Other Sound & Hi-Fi

Classic FET-style compressor modeled after iconic 1176LN, D and E Revisions. Completely discrete signal path. Class-A line-level output amplifier. Custom-built, Midas input and output transformers. Push button selection of compression ratios: 4:1, 8:1, 12:1, 20:1. Ultra-fast attack time: 20 to 800 microseconds. Adjustable release time: 80 to 700 milliseconds. Vintage-style meter features gain reduction and output. Transformer balanced inputs and outputs on Neutrik XLR connectors. Rugged 2U rackmount chassis for durability in portable applications. Auto-ranging universal switch-mode power supply.
Type: Compressor
Made in: China

The Klark Teknik DN4816U is a universal and compact interface box for sharing 32 channels of audio between StageConnect devices, Behringer Ultranet and USB audio on your PC. There are countless applications: Send USB audio to Behringer P16 personal monitor mixers, use a Midas MR18 as 16 CH input box for Behringer WING or record 32 channels from WING directly in your DAW. SC-Devices interconnect with a single XLR cable for multi-channel audio transmission. There are various I/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will allocate the channels for their respective connectivity automatically.The DN4816U …

The Klark Teknik EQP-KT Classic Tube Equalizer pays homage to the renowned Pultec EQP-1A equalizer featuring vintage class-A circuitry with discrete components and premium hand-selected 12AX7 and 12AU7 vacuum tubes. Allowing you to boost and cut specific frequencies simultaneously the Klark Teknik EQP-KT equalizer delivers endless creative possibilities with complete hands-on control over every aspect of your sound. The 12AX7 and 12AU7 tubes provide vintage warmth with the perfect balance of tight bass exceptionally smooth midrange and airy treble. Providing pristine sound and unparalleled performance with mastering quality equalisation at an affordable price the Klark Teknik EQP-KT is perfect …

The 2A-KT draws inspiration from the original Teletronix LA-2A leveling amplifier, which was first produced in the early 1960s. Since then, Teletronix leveling amplifiers have been prized for their smooth musical sound, and audio engineers have utilised them at all stages of the recording process – from tracking to mastering. At the heart of the 2A-KT is a vintage lag-free optical attenuator based on the very same electroluminescent technology used in its predecessor. The 2A-KT is constructed from the highest-quality discrete components – all of which meet or exceed the LA-2A’s original specifications. This is just one of the many ways the 2A-KT brings unparalleled precision …

Whenever you need more headroom for any microphone in your podcast, recording studio or stage setup, the MIC BOOSTER CM-1 is exactly the tool you need to get a crisp and clean microphone signal in a robust and simple to use package. The CM-1 can work with almost any dynamic or passive ribbon microphone. Its high-quality preamp adds an incredible +25dB of gain to your mic pre’s which increases headroom and allows you to dial in the perfect mic level at a much lower gain setting at the mixer thus leading to a cleaner sound. The simplicity and size of the CM-1 means you can set it up as close as possible to any mic anywhere in your studio or on stage. This minimizes the risk of any potential …

Whenever you need more headroom for any microphone in your podcast, recording studio or stage setup, the MIC BOOSTER CM-2 is exactly the tool you need to get a crisp and clean microphone signal in a robust and simple to use package. Both channels of the CM-2 can work with almost any dynamic or passive ribbon microphone. Its high-quality preamp adds an incredible +25dB of gain to your mic pre’s which increases headroom and allows you to dial in the perfect mic level at a much lower gain setting at the mixer thus leading to a cleaner sound. The simplicity and size of the CM-2 means you can set it up as close as possible to any mic anywhere in your studio or on stage. This minimizes the risk …

Powerful bass is one thing but powerful bass that can be placed anywhere in a room to achieve the best possible sound is another. Thanks to the new WA-2 wireless subwoofer kit convenient bass enhancement of music home theatre and whole-house audio systems is now possible. This accessory is meant to add simplistic wireless capability to the already superior performing Klipsch subwoofers including the R-115SW SPL-100 SPL-120.

classic cable for ambitious musicianspure sound pleasure for stage, studio and rehearsal roomtop-quality materials: PVC jacket, Cu spiral shielddelivers a powerful, transparent and assertive soundfat twisted-core design, minimum interferencelow capacitance
~ Length: 1 m
Made in: Germany
Type-A Connector: XLR Male
Colour: Black
Length: 100 cm
Type-B Connector: XLR Female

Classic cable for ambitious musicians, pure sound pleasure for stage, studio and rehearsal room, top-quality materials: PVC jacket, Cu spiral shield, delivers a powerful, transparent and assertive sound, fat twisted-core design, minimum interference, low capacitance
Made in: Germany
Colour: Black
Length: 5 m
~ Length: 5 m
Type-A Connector: XLR Male
Type-B Connector: XLR Female

Microphone cable series M1, used cable MY206, connectors XLR female NC3FXX - XLR male NC3MXX - NEUTRIK silver, cable color black, cable length 7.5 m
Type-A Connector: XLR Male
Length: 7,5 m
Colour: Black
~ Length: 7,5 m
Type-B Connector: XLR Female

The Klotz M1FM1N1000 Neutrik XLR 3-pole – XLR 3-pole microphone cable 10 meters delivers the goods. The Neutrik XLR connectors are very durable and precise. The cable stays precisely where you left it, thanks to the flexible design that prevents it from curling up. The Klotz M1FM1N1000 microphone cable leaves nothing to chance.
Type-B Connector: XLR Female
Length: 10 m
Colour: Black
Made in: Germany
~ Length: 10 m
Type-A Connector: XLR Male

Low-capacitance microphone cable with nickel-plated XLR connectors from M1 series that is a classic accessory for ambitious musicians and delivers a powerful, transparent and assertive sound for any stage, studio and rehearsal room. It features a fat twisted-core design for minimum interference, copper spiral shielding and a PVC jacket. Cable length: 5 m. Black colour.
Type-A Connector: XLR Female
Made in: Germany
Type-B Connector: XLR Male
~ Length: 5 m
Length: 5 m

Microphone cable with XLR by KLOTZ. Classic cable for ambitious musicians. Pure sound pleasure for stage, studio and rehearsal room. Top-quality materials: PVC jacket, Cu spiral shield. Delivers a powerful, transparent and assertive sound. Fat twisted-core design, minimum interference and low capacitance. Leght: 10 m.
Length: 10 m
Type-B Connector: XLR Male
Made in: Germany
~ Length: 10 m
Type-A Connector: XLR Female

Low-capacitance microphone cable with nickel-plated XLR connectors from M1 series that is a classic accessory for ambitious musicians and delivers a powerful, transparent and assertive sound for any stage, studio and rehearsal room. It features a fat twisted-core design for minimum interference, copper spiral shielding and a PVC jacket. Cable length: 15 m. Black colour.
Length: 15 m
Type-A Connector: XLR Female
~ Length: 15 m
Type-B Connector: XLR Male
Made in: Germany

Superior microphone cable with extra thick outer jacket and Neutrik XLR, ideal for tough road life, with outer jacket of reinforced PVC and outer diameter of 6.5 mm. For professional sound standards. Nuanced delivery, top-quality materials: PVC jacket, Cu spiral shield, fat twisted-core design. Minimum interference low bending radius of only 30 mm. Treble-friendly capacitance of 60 pF/m. Lenght 10 m.
Colour: Black
Made in: China
Type-A Connector: XLR Male
Length: 10 m
~ Length: 10 m
Type-B Connector: XLR Female

High-end assembled microphone cable from M5 series that is suitable for professional stage and studio settings full of high and low frequency interference. It features two silver XLR 3-pole connectors (male and female), double shielding and PVC sheath. Cable length: 6 m. Black colour.
Length: 6 m
Type-A Connector: XLR Male
Type-B Connector: XLR Female
Made in: China
~ Length: 6 m
Colour: Black

Keep your scanner in tip-top shape by cleaning it 2 to 4 times a week with one of these wipes. These are sold in boxes of 50 sheets.

Kodak Alaris 142 8101 Consumable kit

Kit includes: 1 feed module 1 separation roller 18 pre-separation pads and 50 replacement tires

Recommended maintenance:

- Feed module and separation roller tires: tire life will vary depending upon paper types environment and cleanliness. Normal tire life is approximately 500000 pages; results will vary. Degradation of feeder performance multiple feeds stoppages etc. indicate a need to change tires. It is also recommended that all tires on the feed module & separation roller be changed at the same time. The kit includes extra tires in the event one is damaged when replacing tires.
- Feed module and separation roller: it is recommended that you install a new feed module and separation …

Includes: 5 feed modules 5 separation rollers 76 pre-separation pads 200 replacement tiresN/AUsage: see the table on page 18 for a guideline on how often to change consumables

Includes:4 feed modulesN/AUsage: this module has the potential to scan up to 20000 pages.

Includes: 1 feed moduleN/AUsage: this module has the potential to scan up to 500000 pages.

Includes: 12 tires and 2 pre-separation pads
Usage: See the table on page 33 for a guideline on how often to change consumables.

These tires are for use on the feed module and separation module.

Includes: 1 separation moduleN/AUsage: this module is used for document scanning has the potential to scan up to 250000 pages.