Effects Pedals

Psycho HP/BP/LP filter with a laser etched enclosure. Can be pushed past the limit to glitch out into octaves up, down, and envelope folds. The specific medical grade IC chip used allows for a hyper precise filter that sounds like no other. The Evil Fuzz is just that totally psychotic destruction or totally psychotic destruction times two with blooming inverted compression. The CV/Expression in enables you to move the filter up and down in sync with an arpeggiating synth or control it with an expression pedal. Sounds amazing with synth, guitar, and amplified skateboard. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 21 mA.
UK/EU Power supply …

A powerful delay pedal with insane controls. Push the feedback for wild sound worlds. Bring in a warble on the modulator or absolutely warp it. Overdrive the delay with the fuzz control. This is the preferred echo for recording engineers and touring pros around the world because it sounds just that darn good. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 40 mA.
Type: Delay;Fuzz
Battery Type: 9V
Power Supply: 9V;Adapter or Battery
Made in: USA
True Bypass: Yes
UK/EU Power supply included: No

Introducing the DISTURBANCE: an innovative filter, flanger, and phaser pedal offering unparalleled modulation. With the DISTURBANCE's intuitive controls, sculpt your sound precisely to your liking. The 'Tensity' knob adjusts feedback and effect structure, providing two distinct intensity options for each unique modulation. Dive deep into sonic exploration with the Filter, offering both highpass and lowpass options for resonant swells and piercing tones. Experience classic modulation with the Flanger, offering versatile settings from watery delays to screaming flange effects with distorted feedback. Enter the realm of psychedelia with the Phaser mode, featuring an 8-stage phaser sound with options …

A clear sustaining overdriver run into one of 5 selectable post amplifiers into a sweepable frequency equalizer circuit. What does this mean? It's basically a huge range of intense and usable overdrive, distortion, EQ, and fuzz effects in one. Use this pedal as a boost for solos, a great recording DI, your main guitar sound, a bass fuzz, or run any other sound you want through it to beef it up, blast it out, or energize it. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5.8 mA.
UK/EU Power supply included: No
Made in: USA
Power Supply: 9V;Adapter or Battery
Battery Type: 9V
True Bypass: Yes
Type: Fuzz;Overdrive;High Gain;Boost;Preamp;Distortion;Equalizer…

Distortion

With the Microtubes B3K v2 you get all the features of the original, with the ability to restore the mids for natural character. The attack switch has been replaced by the tone knob, giving much more control of the higher harmonic content (3 kHz to 8 kHz). The grunt switch is still present, as you would expect. The addition comes in the form of a mid boost, giving you a subtle 6dB boost from 300 Hz to 1 kHz to help you cut through a bit more. Fundamentally the Microtubes B3K is the same pedal we designed nearly a decade ago, aimed to give you a perfect combination of brutality and clarity. You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format. …

Pedal effect for electric bass. The Microtubes X Ultra greatly expands on the already immense versatility of the Microtubes X7.
Featuring all the great controls that its predecessor has that allows users to select exactly what frequencies they want to compress and saturate for the low and treble respectively, but with four major additions providing an additional layer of flexibility, while maintaining the same compact footprint, making it an extremely complete tool for the modern bassist.
Made in: Finland

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. High Drive: Sets the amount of distortion for the high pass side. High Level: Sets the output volume of the distorted high-pass signal. Low Pass Frequency: Controls the cutoff …

Bass Distortion / Pedal

Bass Distortion / Desktop

Bass Compressor / Pedal / USB

One comprehensive device, that out of the box offers a bank of 5 cabinet simulations, and the ability to change them through the Darkglass Suite, Bluetooth technology to listen to backing tracks while playing, rehearsing, or studying. Two headphone outputs to allow interaction among musicians. XLR output to connect the Element to your audio interface or PA system. With a uniquely innovative approach, the Element provides in one device an immensely practical tool to empower modern musicians.
Outputs: Mono Jack 6,3mm;XLR;Headphone Jack 3,5mm
Controls: Blend;Phones 2;Cabsim Select;Phones 1
Type: Headphone Amp;Cabinet Simulation
Inputs: Mono (Jack 6,3mm);3,5 mm Jack AUX IN
USB: Yes
Made in: Finland<…

Fuzz / Pedal Design Foot Pedal / Effects Wah

Versatility, empowerment, limitless options, and ever-demanding tools at the disposal of every musician and composer are today on demand. A call for inventive devices continues to make musicians more inspired, clever and connected.Darkglass took their Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available. A comprehensive design allows programming each part of the pedal, from compression, distortion, and cabinet simulation in the signal chain to presets via MIDI and the Darkglass Suite. The Alpha·Omega now has its ultimate interface.…

Besides being an amazing composer, producer and bassist, Jon Stockman is amazing at crafting some of the most devastating bass tones in the world. Darkglass Electronics got together in their then Helsinki headquarters and after endless tweaking and tens of prototypes they are ready to present their first co-designed creation: Alpha · Omega. This creation differs greatly from their previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using Darkglass Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equilizer makes Alpha · Omega the most fl…

Nobody does Reverse Delay like this! Invented by ­Danelectro® in 1999, this pedal has achieved cult status. Originals cost a small fortune. Why? Because of its warm violin-like, organ-like tone. It literally flips the phrase you just played and plays it ­backwards. There’s nothing like it! Party like it’s 1999. Because it is!
True Bypass: Yes
Controls: Mix;Speed;Repeats
Battery Detail: Al/Mn
Battery Operation: No
UK/EU Power supply included: No
Colour: Green
Made in: China
Power Supply: 9V
Package Contents: Manual
Outputs: Jack 6,3mm TS
Inputs: Mono
Type: Delay

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …