Effects Pedals

Booster / Pedal Design Foot Pedal / Effects Overdrive

Reverb pedal for acoustic instruments. The Align Reverb was built from the ground up to complement the natural body dynamics and warmth of acoustic instruments that we love so much. The circuit seamlessly integrates the wet and dry signals with the effect in side chain so that it never overwhelms the original signal. We shaped the reverb with analog EQ to reflect the natural voice inherent in acoustic instruments. Additionally, the tone control adds versatility by sweeping from warm and muted to open and present. The result is an organic reverb that maintains the audiophile purity of the original signal with the controls set in any position. Decay adjusts the length of the reverb tail. 9 V b…

The MXR Hybrid Fuzz channels classic Fuzz Face Distortion pedals to open up a blazing new frontier of fuzz. Combining the snarling, high-gain aggression of a silicon transistor and the smooth, shaggy warmth of a germanium transistor into a single circuit, the Hybrid Fuzz generates a broad range of Fuzz Face Distortion tones with just Output and Fuzz controls. Want searing psychedelica straight out of the ‘60s? The Hybrid Fuzz has you covered. Grinding high-desert riffage? Ditto—and that goes for everything in between. And it’s responsive to your guitar’s volume control, too, cleaning up nicely when you roll it back.Plug into the MXR Hybrid Fuzz, and step into a whole new realm of supersonic saturati…

Guitar pedal effect - Sample and Hold Envelope Filter, auto-wah and voltage controlled envelope filter (VCF), 3 modes: Up Sweep, Down Sweep and Sample & Hold, true bypass, 3 controls for Range, Resonance and Filter, silent relay-based soft touch switching, bypass footswitch, 6.3 mm mono IN/OUT jacks, status LED, metal housing, power supply optional 9V DC adapter (not included), battery operation not supported, dimensions (D x W x H) 117 x 64 x 57 mm
Battery Operation: Yes
Power Supply: 9V;Adapter
Type: Multieffect
UK/EU Power supply included: No
Made in: USA
True Bypass: Yes

Wah-Wah

6 Whammy Presets and 2 Detune Presets (Shallow & Deep), Harmony, Presets and Effects can be controlled by MIDI, True Bypass, stable Metal Enclosure, Bypass, Detune and Whammy Effects: 9 Harmony Bend Presets, included AC/DC Power Supply (PS 913 DC)
Colour: Red
Power Supply: Adapter;9V DC ( - )
Height (mm): 64.0
Controls: Classic/Chords;Mode Detune
Outputs: Jack 6,3 mm TS
Depth (mm): 197.0
Type: Harmonizer;Whammy;Octaver
Inputs: MIDI IN;Jack 6,3 mm TS
Package Contents: Adapter;Manual
Number of Buttons: 1
True Bypass: Yes
Width (mm): 165.0
UK/EU Power supply included: Yes
Battery Operation: No
MIDI Interface: Yes…

Pedal Design Foot Pedal

Legendary delay pedal effect with 3 pressure-sensitive footswitches, new algorithms and 6 presets. 3 footswitches with MASH let you toggle between delay sounds instantly. New pristine Crystal algorithm along with hyper-realistic Analog and Tape algorithms. Preset bank switch lets you easily access up to 6 stored delay presets. 10 quality delay types plus 6 TonePrint slots that let you store effects and artist TonePrints. Dedicated tap tempo switch keeps your delay effects right on the beat. MASH footswitches give you powerful effect-specific real-time parameter control. Subdivision knob with 11 tempo settings for a wealth of rhythmic delay possibilities. Craft delays and customize MASH functionality …

Reverb

Guitar flanger / phaser pedal effect. The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity …

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

A preamp/boost effect for electric guitars, acoustic guitars or bass guitars. This is a true interpretation of the Boss FA-1 FET with JHS enhancement. In addition, it is equipped with a simple and effective equalizer. The effect is ideal for building distorted pedals, but its true charm lies in "kicking" the tupbe amplifier into its natural overdrive. The equalizer can then be adjusted precisely according to the amplifier's natural response. Controlled with Volume, Bass, Middle, Treble and with the rotary switch for three equalizer modes. In addition, it includes side DIP switches for low cut and ground lift. The effect is true bypass, it is equipped with a robust metal construction and is powered …

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High-pass frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. Low-pass frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Level: …

Out of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock's simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SO…

The next generation effect pedal that surpasses and redefines the distortion pedal.This all new effects unit has been developed by Fumio MiedaThe HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion.This all new effects unit has been developed by Fumio Mieda, developer of many famous legendary devices such as the Univibe. This new kind of effects unit differs from the usual “fuzz” or “distortion” pedal in many ways.The HD-S lets you freely combine the three different distortion circuits to produce a wide range of previously undiscovered sounds, from the traditional fuzz to out of this world distorte…