barrel plug, polarity (-) centerdime…

with BC-108 Silizium Transistor, reproduction of the Dallas Arbiter Fuzzface
UK/EU Power supply included: No
Power Supply: None, Only Battery Operated
Battery Type: 9V
Made in: USA
Battery Operation: Yes
Type: Fuzz

Wah-Wah / Pedal Design Foot Pedal / Operation analogue

Guitar pedal effect. Few things are as satisfying as the real-deal distortion sound of glowing glass - vacuum tubes are responsible for the tones you fell in love with. MTG: LA is a tube distortion pedal based around a genuine, U.S.-made NOS 6205 preamp tube. Tone, Bass, Treble and Tight controls make it easy to shape your sound, while the distinctly Fender footswitchable Boost adds Volume, Gain or both to make your solos stand out.
Designed by our in-house team of experts, the MTG:LA Tube Distortion is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the Amp Jewel LED gives your pedalboard the classic Fender look. The switchable LED-backlit …

Pedal Design Foot Pedal / Operation analogue

Distortion

The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.…

Out of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock's simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SO…

Acoustic Guitar Preamp / Pedal Design Foot Pedal / Operation analogue / Effects Equalizer

PitchShifter / Harmony Pedal floor effect designed for electric bass guitar. It is equipped with Harmony, Shift, Detune sections and a built-in Expression pedal. The Shift section contains 9 different expression modes for obtaining different musical intervals, such as instant shifting by two octaves or tuning to a different key.
UK/EU Power supply included: Yes
Inputs: MIDI IN;Jack 6,3 mm TS
Controls: Detune;Classic/Chords
Type: Pitch Shifter;Whammy;Detune
Depth (cm): 19.68
Height (cm): 6.35
Colour: Blue
True Bypass: Yes
Width (cm): 16.5
Battery Operation: No
Power Supply: Adapter
Package Contents: Adapter
Number of Buttons: 1
Outputs: Jack 6,3 mm TS…

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …

Booster / Pedal Design Foot Pedal / Effects Overdrive

No one does analog delay and modulation like Electro-Harmonix and the Nano Deluxe Memory Man delivers the unmistakably lush delay, chorus and vibrato of the benchmark large-format Deluxe Memory Man in a compact, pedalboard ready chassis.The Nano Deluxe Memory Man delivers EHX’s signature analog delay, chorus and vibrato plus some updates we’ve added including both Rate and Depth knobs for enhanced modulation control. It features a maximum delay time of 550mS, an internal user-accessible switch to turn delay tails on or off, true bypass switching when the tails feature is off and it comes equipped with a standard 9Volt power supply. For over 44 years the Deluxe Memory Man has been the gold stan…

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are carefully selected and particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino offers 3 filter ranges, 2 sweep directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you can maintain the highest headroom for your tone. An incredibly robust build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley …

Cirrus is KMA Audio Machines’ first step into the fully digital realm. But they didn’t just want to do a regular and run-of-the-mill type of product.No, what they came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it’s time to jump down the sonic wormhole!This little Spatial-Temporal Modifier gives you three …

Pedal effect for electric guitar from MXR - Delay. The Carbon Copy Mini Analog Delay packs organic analog warmth and ease of use into an MXR mini housing with added sonic versatility so that you can make the most out of your pedalboard real estate. In its default mode, this pedal’s repeats yield the dark, mellow wash that made the Carbon Copy Analog Delay famous. For players who want more sparkle and clarity, we added a Bright switch that accentuates high end frequencies for increased presence and distinctively vocal repeats. And of course, the Carbon Copy Mini Delay is outfitted with the same modulation section as its forebear. Push the Mod switch and adjust the internal Speed and Depth …

Fuzz / Pedal Design Foot Pedal / Operation analogue

Discover the groundbreaking ROSS Pedals Distortion, a tribute to the timeless legacy of ROSS pedals. Meticulously crafted with classic ROSS circuits and cutting-edge improvements, this pedal delivers unparalleled versatility and tone. Experience natural tube-like overdrive distortion and seamless soft-touch bypass switching. Unleash your creativity with a mode switch offering two circuit versions, and control volume and distortion with precision. Embrace the legendary sound of the past, while forging a new path with the ROSS Pedals Distortion. Connect effortlessly with your guitar and amplifier, powered by a standard 9V DC Negative Centre. Enter a new era of distortion and elevate your musical …

Fuzz / Pedal Design Foot Pedal / Effects Distortion

For more than 30 years, the key component of Tom Morello’s raw, hard-hitting sonic voice has been his amp setup. The MXR Power 50 Overdrive captures the sound and functionality of that setup for use with any rig, whether you have a simple combo amp or a high-end custom stack.The circuitry of the Power 50 Overdrive uses MOSFET technology to recreate the preamp stages of Tom’s amplifier for amp-like performance that’s uncanny in its ability to reproduce those big, gnarly tones. Tom relies solely on his amplifier for his signature distortion tones, and when you step on the Power 50 Overdrive, you’ll understand why.The Power 50 Overdrive is fitted with the same control interface as Tom’s amp, featu…

Synthesizer effects pedal for electric guitar with expression pedal input. The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber. The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the …