Effects Pedals

The True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his "blackface" amplifiers and a revolution was born. The True Spring Reverb also allows you to combine any of its iconic spring reverbs with any of the pedal's three tremolo effects. The True Spring's tremolos are the same organic effects that originally …

The EarthQuaker Devices White Light V2 is the reissue of the well-known White Light Overdrive and is limited to 2000 pieces worldwide. The White Light V2 takes its inspiration from classic vintage dirt pedals like the OD250 or Distortion+ without imitating them, giving an old sound a new voice. At the same time, the White Light V2 is much more dynamic, open and harmonically rich than the classic overdrives with which it shares its lineage.The Weight control adjusts saturation and bass, offering a wealth of tonal shaping possibilities. The Gain control goes from clean to a nice crunchy overdrive tone, and there is plenty of output volume on tap to flame-broil the input of any amplifier. The Compression …

This True Bypass pedal switches the signals from magnetic and piezo pick-ups just as free of losses and background noise as it does line signals. The secret is in its gold-plated-contact relays and its active pop-and-click suppression. Any differences in level can be ironed out, and Outputs A and B lowered relative to C. You can also feed signals from totally different sound sources, such as keyboards and CD/MP3 players, to an amp or a PA channel. All inputs and outputs, plus the internal signal path, are stereo. Press the active footswitch again to route the signal to the second output, and thus to an instrument tuner, another amp, or a mixing console channel. The Lehle 3at1 SGoS can be remote …

Ready for take off? With the Walrus Audio Lillian Analog Phaser youll discover a new dimension of sound. It will take your tone to new heights as you fly through riffs in impeccable style offering multiple voicings for you to explore.You can choose between four or six phasing stages and dial in your own phasing tone with intuitive control dials. Youll be able to give your riffs a dreamlike aura unlocking a completely new sound altogether. Boasting immense quality craftsmanship and most importantly tone this is one pedal which you wont want to turn off.

Pink Floyd's 'Breathe', Jimi Hendrix's 'Star Spangled Banner live at Woodstock 1969' and Robin Trower's 'Bridge of Sighs' cemented the sound of a photocell-based vibe effect as an electric guitar standard. The Unicorn is the JHS version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. The Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, JHS brings you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo.
metal housing
6.3 mm mono IN/OUT jacks
6.3 mm TRS external Tap Tempo/ Expression input
power supply via optional 9V …

Pedal Design Foot Pedal

Distortion effect pedal for electric bass guitar that features a double distortion engine (Alpha and Omega) and delivers unparalleled versatility, harmonic rich and bone-crushing sound. It is designed for bassists in need of a preamplifier to be distinctively heard in any musical context. The pedal features Blend control that mixes the clean and processed signals, Level control that sets the volume of the overdriven signal and Drive control that sets the amount of gain in the overdriven signal, as well as Mod control that selects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw. Other control include …

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Type: Overdrive
Made in: USA
UK/EU Power supply included: No
Power Supply: 9V;Adapter
True Bypass: Yes…

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are carefully selected and particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino offers 3 filter ranges, 2 sweep directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you can maintain the highest headroom for your tone. An incredibly robust build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley …

Guitar pedal effect. The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With ot…

The Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs. The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.Like the other members of the Walrus Audio …

Chorus / Pedal Design Foot Pedal / Operation analogue

Pedal Design Foot Pedal / Operation digital

Bass Pitch Shift / Pedal

The Pedaltrain Classic 2 is a versatile and compact pedal board modelled after the best-selling Pedaltrain PT-2 board. Featuring Pedaltrains original four-rail design and traditional rail spacing the Classic 2 has been updated with an open fronted design and increased elevation enabling you to mount a greater variety of power supplies and switching systems with ease. The Classic 2 also comes supplied with a durable professional-grade tour case providing ease of transport and keeping your board safe and protected on the road.