Amplifiers

Apart Revamp4100 Amplifier5 Years WarrantyRevamp4100 Is A Professional Digital 4-Channel Amplifier With High Power Class-D Power Amplifier Modules Inside. The Unit Has Extended Speaker And Amp Protection Circuits Inside For Dc Protect Over Current Protect Over Temperature Protect And Protection Against Input Overload.The Revamp4100 Amplifier Has 4 Individual Amplifier Channels But Can Be Bridged Into 2 Stereo ChannelsFeaturesTypePower Amplifier Power Output4 X 100W Weight3.5 KgDimensions W X D X H483 X 230 X 44 MmWarranty5 Years

Adastra WA-215 2.0 channels Home White

Standard active DI box. Can be operated with 9 V batteries or 48 V phantom power. High-impedance input; higher output level than with a passive DI box. Active circuitry allows for high input impedance ( 1 meg. ohm) and higher input sensitivity (typical difference between in and out -4 dB). Maximum output impedance with phantom power operation +10 dB. Output: transformer balanced. The special "floating ground" circuitry enables ground lift even during phantom power operation. Metal case 110 x 73 x 42 mm. Weight: 0,36 kg
Power Supply: 48V Phantom
Made in: Germany
UK/EU Power supply included: No
Type: DI Box
Battery Operation: Yes

The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp became the kings of studio tech and signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison and producers like Steve Albini- a timeless sound that continues to be pursued by elite audio engineers today. With premium components, true-to-original circuit design, and selectable tape saturation, the WA-MPX authentically repr…

Collaboratively designed by the EVH team and led by renowned amp engineer, James Brown, the 5150® Iconic® Series 15-watt 1x10 combo has a 6L6 power tube voiced by a complex, multi-stage hybrid preamp section anchored by a pair of ECC83 tubes, providing all the muscle you need for a modern-day practice amp. The cabinet features special internal plywood baffling for tight and increased bass response, and houses a custom-designed EVH 10” Celestion® speaker voiced specifically for this preamp circuit, so that the pristine cleans and searing high gain tones are tight, clear and articulate.Punching above its weight, this combo features two channels with an extra voicing on each for …

USB/microSD/MP3 portable amplifier FEATURES Be heard clearly from a distance without distortion and without the need to strain your voice. Simple to use due to its compact size and user-friendly controls. Sturdy and robust, for everyday use. Manufactured in ABS. Ergonomic design with built-in attachment clip, waist strap and carrying bag ensures comfortable use for extended periods of time. The long-lasting rechargeable battery is perfect for a long day´s work. The MP3 music player and voice recorder make lectures and chats more enjoyable. APPLICATIONS For teachers, trainers, speakers, tour guides and coaches. TECHNICAL DATA USB/MicroSD/MP3 recorder/player Battery life: 9 h average volumeSpecifications:- P…

The Xvive P1 Portable Phantom Power Supply is a low-noise, 12V / 48V power supply. It runs on an internal rechargeable battery and has enough power to run high-current microphones. The P1 allows you to use microphones and devices that require external power in any setup. The small size, light weight, rugged construction, and exceptionally low noise of the P1 makes it perfect for powering microphones to send a signal to mixing consoles, or any type of processor or recording unit, that does not supply phantom power. Long battery life and a bright LED battery indicator ensure that the microphone is properly powered throughout your recording session.
Made in: China
Package Contents: Charger;Manual<…

Most high-end audio amplifiers are analogue. Analogue amps boast a long history and their sound quality improvement technologies such as circuit systems and parts development are regarded as having been fully established. Digital amps on the other hand still have great potential for further development since rapid technical advancements in recent years have enabled high-accuracy signal processing not possible with analogue systems. Given that todays mainstream music sources are digital such as CD and streaming platforms digital signals should ideally be processed in the original digital format. Furthermore devices such as AD converters are also advancing allowing high-precision digital signal …