Guitar Accessories

The JHS Artificial Blonde Madison Cunningham Signature Pedal is basically a simple approach to Madison's signature sound: an always-on, slightly three-dimensional vibrato sound. The secondary footswitch switches between the two speed/depth preset sections. It is a true pitch vibrato modulation pedal with two easy to access modes for live use. This flexible and distinctive vibrato pedal features an active tilt EQ in addition to the global volume control. Turning it to the left boosts the lows and cuts the highs, while turning it to the right boosts the highs and cuts the lows. The left footswitch turns the effect on and the right one switches preset A or B. Each preset has the same speed/depth …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output through your board like normal.
metal housing
6.3 mm mono IN jack
2 x 6.3 mm OUT jacks
power supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) center
battery operation not supported
current draw: less than 100 mA
dimensions (L x W x H): 95 x 47 x 35 mm
weight: 120 g
Battery Operation: No
Height (cm): 3.5
Net Weight (kg): 0.1
Power Supply: Adapter
Depth (cm): 4.3
Colour: …

Fourth version of the popular Charlie Brown overdrive effects pedal that is voiced to transform any good amp into a living, breathing replica of the original Marshall JTM45 tone that built an era, loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. This version builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. There are Volume, Drive, Bass, Mids, and Treble controls: the Volume control acts as a master volume would on the amplifier; the Drive knob controls the amount of dirt or overdrive in the path. With the gain below 50%, it is a low gain grit overdrive that even Hendrix would be proud to turn …

The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.…

Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles "Revolution 1" in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt, and Hi Pass. "Master" is the classic volume control that controls the overall output. "Pre" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As reaching 75% and above, the fuzz will begin to gate out as user picks the strings harder when playing, it is very responsive to the input signal and touch. The "Tilt" control acts as an active tone control …

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …

Parametric mid EQ effects pedal; analog operation; up to +/- 15 dB mid boost or cut; center frequency sweepable from 400 Hz to 7.5 kHz; switchable Q (LO/HI); true bypass; controls for volume, mids and sweep; Lo/Hi toggle switch for selecting the Q setting; bypass footswitch; status LED; metal housing; 6.3mm mono IN/OUT jacks; power supply via optional 9V DC adapter 2.1 x 5.5mm barrel plug; polarity: (-) center; current draw less 100 mA; dimensions: 66mm x 122mm x 40mm; weight: 290g.
Made in: USA
Тype: Equalizer
UK/EU Power supply included: No
Power Supply: Adapter;9V

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined. This is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

2-in-1 echo/slap delay and boost effects pedal that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. It can be simply set it low at unity gain for an always-on enhancer that fattens up and clarifies the tone, or turned more clockwise to push the tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analogue BBD delay, and cover the tonal grounds between both. The controls are simple and it sounds good in every setting.…

Overdrive effects pedal for electric guitar or bass guitar that is a highly unique and massively tweaked version of the most famous overdrive ever created and is an ideal tool for shaping and creating unique mid heavy tones for almost any need or genre. It has the core tone of the version one and retains the simple Volume, Tone, and Drive knobs. However, it also features an added Clean knob to blend in any amount of clean signal to the tone. The simple 2-position "Proof" toggle provides everything from low gain amp-like breakup with powerful coloured boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. The pedal uses an internal 9V to 18V charge …

Fourth version of the JHS's most known and praised overdrive effect pedal - Morning Glory. It features Volume, Drive, Tone and Gain controls. The Volume control acts as a master output level control. One improvement of this version is the doubled amount of available headroom of this control. The Drive control dials in overdrive as user turns it clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as user turns it clockwise, the tone becomes brighter. As he turns this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, …

The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but couldn’t come to a consensus about which Muff was king. With the Muffuletta, indecision is your gain. JHS crammed five all-analog re-creations of the pedal’s most beloved tones into this box and even threw in a JHS-exclusive tone that is their take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.
Made in: USA
Controls: Sustain;Tone;Mode;Volume
Inputs: Jack …

Foot switch designed for mutes the signal completely. It is equipped with a two-color LED and a metal body. The switch has a built-in single 6.3 mm mono jack input and output. It is powered by a 9 V DC adapter with a 2.1 x 5.5 mm barrel connector and center negative polarity (not included). Dimensions: 95 x 47 x 35 mm, Weight: 130 g
Power Supply: Adapter;9V
Тype: Muter
Made in: USA
UK/EU Power supply included: No

The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog …

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

From buffer, to boost, to tone enhancer, the Prestige will prove to be a vital and necessary piece of gear for anyone's rig. With the boost knob set to zero, you have in your hands an amazing buffer/enhancer for long cable runs as well as a tool that will simply add some life back into your rig. When the Boost knob is in the first 25% you will get different flavors of the buffer/enhancer as well as slight volume increases. When the Boost knob is set between 25% and 50% you have a powerful, dynamic solo boost that adds definition, clarity and a little magic to your solos and lead passages. When set at 50% or more, the Prestige gives you the ability to break up your tube amp in a smooth and natural …

Introducing the all-new ROSS Pedals Chorus - a true masterpiece, embodying the legacy of the revered ROSS brand and equipped with authentic classic circuit. Crafted with unparalleled attention to detail, it combines vintage charm with innovative upgrades, including soft touch bypass, reduced noise, and a mode switch for added versatility. The V3207 BBD chipset ensures authentic bucket-brigade chorus and vibrant vibrato tones, while intuitive controls offer endless sonic possibilities. Experience the magic of classic chorus or venture into Pitch Vibrato territory with the side switch. ROSS Chorus is the epitome of excellence, ensuring an extraordinary musical journey for every guitarist.
Controls: …

The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more …

Summing Amp effect pedal. The device can combine two signals into one mono signal. It is equipped with one foot switch, two inputs and one output. Thanks to its features, it can send two signals to one amplifier or add a stereo signal to mono. The effect has a robust metal construction and is powered by a 9V adapter (not included).
Power Supply: Adapter;9V
UK/EU Power supply included: No
Made in: USA

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Made in: USA
True Bypass: Yes
Power Supply: Adapter;9V
Тype: Overdrive
UK/EU Power supply included: No…