Guitar Accessories

The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' button that lets you access a never-before-heard …

The JHS Hard Drive is the first attempt in the company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level.The Hard Drive goes harder and further than any gain or distortion we’ve released so far. A fres…

Parametric mid EQ effects pedal; analog operation; up to +/- 15 dB mid boost or cut; center frequency sweepable from 400 Hz to 7.5 kHz; switchable Q (LO/HI); true bypass; controls for volume, mids and sweep; Lo/Hi toggle switch for selecting the Q setting; bypass footswitch; status LED; metal housing; 6.3mm mono IN/OUT jacks; power supply via optional 9V DC adapter 2.1 x 5.5mm barrel plug; polarity: (-) center; current draw less 100 mA; dimensions: 66mm x 122mm x 40mm; weight: 290g.
Тype: Equalizer
UK/EU Power supply included: No
Power Supply: Adapter;9V
Made in: USA

An unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The range of choice is extremely broad. As well as the wave control, the Kodiak has four other …

When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined. This is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

2-in-1 echo/slap delay and boost effects pedal that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. It can be simply set it low at unity gain for an always-on enhancer that fattens up and clarifies the tone, or turned more clockwise to push the tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analogue BBD delay, and cover the tonal grounds between both. The controls are simple and it sounds good in every setting.…

Overdrive effects pedal for electric guitar or bass guitar that is a highly unique and massively tweaked version of the most famous overdrive ever created and is an ideal tool for shaping and creating unique mid heavy tones for almost any need or genre. It has the core tone of the version one and retains the simple Volume, Tone, and Drive knobs. However, it also features an added Clean knob to blend in any amount of clean signal to the tone. The simple 2-position "Proof" toggle provides everything from low gain amp-like breakup with powerful coloured boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. The pedal uses an internal 9V to 18V charge …

Fourth version of the JHS's most known and praised overdrive effect pedal - Morning Glory. It features Volume, Drive, Tone and Gain controls. The Volume control acts as a master output level control. One improvement of this version is the doubled amount of available headroom of this control. The Drive control dials in overdrive as user turns it clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as user turns it clockwise, the tone becomes brighter. As he turns this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, …

Foot switch designed for mutes the signal completely. It is equipped with a two-color LED and a metal body. The switch has a built-in single 6.3 mm mono jack input and output. It is powered by a 9 V DC adapter with a 2.1 x 5.5 mm barrel connector and center negative polarity (not included). Dimensions: 95 x 47 x 35 mm, Weight: 130 g
Тype: Muter
UK/EU Power supply included: No
Power Supply: Adapter;9V
Made in: USA

The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog …

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the …

At JHS, fuzz pedals have been in JHS lineup for over a decade. They have designed original circuits, replicated classics, and they have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is tribute to the most important fuzz circuits ever made. It is JHS way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, …

From buffer, to boost, to tone enhancer, the Prestige will prove to be a vital and necessary piece of gear for anyone's rig. With the boost knob set to zero, you have in your hands an amazing buffer/enhancer for long cable runs as well as a tool that will simply add some life back into your rig. When the Boost knob is in the first 25% you will get different flavors of the buffer/enhancer as well as slight volume increases. When the Boost knob is set between 25% and 50% you have a powerful, dynamic solo boost that adds definition, clarity and a little magic to your solos and lead passages. When set at 50% or more, the Prestige gives you the ability to break up your tube amp in a smooth and natural …

The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more …

Summing Amp effect pedal. The device can combine two signals into one mono signal. It is equipped with one foot switch, two inputs and one output. Thanks to its features, it can send two signals to one amplifier or add a stereo signal to mono. The effect has a robust metal construction and is powered by a 9V adapter (not included).
UK/EU Power supply included: No
Power Supply: 9V;Adapter
Made in: USA

Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal with an added boost section. The new boost section in the AT+ is a completely independent single control boost that you can kick in at any moment with the dedicated footswitch. On it's own it provides a little bit of grit, pushing your clean sound a bit up to a light crunch on some amps. Combine it with the AT drive inside though and you can take that amazing overdriven sound into a sweet sustaining lead …

Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already hot amp into massive sustain, everyone needs a screamer on their board. Over the last 40 years there have been hundreds of models from different brands, some more original than others. But with so much choice it can be really hard to find the one that is right for your rig. That is no longer a problem thanks to the JHS Bonsai a 9-way TS style pedal that has perfect replications of 9 different screamer …

Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It features two gain switches (G1 and G2), providing the ideal level of gain, as well as a Cut/Flat toggle that adjusts the instrument’s bass response. The pedal also has a true bypass switching and requires a 9V power supply (not included). Dimensions: 38.1 x 55.9 x 109.2 mm.
Made in: USA
True Bypass: Yes
UK/EU Power supply included: No
Тype: Overdrive
Power Supply: Adapter;9V…

Versatile dual reverb effect pedal that is very user-friendly thanks to its graphic faceplate and various controls for creating the perfect spring reverb full of rich overtones. It features Depth, Length, Highs and Boost knobs as well as two switchable reverb mixes Tank 1 and Tank 2. The pedal also has an effects loop that allows for putting any effect on the reverb tails, and an internal switch that allows for having the effects loop on only when Tank 2 is engaged.
Battery Detail: Al/Mn
Power Supply: 9V;Adapter
Тype: Reverb;Boost
UK/EU Power supply included: No
Made in: USA

The pulsating, throbbing sound of vintage Fender and Vox amplifier tremolo lives on in the JHS Tidewater mini tremolo pedal. With a simple control set — volume, mix, and speed — the Tidewater pedal delivers amp-like warmth and dimension. So much so, that you can even dial the mix knob back and simply use it as a wonderfully rich preamp boost by pushing its volume up. Guitarists appreciate the ability to adjust the range of the speed control via internal DIP switches. If you've been searching for classic tube-tremolo tone that you can use with any amplifier, the JHS Tidewater pedal may bring that search to an end.
Made in: USA
Тype: Boost;Preamp;Tremolo
UK/EU Power supply included: No
Power Suppl…

Pink Floyd's 'Breathe', Jimi Hendrix's 'Star Spangled Banner live at Woodstock 1969' and Robin Trower's 'Bridge of Sighs' cemented the sound of a photocell-based vibe effect as an electric guitar standard. The Unicorn is the JHS version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. The Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, JHS brings you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo.
metal housing
6.3 mm mono IN/OUT jacks
6.3 mm TRS external Tap Tempo/ Expression input
power supply via optional 9V …

Since the fuzz effect was invented in the early sixties, guitar players have gone to great lengths to achieve the perfect fuzz tone. Legends say that Duane Allman placed his fuzz pedal in the freezer between sessions to cool down the transistors, and that Roger Mayer meticulously modified Hendrix’s Fuzz Faces beyond recognition in search of an elusive, magical fuzz experience. Fortunately, even apart from these mythological methods, there’s one trick that always works: use a dying battery. Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different …

FET Compressor guitar effect pedal. It is ideal for studio work, but also for live use and it has compact dimensions. It is set using three Volume, Compression and Blend potentiometers. The effect is true bypass, it is equipped with a robust metal construction and is powered by a 9 V adapter (not included).
Outputs: Jack 6,3 mm TS
Made in: USA
Тype: Compressor;Fet
Power Supply: Adapter;9V
Battery Operation: No
Inputs: Jack 6,3 mm TS
True Bypass: Yes
UK/EU Power supply included: No
Number of Buttons: 1
Colour: White
Controls: Comp