Effects Pedals

The Tone Job is a complete tone enhancement tool with EQ and Booster suitable for guitar, bass, synthesizer and more. Controls: Level - Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 O'Clock. Treble - Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon. Bass - Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon. Middle - Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon.The Tone Job take a standard 9 volt DC power supply with a 2.1mm negative center barrel. Recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will …

Polyphonic effects pedal that has been built on the synthesis platform of the award-winning Superego model and raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. It also has a complete effects section featuring 11 effects types (DETUNE, DELAY, ECHO, FLANGE, PHASE, MOD, ROTARY, TREM 1, TREM 2, PITCH, FILTER), an EXP input for effect parameter control/preset recall and an EXT jack for a 3-button controller. The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four …

Distortion / Pedal Design Foot Pedal / Operation analogue / Effects Distortion

makes your 6-string guitar sound like a 12 string or your 4 string bass sound like an 8 string, space saving design, included power supply 9 DC-200 BI
Type: Octaver
Controls: Dry;Octave Up;Sub Octave
Made in: USA
Power Supply: Adapter
True Bypass: None
Battery Operation: No
Inputs: Mono
UK/EU Power supply included: No
Outputs: Mono

Ledges is a compact, three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. If you’re looking for that classic, standard reverb tone from the players and songs you love, then this is your pedal. If you want to push the limits and take it further to sonic reaches that only you can uncover, then this is also your pedal. It’s everything you’ve ever wanted and needed out of a reverb.
Controls: Mix;Length;Mode Selector;Damping;Preset;Preset Save/Recall
Depth (mm): 121.0
Number of Buttons: 1
Width (mm): 64.0
Outputs: Jack 6,3 mm TS
Power Supply: Adapter;9V DC ( - )
Weight (g): 279.0
Number of Presets: 6
Inputs: Jack 6…

The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but couldn’t come to a consensus about which Muff was king. With the Muffuletta, indecision is your gain. JHS crammed five all-analog re-creations of the pedal’s most beloved tones into this box and even threw in a JHS-exclusive tone that is their take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.
Depth (mm): 121.0
Inputs: Jack 6,3 mm
Width (mm): 66.0
Package …

The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as very musical studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent. Where our older compressors …

A volume pedal equipped with a precise magnetic sensor enabling it to operate almost wear-free. This sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the Lehle Mono Volume the Hall sensor, which is made in Germany, is accurately calibrated to the built-in magnet and the control range of the pedal. A premium Blackmer VCA (= Voltage Controlled Amplifier) from the United States replaces here in this case the mechanical potentiometer. The principle of the voltage-controlled amplifier is based on the fact that gain can be varied by the control voltage coming from the Hall sensor. In addition the potentiometer-typical noise and the complicated adjustment …

Pedal Design Foot Pedal

Pedal Design Foot Pedal / Operation analogue / Effects Fuzz

Wah-Wah / Pedal Design Foot Pedal

gain output stage with kick switch and LED, true bypass, powered via battery or Dunlop optional power supply. Made in USA.
Power Supply: Adapter or Battery
Made in: USA
UK/EU Power supply included: No
Battery Type: 9V
Type: Wah-Wah;Boost
Battery Operation: Yes

Bass Amp Modeler

Pitch Shifter / Pedal Design Foot Pedal

The polyphonic SYNTH9 Synthesizer Machine transforms your guitar or bass with 9 presets that were precisely tuned to emulate the most sought after, vintage synthesizer sounds ever! From searing lead synths to spacey synth pads and deep, funky, synth bass grooves, it's all accessible. The SYNTH9 is also super easy to use with DRY volume, SYNTH volume, CTRL1 and CTRL2 knobs that provide precise control over each preset's parameters. If you dig the kind of classic synth sounds made famous on recordings by groups like ELP, EVH, Kraftwerk, Joy Division, P-Funk, Peter Gabriel and more, we think you'll love the SYNTH9. Specs: - Transforms the tone of your guitar or bass into that of a vintage synthesizer …

The ZIO is a fully analog preamp / amplifier pedal that includes a choice of four different preamp circuits, each with up to +20 dB of additional output amplification. ZIO is the first fully analog effects pedal from Source Audio and designed in collaboration with Christopher Venter, owner and sole engineer at SHOE Pedals.ZIO is a flexible unit that can serve many different purposes at different points in your signal path. Use it at the front of the effects chain to shape the rest of your outgoing tone, after the drive pedals to completely tune the tone or increase the volume, or at the end of the pedal board to trigger a long cable effect, or as a device to restore the sound of your guitar.…