Effects Pedals

Combining a three-control analog tremolo and a multi-shape digital tap tremolo, the Old Blood Noise Endeavors Whitecap tremolo lets the user find new tremolo textures by combining the two sounds in series or parallel. Quick chops, slow ramps, asynchronous modulations, smooth sines, phase flipped undulations, textural rhythmic drifts - it’s all there in the Whitecap.
An analog tremolo with rate, depth, and volume controls
A digital tremolo with rate, depth, and volume controls as well as tap tempo and five selectable waveforms
A series/parallel toggle to run analog into digital or both side by side
Huge volume boost available in each side
Expression jack for external tap control
Ramp …

The Old Blood Noise Endeavors Procession Reverb offers sci-fi inspired soundscapes that add a layer of depth to your sound creating a dimension that harnesses space itself. A mix of haunting reverb and three different modulations provide the pedal with an array of effects from simple slapback reverbs to complex spacious echoes that allow for the creative player to experiment with. The simplistic controls offer a range of adjustable parameters with Mix and Reverb effecting the overall sound while speed and depth correspond with the selected modulation. The pedal also features a true bypass switch for transparent use when engaged and a hold switch to create massive atmospheric soundscapes.

The Wampler Euphoria Drive Pedal is a dynamic overdrive pedal which acts like classic vintage valve amplifiers by adding a unique warm and fuzzy characteristic to the overdriven tone just like a cranked valve amplifier. Featuring three different gain modes (smooth open and crunch) the Euphoria is extremely versatile and also incorporates a 2-band EQ for advanced tonal shaping true bypass robust housing and a compact footprint making it perfect for life on the go.

The MXR design team took a classic recording studio fixture and stuffed it into a pedalboard-friendly box. The MXR Studio Compressor features Attack, Release, Ratio, Input, and Output controls so you can fine-tune your compression level—from subtle to squashing—right on stage with visual feedback from a bright LED gain-reduction status meter. Constant Headroom Technology™ provides tons of headroom for clear, transparent performance that’s as dynamic as you need it to be. It’s all packed into a durable, lightweight aluminum-housing that’s the size of a Phase 90.
True Bypass: Yes
Battery Type: 9V
Power Supply: Adapter or Battery
Made in: USA
Battery Operation: Yes
UK/EU Power supply included: No…

The Line 6 POD Express Bass Amp and Effect Processor is the ultimate tool for bassists on the go. Offering models derived from Line 6s award-winning HX sound engine this handy little stompbox features a whopping seven amps seven cabs and 17 effects - including a looper! As a full rig compressed into a pedal-sized space the POD Express is easy to store in your gig bag or replace bulky home practice amps thanks to its stereo headphone out. Its all powered by either three AA batteries or an optional 9-volt power supply. With simple controls stereo outputs a USB-C audio interface for recording and re-amping and expandability via optional footswitches or an expression pedal it provides everything …

Capture the feel of a vacuum tube guitar amp with Nutube!The TR-S is an effects unit that features a Nutube,to deliver the responsiveness, the feel, of a vacuum tube guitar amp. With our new technology (patent pending) that makes use of the Nutube, you can achieve unheard-of compression effects, similar to a tube powered amp even when recording or using a transistor amp.Besides great tone, one of the advantages of the Nu:Tekt series is that you assemble them yourself. The TR-S kit doesn’t require soldering, and the necessary tools for assembly are included. This makes the TR-S the easiest and fastest unit to assemble in the entire current Nu:tekt series. With the TR-S, you can enjoy building th…

The Seymour Duncan 805 Overdrive Guitar Pedal is designed and assembled in Santa Barbara California by the same team responsible for Seymour Duncans legendary pickups. The 805 Overdrive can easily produce a subtle boost a fat crunch or a searing tone for your solos while the three-band EQ gives you unprecedented control and the ability to further shape your tone just the way you want. Whether you desire minor amounts of boost or harmonically rich gain with warm tube character the 805 provides the versatility needed for any type of music - from blues and country to rock metal and everything in between.

The Wampler EQuator Pedal is a powerful EQ designed to be incredibly flexible without being overly complicated. Its EQ section features fixed treble and bass controls and 2 semi parametric mid controls and 2 semi-parametric mid controls offering players a carefully defined frequency range to suit any application or style from simple tonal tweaking to a fully customised clean boost. The intuitive control layout is designed for quick and easy tonal adjustments while remaining precise and versatile enough to enable extensive frequency shaping bringing out the best sounds from your rig. Constructed using high-quality industry standard design and components the Wampler EQuator pedal delivers incredible …

Fuzz / Pedal Design Foot Pedal / Effects Fuzz

A preamp/boost effect for electric guitars, acoustic guitars or bass guitars. This is a true interpretation of the Boss FA-1 FET with JHS enhancement. In addition, it is equipped with a simple and effective equalizer. The effect is ideal for building distorted pedals, but its true charm lies in "kicking" the tupbe amplifier into its natural overdrive. The equalizer can then be adjusted precisely according to the amplifier's natural response. Controlled with Volume, Bass, Middle, Treble and with the rotary switch for three equalizer modes. In addition, it includes side DIP switches for low cut and ground lift. The effect is true bypass, it is equipped with a robust metal construction and is powered …

Chorus / Pedal Design Foot Pedal / Effects Chorus

Fourth version of the popular Charlie Brown overdrive effects pedal that is voiced to transform any good amp into a living, breathing replica of the original Marshall JTM45 tone that built an era, loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. This version builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. There are Volume, Drive, Bass, Mids, and Treble controls: the Volume control acts as a master volume would on the amplifier; the Drive knob controls the amount of dirt or overdrive in the path. With the gain below 50%, it is a low gain grit overdrive that even Hendrix would be proud to turn …

Silver Spring Reverb (SSR) is a compact, easy to use digital/analog reverb with a pure analog direct signal path. It creates a natural sounding ambient reverb that will not get in the way of your original signal. The Silver Spring Reverb’s bandwidth is in between the dark warmth of an amplifier’s spring reverb and the pristine clarity of a studio reverb. There is no noise reduction system, in order to keep the decay as natural as possible. The direct signal path is all analog, going straight through analog amplifiers with no filtering. With the input set below the maximum, there is no signal distortion or coloration. The Reverb signal path is filtered to produce the Silver Spring Reverb’s natura…

A volume pedal equipped with a precise magnetic sensor enabling it to operate almost wear-free. This sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the Lehle Mono Volume the Hall sensor, which is made in Germany, is accurately calibrated to the built-in magnet and the control range of the pedal. A premium Blackmer VCA (= Voltage Controlled Amplifier) from the United States replaces here in this case the mechanical potentiometer. The principle of the voltage-controlled amplifier is based on the fact that gain can be varied by the control voltage coming from the Hall sensor. In addition the potentiometer-typical noise and the complicated adjustment …