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Comparison Yamaha RX-V681 vs Yamaha RX-V581

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Yamaha RX-V681
Yamaha RX-V581
Yamaha RX-V681Yamaha RX-V581
from $664.16 up to $918.00
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from $573.55 up to $688.00
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Device typeAV ReceiverAV Receiver
CPU
DAC frequency192 kHz192 kHz
Audio DAC24 bit24 bit
Auto sound calibration
Auto level
Surround sound in headphones
Ultra HD4K4K
UpscalingUltra HD (4K)
3D
Multi Zone
Tech specs
Number of channels7.27.2
Power per channel
90 W /6 Ohm/
80 W /6 Ohm/
Signal to noise ratio110 dB110 dB
Acceptable acoustic impedance4 Ohm6 Ohm
Frequency range
10 – 100000 Hz /- 3 дБ/
10 – 100000 Hz
Media player and tuner
Tuner and playback
AM/FM radio
USB drive
network streaming audio
internet radio
AM/FM radio
USB drive
network streaming audio
internet radio
Communications (interface)
Interfaces
AirPlay
Wi-Fi
Bluetooth
LAN
DLNA
AirPlay
Wi-Fi
Bluetooth
LAN
DLNA
Decoder support
Decoders
Dolby Atmos
Dolby Digital
Dolby Digital Plus
Dolby TrueHD
DTS
DTS Express
DTS 96/24
DTS-HD High Resolution Audio
DTS-HD Master Audio
DTS ES Matrix 6.1
DTS ES Discrete 6.1
DTS Neo:6
DTS X
Dolby Atmos
Dolby Digital
Dolby Digital Plus
Dolby TrueHD
DTS
DTS Express
DTS 96/24
DTS-HD High Resolution Audio
DTS-HD Master Audio
 
 
DTS Neo:6
DTS X
Inputs
RCA4 pairs3 pairs
Coaxial S/P-DIF2 шт2 шт
Optical2 шт1 шт
HDMI6 шт4 шт
Composite4 шт4 шт
Component2 шт
Phono
Control input (IR)
Outputs
RCA1 pairs
HDMI1 шт1 шт
Composite1 шт1 шт
Component1 шт
On headphones6.35 mm (Jack)6.35 mm (Jack)
Control output (IR)
Trigger output1 шт
Front panel
Headphone output
USB port
HDMI input
Linear
 /3.5 mm (mini-Jack)/
General
Power consumption300 W260 W
Standby consumption0.1 W0.1 W
Learning remote control
Smartphone control
Dimensions (WxDxH)
435x378x171 mm /with antenna — 435x378x234/
435x327x161 mm
Weight10 kg8.1 kg
Added to E-Catalogjune 2016june 2016

Upscaling

The ability to increase the resolution of the video signal processed by the receiver - if the original video resolution is lower. Depending on the capabilities of the receiver, in particular its HDMI ports, upscaling to Ultra HD 4K and upscaling to Ultra HD 8K may occur.

The principle of upscaling is that a relatively low-resolution video is supplemented with the required number of pixels using special algorithms. Due to this, when playing such a video, the quality of the “picture” is noticeably higher than without upscaling (although somewhat lower than that of content originally recorded in UltraHD). It makes sense to specifically look for a receiver with this function if you plan to use it with a 4K or 8K screen.

Multi Zone

The possibility of using the receiver for simultaneous transmission of signals from different sources to screens and speakers located in different places (zones). For example, in a large house, you can simultaneously stream a movie from a Blu-ray player to a screen in a large room, a TV show to a TV in the kitchen, and a radio programme to speakers in a library. Another option for using Multi-Zone is entertainment centers with several rooms of different types (for example, a cinema hall, a roller skating rink and a cafe).

Power per channel

the maximum sound power that can be delivered by the power amplifier (if the receiver has one, see "Type") per speaker channel. It is worth noting here that in this case it is customary to indicate the so-called RMS (Rated Maximum Sinusoidal), or rated power. Rated is considered the highest power that the amplifier is guaranteed to be able to produce without interruption for an hour without any failures or breakdowns. Short-term jumps in the signal level can significantly exceed this value, but the main indicator is still the rated power.

The power of the amplifier largely determines the sound volume of the speaker system connected to the device. In fact, the loudness also depends on the characteristics of the speakers — sensitivity, impedance, etc.; however, other things being equal, the same acoustics on a more powerful amplifier will sound louder. In addition, this parameter also affects the compatibility of the speakers and the amplifier — it is believed that the difference in the nominal powers of these components should not exceed 10-15% (and ideally, the powers should generally match). And since different rooms require speakers of different power, this also affects the choice of amplifier for a particular environment; specific recommendations on the ratio of room characteristics and acoustic power can be found in special sources.

Also note that if the amplifier can operate with a load of different resistance (see..."Permissible acoustic impedance"), then for different options the power per channel will be different — the lower the resistance, the higher the power. In the characteristics, in this case, the maximum value of this parameter is usually indicated — that is, the power at the minimum allowable resistance.

Acceptable acoustic impedance

The lowest impedance of the loudspeakers of the speaker system, with which the amplifier is able to work normally. The nominal impedance of the speakers, also referred to as the term "impedance", is one of the key parameters in the selection of audio system components: for normal operation, it is necessary that the speaker impedance match the characteristics of the amplifier. If the speaker impedance is greater, the sound volume will decrease significantly, if it is less, distortion will appear in it, and in the worst case, even overloads and breakdowns are possible. Therefore, in the characteristics of receivers, it is usually the minimum resistance that is indicated — after all, connecting a load of too low impedance is fraught with more serious consequences than too high.

Decoders

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. The first signs of multi-channel decoding were Dolby Digital and DTS, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders. And the intermediate ones were Dolby TrueHD, Dolby Pro Logic II, DTS-HD, DTS ES, DTS Neural: X, DTS Neo (6, X).

Dolby Atmos. A decoder that does not use a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, in-ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X . An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The...digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audio channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

IMAX Enhanced. The IMAX Enhanced Mark of Conformity is awarded to equipment that meets the audio certification requirements of IMAX Corporation. Combined with DTS audio technology to deliver signature IMAX theater-like sound in the home. The most accurate reproduction of such audio is possible in systems with a large number of channels (5.1 or more). Note that for a fully immersive experience, IMAX Enhanced certification must also apply to video equipment for playing content (TV, projector, etc.).

RCA

The number of analogue stereo RCA inputs provided in the design of the AV receiver. The more such inputs there are, the more transmitting devices can be simultaneously connected to the receiver. Thanks to this, when choosing between them, you do not have to reconnect cables — just set the signal source in the receiver settings.

By itself, the RCA connector (colloquially — "tulip") can be used in different interfaces. However, in this particular case, we are talking about a linear audio input responsible for an analogue audio signal. RCA is the most popular connector used in modern audio equipment for such inputs; it allows you to connect the receiver to an external audio source such as a CD player.

Note that connectors of this type are usually counted in pairs; in other words, one input consists of two RCA connectors. This is due to the fact that in this case only one channel of analogue audio can be transmitted over one wire; accordingly, two RCA jacks are required for stereo transmission.

Optical

The number of optical inputs provided in the design of the receiver.

The optical interface allows digital audio to be transmitted and is in fact a variation of the S/PDIF standard using a fiber optic data link (TOSLINK cable). In terms of bandwidth, it is completely similar to the coaxial interface (see above) — in particular, it supports multi-channel audio — however, it compares favorably with its complete insensitivity to electromagnetic interference. On the other hand, due to their design, optical cables are sensitive to sharp bends and mechanical stress — accidentally stepping on such a cable can make it unusable. In addition, they have a maximum length limit of about 6.1 m.

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables.

HDMI

The number of HDMI inputs provided in the design of the receiver.

This interface is one of the most advanced digital standards used in modern electronics. It was originally developed for HD television and already in the first version it allowed to transmit a video signal with Full HD (1920x1080) resolution, accompanied by eight-channel (7.1, see "Number of channels") sound; in the future, the maximum resolution increased even more. Almost all modern TVs, monitors and plasma panels have at least one HDMI interface, the same applies to playback devices (players, media centers, etc.).

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables. In the case of HDMI, the abundance of connectors is especially important, given the prevalence of this standard in modern video equipment; in some receivers, the number of such inputs can be up to 10.

Component

The number of component inputs provided in the design of the receiver.

This interface (also known as YPbPr) is designed to transmit analogue video. Its name comes from the fact that the three main video components (brightness data and two colour difference channels) are carried over three separate cables. Accordingly, each individual component input is a set of three connectors. Usually, a built-in cable with RCA connectors (“tulip”) is used for connection, while the cables for component and composite (see below) interfaces are quite interchangeable.

The component interface stands out for its high signal transmission quality: splitting the video into three separate channels significantly reduces distortion compared to the same composite format, and the bandwidth is comparable to the above-described HDMI and allows you to work even with HD video. However, a component connection does not provide audio, and you will need to use a separate cable for this purpose.

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables.
Yamaha RX-V681 often compared
Yamaha RX-V581 often compared