Comparison Yamaha RX-V681 vs Yamaha RX-V675

the maximum sound power that can be delivered by the power amplifier (if the receiver has one, see "Type") per speaker channel. It is worth noting here that in this case it is customary to indicate the so-called RMS (Rated Maximum Sinusoidal), or rated power. Rated is considered the highest power that the amplifier is guaranteed to be able to produce without interruption for an hour without any failures or breakdowns. Short-term jumps in the signal level can significantly exceed this value, but the main indicator is still the rated power.

The power of the amplifier largely determines the sound volume of the speaker system connected to the device. In fact, the loudness also depends on the characteristics of the speakers — sensitivity, impedance, etc.; however, other things being equal, the same acoustics on a more powerful amplifier will sound louder. In addition, this parameter also affects the compatibility of the speakers and the amplifier — it is believed that the difference in the nominal powers of these components should not exceed 10-15% (and ideally, the powers should generally match). And since different rooms require speakers of different power, this also affects the choice of amplifier for a particular environment; specific recommendations on the ratio of room characteristics and acoustic power can be found in special sources.

Also note that if the amplifier can operate with a load of different resistance (see..."Permissible acoustic impedance"), then for different options the power per channel will be different — the lower the resistance, the higher the power. In the characteristics, in this case, the maximum value of this parameter is usually indicated — that is, the power at the minimum allowable resistance.

This indicator determines the amount of extraneous noise that accompanies the sound output by the receiver's amplifier. It is convenient because it takes into account almost all possible significant noise — both created by the device itself and due to external causes. The higher the signal-to-noise ratio, the lower the noise volume compared to the main signal, the cleaner the amplifier will sound. A reading of 70-80 dB is considered normal for most consumer electronics, but in AV receivers, which are usually premium devices, this can only be called satisfactory. In the most advanced models, this figure can significantly exceed 100 dB.

The lowest impedance of the loudspeakers of the speaker system, with which the amplifier is able to work normally. The nominal impedance of the speakers, also referred to as the term "impedance", is one of the key parameters in the selection of audio system components: for normal operation, it is necessary that the speaker impedance match the characteristics of the amplifier. If the speaker impedance is greater, the sound volume will decrease significantly, if it is less, distortion will appear in it, and in the worst case, even overloads and breakdowns are possible. Therefore, in the characteristics of receivers, it is usually the minimum resistance that is indicated — after all, connecting a load of too low impedance is fraught with more serious consequences than too high.

The ability of the receiver to work in Bi-amping and/or Tri-amping mode.

The basic principle of both of these modes is that the audio signal is divided into several frequency bands (LF and HF for Bi-amping, in the case of Tri-amping, mid frequencies are separated separately), and each band is processed by its own amplifier and output to its own specialized set of speakers. . In this way, a noticeable improvement in sound quality can be achieved. However, note that the specific implementation of this function in AV receivers may be different. The simplest option involves two or three built-in power amplifiers, each of which outputs the entire audio range to its own set of connectors. To such a device, you need to connect an external crossover (frequency filter) or speakers with built-in filters for each frequency band. More advanced receivers may have their own built-in crossovers, in which case only part of the frequency range is output to each amplifier with a set of connectors; this eliminates the need for external frequency filters. However, anyway, to use Bi/Tri-amping, you will need speakers that support this connection format.

— AM/FM radio. The presence of a built-in tuner that allows you to receive AM and FM radio broadcasts without additional devices (except perhaps an antenna is required, and then not always). In FM, it is possible to realize the transmission of high-quality stereo sound, however, the waves propagate only within the line of sight (10-20 km); therefore, most of the stations in this range are classified as "urban music". In AM, the transmission range is already measured in hundreds of kilometers, but the sound quality is noticeably lower; therefore, such stations usually specialize in talk programs (particularly news).

— USB stick. The ability to connect a USB drive to the receiver — for example, a "flash drive" or an external hard drive — and play content from it directly. This requires a USB connector. Most often, in models with this function, it is located on the front panel (see below) — this provides ease of connection; at the same time, there are exceptions. Also note that the very presence of USB does not necessarily imply the possibility of playing from external media — this interface can be used for service purposes, for example, to update the firmware or play from a PC (see "Advanced (inputs) — USB Type B").

— Network audio streaming. The ability to play streaming audio over a local network or the Internet (including from services like Grooveshark o...r Last.Fm). The name "streaming" is due to the fact that each song is played directly from the network, without being written to the receiver's own permanent storage. This function, by definition, requires connection to computer networks; most often, a Wi-Fi module is used for this purpose (see "Interfaces") or a LAN connector.

— Internet radio. The ability to use the receiver to receive and play Internet radio broadcasts. This feature is similar in many ways to the network audio described above — in particular, it requires a network connection to work, and the data is streamed; however, in the case of network audio, the user himself chooses what and when to listen, here the broadcast is similar to conventional radio transmissions and is controlled from the radio station. Actually, many major stations broadcast their programs not only on the traditional air, but also via the Internet; There are also specialized projects broadcasting only on the Web. In general, the choice of programs is much more extensive than for conventional radio broadcasting — after all, Internet radio has no range restrictions. And the receivers themselves may provide additional tools for managing such broadcasting — for example, catalogs, search by genres, languages, etc.

- AirPlay. Technology for transmitting multimedia data via a wireless connection ( Wi-Fi). Developed by Apple, it is intended mainly for broadcasting content from various Apple devices (primarily portable gadgets) to compatible external devices. Allows you to transfer audio files (in audio streaming mode, see “Tuner and playback” for more details), as well as images, text data and even video. The presence of AirPlay in the receiver will allow you to connect Apple equipment with support for this technology to it for direct playback, as well as display information about files on an external screen (for example, a TV) - song name, artist name, etc.

- AirPlay 2. The second version of the AirPlay technology described above, released in 2018. One of the main innovations introduced in this update was support for the multi-room format - the ability to simultaneously broadcast several separate audio signals to different compatible devices installed in different locations. Thus, you can, for example, turn on the next episode of your favorite series from your iPhone on the TV in the living room, and relaxing music from your iPod in the kitchen, etc. In addition, AirPlay 2 received a number of other improvements - improved buffering, the ability to stream to stereo acoustics, as well as support for voice control via Siri.

- Chromecast.... Original name: Google Cast. Technology for broadcasting content to external devices, developed by Google. Allows you to transmit video and audio from a PC or mobile device to the AV receiver; broadcasting is usually carried out via Wi-Fi, while the receiver and the signal source must be on the same Wi-Fi network (with the exception of Chromecast media players). Chromecast technology supports two modes - actual broadcasting through special applications (available for Windows, macOS, Android and iOS) and “mirroring” content opened in the Google Chrome browser on an external screen.

- Wi-Fi. A wireless interface used primarily for building computer networks. Accordingly, AV receivers may need its presence primarily to implement network functions - streaming audio, Internet radio (see “Tuner and playback”), AirPlay (see above), DLNA (see below). Connecting to computer networks can also be done through a wired LAN interface(see below), but Wi-Fi is more convenient due to the absence of wires and the ability to work through obstacles (including walls) at a distance of several tens of meters. In addition, in some models, this technology can also be used to communicate directly with other devices - for example, to use a smartphone or tablet as a remote control, or to broadcast live video using Miracast technology or another similar format.

— Bluetooth. Direct wireless communication technology between various electronic devices; operates at a range of about 10 m, although some specific operating formats provide a longer range. Technically, it can be used for different purposes, depending on the protocols supported by a particular device; In AV receivers, two protocols are most often found - A2DP for wireless broadcasting of audio signals and AVRCP for remote control. In the first case, we are usually talking about transmitting a signal from an external device (smartphone, laptop, etc.) to the receiver; theoretically, the opposite option is also possible - broadcasting sound to Bluetooth headphones or acoustics, however, for a number of reasons, this format of operation is almost never found in AV receivers. AVRCP, in turn, allows you to use an external gadget (for example, the same smartphone) as a remote control.

- LAN. A standard interface for wired connection of various equipment (including AV receivers) to computer networks, incl. to access the Internet. Due to the presence of a wire, it is less convenient to connect than the Wi-Fi described above. On the other hand, a LAN connection wins in terms of connection reliability and actual data transfer speed - especially if there are many wireless devices on the network and Wi-Fi channels are busy (which is often the case, since Wi-Fi modules are very popular in modern electronics ). Therefore, for working with large volumes of data - for example, watching high-definition video via DLNA (see below) - LAN is better suited.

— RS-232. A wired interface that originally appeared in computer technology. In AV receivers, it can be called a service connector: content is not transmitted through this connector, but through it you can connect the device to a computer and remotely change settings, as well as update the firmware.

— MHL. High-speed wired interface for transmitting multimedia data (video and audio) from mobile devices to external screens. The bandwidth allows you to work with high or even ultra-high resolution images, as well as multi-channel audio. Also, when connected, the gadget can be charged. In mobile devices, the MHL signal is output via a standard microUSB port; and the role of the input in AV receivers (and other stationary equipment) is played by the HDMI connector (see below) - however, not every connector, but only one that is initially compatible with MHL and has the appropriate marking. Adapters are available for connecting to regular HDMI, but additional functions (like charging) may not be available with this connection.

- DLNA. A technology used to connect various electronic devices into a single digital network with the ability to directly exchange content. Devices for which support for this standard is declared are able to communicate effectively regardless of the manufacturer. An AV receiver with DLNA can, for example, play a movie directly from the hard drive of a computer in the next room, or transfer photos from a smartphone to the TV. Connecting to the Network can be done either wired (LAN) or wirelessly (Wi-Fi, see above).

- Roon Tested. Roon Tested accreditation means the AV receiver is compatible with the popular audiophile music streaming platform Roon. Certified models have undergone a series of tests and meet the quality standards required to operate Roon flawlessly. This ensures convenient management and organization of content within the platform.

— Coordination of Remote control. A function that allows you to connect the AV receiver to another device (for example, a Blu-ray player or external amplifier) and control both devices with one remote control. When purchasing equipment with such a function, it is necessary to clarify compatibility - as a rule, only equipment from one manufacturer can work in such a “bundle”, and even in such cases, their own nuances are possible upon agreement.

— Voice assistant. Receiver support for voice assistant. The most popular assistants these days are:

• Google Assistant
• Apple Siri
  
• Amazon Alexa

However, other solutions may also emerge. In any case, it is worth noting that we are not talking about an assistant built into the receiver itself, but about compatibility with external devices that have this function (for example, a smartphone or tablet). But even such compatibility allows you to give commands to the receiver by voice - this is often more convenient than more traditional control methods. The specific set of supported commands and languages may vary depending on the voice assistant and its specific version.

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. The first signs of multi-channel decoding were Dolby Digital and DTS, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders. And the intermediate ones were Dolby TrueHD, Dolby Pro Logic II, DTS-HD, DTS ES, DTS Neural: X, DTS Neo (6, X).

Dolby Atmos. A decoder that does not use a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, in-ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X . An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The...digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audio channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

— IMAX Enhanced. The IMAX Enhanced Mark of Conformity is awarded to equipment that meets the audio certification requirements of IMAX Corporation. Combined with DTS audio technology to deliver signature IMAX theater-like sound in the home. The most accurate reproduction of such audio is possible in systems with a large number of channels (5.1 or more). Note that for a fully immersive experience, IMAX Enhanced certification must also apply to video equipment for playing content (TV, projector, etc.).

The number of composite inputs provided in the design of the receiver.

Note that in this case, we do not mean a full-size composite interface that uses three sockets (video and two stereo sound channels), but only one connector — video. This is due to the fact that the sound can be output through standard RCA audio connectors. The video output also uses an RCA type connector, usually a characteristic yellow colour.

Due to the fact that all image data is transmitted over a single cable, the composite interface is somewhat inferior to the component (see above) in terms of video quality, and the bandwidth allows you to work only with a standard definition signal (not HD); and there is no talk of volumetric sound. On the other hand, this connection method has long been used in video technology and can be useful for connecting outdated devices (such as VHS VCRs).

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables.

The presence of the Phono input in the design of the AV receiver.

This type of input is used to connect turntables. Despite the widespread popularity of digital media, classic vinyl records do not leave the scene. And it's not just a matter of nostalgia: many audiophiles believe that it is the record that provides the most authentic and complete sound, which is why turntables for vinyl are quite often found in high-end audio systems. However, the sound from such a player must be passed through a phono stage, otherwise there can be no question of any quality. For these purposes, in high-end equipment, including AV receivers, the Phono input is provided: the signal received at this input is fed to the built-in phono stage. This allows you to connect turntables directly, without additional external equipment.

Note that phono stages can be designed for different types of pickups — MM or MC; therefore, before connecting, check to see if the Phono input is compatible with your turntable's cartridge. However, many receivers with this function are equipped with a universal MM/MC phono stage.