Guitar Accessories

Take your favorite guitar and jump into the huge world of sounds with the new SY-300 guitar synthesizer. You can use it with any guitar and right away. No special pickup required - just plug in a standard 1-4 "cable and start playing. Thanks to the revolutionary BOSS technology, you can enjoy bold analogue polyphonic sounds with zero latency and greatly expand the expressive and sound capabilities of your guitar. In addition, you can continue to work with sound From the simple lead sounds to complex sound surfaces, the SY-300 brings new dimensions of sound and creativity to your music.
Number of Effects: 20
Controls: Control Button;Parameter Knob;Footswitch
Inputs: Thru;Expression Pedal;Mono;Return<…

BOSS’s iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we’ve updated the classic stomp with enhanced functionality while fully retaining the original’s sound and control layout. It’s now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.     
Updated version of the industry-standard DD-3, with enhanced functionality for modern players
Ultra-easy operation for fast sound creation
Delay time of 12.5 to 800 ms, divid&hellip;

Compact tremolo effect pedal for electric guitar that has been designed to deliver high-quality vintage tremolo effects. It features dedicated Wave, Rate and Depth control knobs that provide a multitude of effect possibilities: Rate control allows for higher speed adjustment, Wave control alters LFO waveform from triangle to square, and Depth control determines the strength of the effect. Pedal provides two standard in/out jacks and can be powered by 9V battery (included) or AC adaptor (not included). Dimensions: 73 x 129 x 59 mm. Weight: 400 g.
Controls: Depth;Wave;Rate
UK/EU Power supply included: No
Outputs: Mono
Inputs: Mono
Type: Tremolo
True Bypass: None
Made in: Taiwan…

High-performance tuner and metronome in one convenient clip-on unit. Clips onto the headstock of a guitar, bass, ukulele, or other stringed instrument. Five selectable tuning modes: chromatic, guitar, bass, ukulele, and violin. Advanced metronome with eight patterns and ten beat variations. Metronome beats are displayed on screen and sounded through a built-in speaker. Large backlit display and durable padded clip. Tuning range: A0 (27.5 Hz) - C8 (4,186.0 Hz). Tuning Accuracy: +/-1 cent. Metronome tempo: 30 - 250 Bpm. Power supply: CR2032 lithium battery. Battery life: 8 hours. Dimensions: 66 x 42 x 35 mm. Weight: 40 g. Colour: Black
Suitable for: Violin;Guitar;Bass Guitar;Ukulele
Colour: Black<…

The Boss TU-05 Rechargeable Clip-on Guitar Tuner is a modern rechargeable tuner for guitarists bassists and uke players too. Offering modes for all three instruments as well as a chromatic mode for an immensely precise tuning experience. But thats not all. This quality Boss Tuner also offers flat tuning over a range of three semitones down making it a super choice for all you players who like it low and heavy. Plus with its rechargeable battery you have up to ten hours of continuous use. Youve even got a USB cable included that works perfectly with a standard USB power adapter.To mount the Boss TU-05 is secure and easily adjusted for the perfect viewing angle. Theres also a large incredibly …

Clipon chromatic tuner with ‘True Colour’ display from TU series that provides reliable and accurate tuning with tuning range of C0 (16.35 Hz)C8 (4186 Hz) and accuracy of +/1 cent. Unique LCD screen provides a full, multicolour visual experience and reflectiondisplay function that dramatically improves visibility. Tuner also features highperformance function such as AccuPitch, flat tuning up to 5 semitones, or Stream display mode. Powered by one CR2032 lithium battery (included). Reference pitch: A4 (436445 Hz). Dimensions: 73 x 33 x 62 mm. Weight: 45 g. Black colour.
Original Colour by Producer: Black
Colour: Black
UK/EU Power supply included: No
Battery Type: CR2032/3V
Battery Operation: Yes<&hellip;

C0C8 range (16.35Hz4.186kHz), also for 7string guitar and 6 string bass, 436445Hz accuracy, high brightness mode, Accu Pitch, flat tuning, +/1 cent accuracy, mute/bypass, powered via 9V battery (included), optional power supply (Boss PSA230 or PSB230), dimensions: 7.3 x 5.9 x 12.9cm. Weight: 390g
Variant: Standard offer
Made in: Taiwan
Frequency Band: 436 - 445 Hz
Battery Detail: Al/Mn
Package Contents: Battery
Type: Pedal
Battery Type: 9V
Battery Operation: Yes
UK/EU Power supply included: No

With the TU-3W, BOSS brings Waza Craft mojo to the world's leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal's benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS. - The world's leading stompbox tuner, enhanced with Waza innovation and craftsmanship …

Ahead of its time when it debuted in 1982, the VB-2 Vibrato has been rediscovered by modern players looking to create unique guitar textures with stompbox effects. Thanks to its expressive, one-of-a-kind sound, this rare pedal has gone on to become one of the most valuable BOSS effects in the vintage market. Now, the progressive spirit of the VB-2 has been reborn as the Waza Craft VB-2W. Using all-analog circuitry, the VB-2W authentically reproduces the true pitch-shifted vibrato of the original pedal, and also adds an innovative new vibrato mode and real-time control function for enhanced expression.
Controls: Rise Time;Mode;Rate;Depth
Power Supply: Adapter
Battery Operation: Yes
Series: WAZA<&hellip;

The Bugera G20 Infinium 20W Class-A Tube Amplifier Head delivers a modern look and feel with its sleek black and chrome finish reflecting its powerfully punching tones. Offering 20 watts of pure tonal power the G20 delivers a wide range of tonal beauty from vintage rock to modern thump and everything in between. A versatile morph EQ provides players with the choice between an American-style tone or a British-style tone while the high definition reverb expands its dynamic range to create a soundscape with plenty of depth. The Bugera G20 also features their Infinium Tube Life Multiplier technology which constantly monitors the amps tubes to extend their useful life and provide quick and easy tube …

Hand-built 5-Watt Class-A amplifier driven by ECC83 and 12BH7 tubes. Revolutionary INFINIUM Tube Life Multiplier technology: Extends the life of your amplifier’s expensive power tubes up to 20 times. Provides incredible reliability and consistent tone over the complete lifespan of your tubes. Monitors performance of the power tube continuously and displays defective tube to allow for easy replacement. Revolutionary MORPH EQ to seamlessly sweep between USA and British EQ-style tone. Amazing classic push-pull power amp design for vintage tonal character. High-definition reverb with dedicated reverb control. Heavy-duty footswitch for channel / reverb selection included. Built-in 2-way power attenuator fo…

The new Carl Martin Panama Overdrive, cool anodized case and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally. Check it out yourself, Gain Level and Tone controls along with the new Damping control, head mounted input/outputs and 9V DC input which requires a regular 9V 100mA external power supply and the new small footprint. Bigger sound, bigger tone, all analog, all Carl Martin!
Battery Operation: No
True Bypass: None
Package Contents: Manual
Colour: Grey
Type: Overdrive
UK/EU Power supply included: No
Controls: Tone;Gain;Level;Damping
Power Supply: Adapter;9V
Made in: Denmark

When we look back to the glory days of rock guitar (mid 60's to mid 70's), some of the most popular amplifier set-ups were British Marshalls and Vox's.....often with multi-speaker cabinets. Players like Tony Iommi, Ritchie Blackmore, Brian May etc, carved their signature sounds on stage and in the studio with these rigs, and in order to deal with the over-powering bottom end, they made use of 'The Treble Booster'. Treble Boosters add top end or higher frequencies to the guitar tone, and depending on how the amp is set up, some much desired overdrive. As much as companies like Dallas (Rangemaster) and Hornby Skewes (Treble Booster) were solving a bottom-end problem, they had also created a new …

Whether you want to push your amp’s natural overdrive into the sweet spot, or give a little extra colour to your tone which is definitely the British Black and Gold, the Carl Martin Plexitone Lo-gain Pedal hits the mark.The Carl Martin Plexitone Lo-gain will make single coils sing, and give humbuckers extra punch. Stack it with your other pedals to give you extra boost and smooth out your overdrive, the Carl Martin Plexitone Lo-gain gives your sound that Plexi character.The Plexi Lo-gain also incorporates our new DC-DC converter circuitry, so the pedal can be powered by a regulated 9V Power Supply but will still operate on the same +-12V level as the original AC powered PlexiTone. This allows us…

Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded&rdquo; to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity,…

We invite you to the world of the Catalinbread CB Distortion, a dirt box that sounds good on any amp, at any volume, in any situation where some "oomph" is required.The CB Distortion giving you a no-nonsense thick and meaty distortion that you can feel in your gut and satisfy the rabid hunger within you. With just one solitary volume control, you can get burly crunch at low volumes or dime it and use your guitar’s volume control to keep the action even.
Made in: USA
UK/EU Power supply included: No
True Bypass: Yes
USB: No
Battery Operation: No
Controls: Output
Colour: Black
Power Supply: Adapter;9V
Outputs: Jack 6,3 mm
Inputs: Jack 6,3 mm
Type: Distortion
Package Contents: Manual
Number …

From its humble beginnings as defective console tubes and punctured speaker cones, the CB Fuzz distills 60 years of gear history in one refined example.Whether you’re a complete fuzz novice or a well-seasoned fuzz freak, the CB Fuzz is a perfectly balanced silicon fuzz circuit (hey, even Hendrix preferred silicon!). Most folks in the know keep the fuzz knob cranked and use their guitar’s volume to tame the fuzz level at will, and Catalinbread taken the liberty of internally maxing that control for you; just turn on and rock!
Inputs: Jack 6,3 mm
Colour: Black
Power Supply: 9V;Adapter
Number of Buttons: 1
Package Contents: Manual
Type: Fuzz
Outputs: Jack 6,3 mm
Original Colour by Producer: …

Since rock music began, people have been cranking the volume controls on their amps in order to push them into distortion, an effect now known as "overdrive." The CB Overdrive gives you some refined yet gritty cranked-amp tones without the hearing loss.All the way back when electric amplification was invented, what we now know as “overdrive&rdquo; was an unwanted byproduct of low-headroom amplifiers. Despite giving you the freedom to do so, product manuals sternly instructed against turning the amp’s volume knob up past a certain level, lest the amp distort. Amp manufacturers released bigger and bigger amps to allow for more volume without distortion. Eventually, everyone came to …

Everyone from Eddie Van Halen to East Bay Ray of the Dead Kennedys relied on the EP-3 preamp to take their sound to previously unreachable heights. And now you can also, with Epoch Boost.
They refer to the Epoch Boost as a “mastering pedal,” because it sounds like your base tone, but sculpted to perfection by a mastering engineer. This is accomplished by employing the same internal circuitry as a real EP-3, from the NOS Orange Drop capacitors to the output mixer stage that acts as a rudimentary frequency selector---it’s all there. They’ve taken the liberty of kicking the internal voltage all the way up to 22 volts, just like the original unit, giving you unparalleled …

Harmonic Percolator circuit has the amazing property of generating predominantly even-order harmonics – which creates an amazingly sweet and clear distortion. You may know of this circuit from its use by Steve Albini, who owns one particular unit that apparently has magical properties no other unit seems to have. They could search for holy grails and chase rainbows, but they saw a potential beyond one person’s use of it. Oddly enough, the ‘Percolator has a reputation for creating an ugly sound, albeit a cool and ugly sound. But they found something beautiful in it. So beautiful that you could play complex jazz chords through it and every note rings sweet and clear. So, using …

Fuzz and distortion Katzenkönig guitar pedal effect. Katzenkönig offers a very large distortion range and has four potentiometers for function control. The Input knob controls the input sensitivity and adapts to all pickup types, Gain knob controls the gain of the second gain stage by controlling the amount of negative feedback and Filter allows you to dial in your final tone.
Made in: USA

The Soft Focus patch on the Yamaha FX500 was widely used in the ‘90s by early shoegaze bands, most notably Slowdive on Souvlaki. With its roots in that patch, the Catalinbread Soft Focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit: no mix control, a sub-par preamp, and a ghastly tone-sucking bypass signal. At its heart, the Soft Focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three paths. One path contains a multi-voiced chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched. The Mod knob controls …

The Tribute is an all-analog circuit that combines an extremely expressive high-headroom drive engine with a powerful and flexible tone control. The back end of the Tribute pays homage to one of our oldest designs, the VariOboost. This circuit gives you a supercharged one-band parametric EQ in lieu of a tone control for some serious studio-esque tone sculpting power. Playing rhythm? Dial in a low-mids grunt and boost that band for some fat chords. Playing leads? Flip that thing and inject some sparkle into your sound. Want to fake a cocked wah pedal to nail your cover of "Money for Nothing"? Want to simulate some Peter Green-esque out-of-phase pickups? Want your single-coils to sound like humbuckers? …

Winder/Clipper