Effects Pedals

A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb get blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.
Made in: USA
Type: Reverb
True Bypass: Yes
Power Supply: 9V;Adapter or Battery
Battery Type: 9V
UK/EU Power supply included: No
Battery Detail: Al/Mn

Main features:• Pedal with filtered germanium distortion• Based on a console-style drive perimeter• Uses old germanium transistors• Huge gain range - Moves from mild overdrive to blurred fuzz• Filter section for detailed control of the frequency response of the converters - for huge bass, picked up mids and sharp, penetrating highs• The controls work with the guitar volume control• Trimpot Internal Volume - to set and forget the overall output level control• True Bypass Switching• Compact dimensions and top jacks for easy pedalboard mounting• Power supply by standard 9 V DC PSU (medium -, 2.1 mm, current consumption ~ 5 mA)The control of the filter is extremely unconventional - it transports you …

Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. This Death By Audio pedal has hand spray painted graphix covering up meaty components and sound, giving you a high-tech fuzz mutilator at an affordable price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest sounding sustaining fuzz pedal we have ever heard. Power: 9V (runs on standard 2.1mm negative center …

Psycho HP/BP/LP filter with a laser etched enclosure. Can be pushed past the limit to glitch out into octaves up, down, and envelope folds. The specific medical grade IC chip used allows for a hyper precise filter that sounds like no other. The Evil Fuzz is just that totally psychotic destruction or totally psychotic destruction times two with blooming inverted compression. The CV/Expression in enables you to move the filter up and down in sync with an arpeggiating synth or control it with an expression pedal. Sounds amazing with synth, guitar, and amplified skateboard. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 21 mA.
True Bypass: Yes<…

Overdrive

Introducing the DISTURBANCE: an innovative filter, flanger, and phaser pedal offering unparalleled modulation. With the DISTURBANCE's intuitive controls, sculpt your sound precisely to your liking. The 'Tensity' knob adjusts feedback and effect structure, providing two distinct intensity options for each unique modulation. Dive deep into sonic exploration with the Filter, offering both highpass and lowpass options for resonant swells and piercing tones. Experience classic modulation with the Flanger, offering versatile settings from watery delays to screaming flange effects with distorted feedback. Enter the realm of psychedelia with the Phaser mode, featuring an 8-stage phaser sound with options …

A clear sustaining overdriver run into one of 5 selectable post amplifiers into a sweepable frequency equalizer circuit. What does this mean? It's basically a huge range of intense and usable overdrive, distortion, EQ, and fuzz effects in one. Use this pedal as a boost for solos, a great recording DI, your main guitar sound, a bass fuzz, or run any other sound you want through it to beef it up, blast it out, or energize it. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5.8 mA.
Made in: USA
Type: Preamp;Overdrive;Boost;Distortion;High Gain;Equalizer;Fuzz
True Bypass: Yes
UK/EU Power supply included: No
Power Supply: 9V;Adapter or Battery
Battery &hellip;

This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. But you can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit so that your signal starts to eat itself. Push it all the way and your sound will completely duck down before violently coming back to life. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.
Power Supply: …

With the Microtubes B3K v2 you get all the features of the original, with the ability to restore the mids for natural character. The attack switch has been replaced by the tone knob, giving much more control of the higher harmonic content (3 kHz to 8 kHz). The grunt switch is still present, as you would expect. The addition comes in the form of a mid boost, giving you a subtle 6dB boost from 300 Hz to 1 kHz to help you cut through a bit more. Fundamentally the Microtubes B3K is the same pedal we designed nearly a decade ago, aimed to give you a perfect combination of brutality and clarity. You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format. …

Pedal effect for electric bass. The Microtubes X Ultra greatly expands on the already immense versatility of the Microtubes X7.
Featuring all the great controls that its predecessor has that allows users to select exactly what frequencies they want to compress and saturate for the low and treble respectively, but with four major additions providing an additional layer of flexibility, while maintaining the same compact footprint, making it an extremely complete tool for the modern bassist.
Made in: Finland

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. High Drive: Sets the amount of distortion for the high pass side. High Level: Sets the output volume of the distorted high-pass signal. Low Pass Frequency: Controls the cutoff …

Bass Distortion / Pedal

Bass Distortion / Desktop

Bass Compressor / Pedal / USB

Bass Amp Modeler / Pedal / USB

Fuzz / Pedal Design Foot Pedal / Effects Wah