Amplifiers Universal Audio

Mic Preamp. Features: Each of the 4-710d’s four Twin-Finity channels features true-bypass 1176-style compression, including specially tuned ''fast'' and ''slow'' settings. Eight channels of high quality 24-bit A/D conversion. Selectable sample rates up to 192 kHz. Digital output via dual ADAT optical and AES/EBU DB-25 connectors. 8-channel soft limiter (switchable for all channels). 75 Ω BNC work clock I/O. 48 V phantom power.
Made in: China

Compact alltube microphone preamplifier/D.I. box that delivers the classic Putnam 610 tube console sound in a portable, highly versatile design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its iconic tones. Thanks to its convenient form factor, it can be conveniently used in the control room or the recording room, on stage, or on a desktop. The preamplifier offers Mic and DI inputs, and Gain and Level controls for myriad clean or colored sounds. Unlike its predecessors, the SOLO/610 has continuous Gain control with even greater range, allowing for precise gain structuring. It has all of the essential fe…

The 710 Twin Finity is a tube / FET preamplifier, uniquely combining the classic "warmth" UA lamp part and semiconductor circuits with the possibility of a smooth transition between them, all enclosed in a solid 2U halfrack tin box. The 710 has been specially designed for absolute versatility and high sound variability during basic preamp processing.Preamp combining electron and transistor circuit with the possibility of continuous combinationGain and Level control for maximum tonal versatilityHiZ input for direct tool connection70dB + gain, + 48V phantom power, pad (15dB), phase switching and highpass filter (75Hz)XLR microphone input, XLR line input, and XLR line output on the backTop quality …

The 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip.The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.The 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it "hands-down, the most dimensional mic preamp I've ever heard". Peter Wade, engineer/producer who …