Effects Pedals

The Fender Shields Blender is a revolutionary effect pedal that pays homage to the iconic sound of Kevin Shields the renowned guitarist known for his unique fuzz-laden tones. This pedal is a reimagined version of the legendary 1970s Fender Blender brought to life through a collaborative effort between Fender and Shields himself. Drawing inspiration from his personal pedal this model faithfully reproduces the vintage circuit capturing the distinctive fuzz voice that defined alternative rock in the 80s and 90s. However this pedal takes it a step further by introducing innovative features for enhanced control and performance. With two foot-switchable channels each equipped with dedicated level …

Compressor / Pedal Design Foot Pedal / Operation analogue

Harmonic tremolo guitar effect with adjustable filters. This is the second generation of the original model with flexi-switch for momentary or latching operation. It splits your signal into high and low frequency ranges and then processes them with an LFO that is split 180 degrees for an intoxicating push-pull effect. The sound is adjusted using the Level, Depth, Rate and Frequency potentiometers. In addition, it features the Rate (Attack/Manual) and Frequency (LFO/Manual/Attack) switches. The effect is true bypass and is equipped with a metal construction, one footswitch, an LED and is powered by a 9 V adapter (not included).
UK/EU Power supply included: No
Made in: USA
Type: Tremolo
Power …

The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more.
Outputs: MIDI OUT;Jack 6,3mm
Controls: Menu;Memory/Value;Mic Input Level;Exit;Rhytm …

Floor effect offering the possibility of transforming the tone of a guitar or a key into an organ sound. It contains 9 presets set up to exactly mimic some of the most popular, classical organs and keyboard instruments. The sound is adjusted and controlled using potentiometers for percussive attack level, modulation speed, organ and dry volume.
Outputs: Mono
True Bypass: None
Made in: USA
UK/EU Power supply included: No
Controls: Volume(Dry/Organ);Mod;Preset Select/Store;Click
Power Supply: Adapter
Type: Emulator;Synth
Inputs: Mono
Battery Operation: No

UltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation. It’s the perfect tool for staccato leads, swelling chords, and other evolving effects — everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!
UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedal—Number of Taps, Delay and Feedback—are just the basics. Controls for Spread, Slurm, and Chop open up a new world of possibilities.
Features:
Control the stereo image of taps to alternate between hard-panned and mono.
Five presets …

Vocal Effect Pedal with Mic-Preamp and 24V Phantom Power, offers various efects, especially the choice of 8 arrangements of Harmony voices and guided by the guitar, Reverb, Mic Control for remote on/off switching with optional TC-Helicon MP-75 microphone/the Sennheiser E 835 FX, Rugged all-metal construction, connectors XLR Mic-Input balanced, XLR Line-Out balanced, USB, guitar in, guitar out, power supply not included, Dimensions: 140 x 90 x 60 mm, Weight: 0.42 kg
Type: Digital Signal Processor;Reverb
UK/EU Power supply included: No
Power Supply: Adapter
Made in: China

Guitar modulating effects pedal emulating the sound of legendary electronic pianos such as Wurlitzer, Rhodes and others. The effect contains 9 presets (DYNAMO, WURLI, SUITCASE, MALLETS, EIGHTY EIGHT, TRI-GLORIOUS, VIBES, ORGAN, STEEL DRUMS). The effect is controlled by potentiometers: Dry volume: adjust the volume of the dry signal, Key volume: adjust the volume of the effect signal, CTRL 1 and CTRL 2: adjust the intensity of different sounds in each selected preset. The effect has a separate output for a clear and effective signal. The effect is True Bypass. The effects pedal is equipped with in / out jack connectors and an on LED. Powered by a 9V battery or an adapter, which is not included …

Very few instruments offer as much harmonic and dynamic flexibility as a
sitar. Electro-Harmonix has streamlined the essence of the sitar into a
compact enclosure that offers a polyphonic lead voice and tunable
sympathetic string drones that dynamically react to your playing. Create
your own custom scales for the sympathetic strings while you set the
decay time for the lead voice. Two expression pedal inputs allow you to
bend the pitch of the lead voice and control the volume of the
sympathetic strings simultaneously. These unique controls offer the
player the ability to program the Ravish to become a totally unique and
organic instrument unto itself. The Ravish is a truly new design …

Sleek stylish powerful. The Electro Harmonix Superego Plus Super Synth Engine builds upon the award-winning superego synth platform offering incredible synth sounds sound layers glissandos sustains and more. Along with its incredible synth engine the Superego Plus features 11 built-in effects to enhance your performance offering modulation delays octaves pitch shifting effects filters and flanges to create amazing soundscapes. Another feature added for the plus version are two inputs for an external footswitch and an expression pedal expanding the EHX pedals capabilities and offering remote control over parameters and switches for the ultimate performance. Offering 5 different modes and 9 …

Playing on the relationship between pedal and player, input and output, OBNE presents Sunlight dynamically held reverb. Sunlight features three new reverb algorithms unique to the OBNE lineup, each with the added ability to freeze the reverb trails when the player stops playing.
Input knob for dynamic sensitivity and Decay knob for reverb feedback to create enveloping infinite reverb
Tape, Comb, and Pass modes to apply wobbling vibrato, stacked resonant delays, or random step filtering to the reverb
Rate and Depth controls specific to each mode
Expression control over Input, Decay, Rate, and Depth parameters
Alt footswitch to quickly snap to a particular knob setting
Soft-touch switching …

Pink Floyd's 'Breathe', Jimi Hendrix's 'Star Spangled Banner live at Woodstock 1969' and Robin Trower's 'Bridge of Sighs' cemented the sound of a photocell-based vibe effect as an electric guitar standard. The Unicorn is the JHS version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. The Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, JHS brings you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo.
metal housing
6.3 mm mono IN/OUT jacks
6.3 mm TRS external Tap Tempo/ Expression input
power supply via optional 9V …

Vocal Effects Processor / Effects Delay

Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already hot amp into massive sustain, everyone needs a screamer on their board. Over the last 40 years there have been hundreds of models from different brands, some more original than others. But with so much choice it can be really hard to find the one that is right for your rig. That is no longer a problem thanks to the JHS Bonsai a 9-way TS style pedal that has perfect replications of 9 different screamer …

Loop Station / Pedal Design Desktop / Operation digital / Effects Reverse

Modular synthesizer effects pedal for guitar and bass. The Source Audio C4 Synth unites all the sound construction tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass.
The C4 offers multiple methods of preset storage and recall. For a straightforward plug-and-play experience, simply select one of the pedal’s six onboard presets with the center toggle switch. The addition of a third-party MIDI controller with USB host provides access to any of the C4 Synth’s 128 Factory presets.
Connect the C4 to the Neuro Desktop Editor (a free download for Mac and Windows) or the Neuro Mobile App (iOS and Android) and …

Two years since its initial release, Alpha Haunt Fuzz gets a makeover. The pedal explores the vast variety of sounds you can coax from one fuzz circuit, from open overdrives to squashed sputters. Now in a more pedalboard-friendly package, the Alpha Haunt continues to offer users its uniquely versatile control set.
Variable control over fuzz gain, compression, and tone to set the base fuzz sound
Switchable fuzz range, bias, and tone control voices for further options
A parallel Enhance circuit with independent volume to bring in body and clarity
Active three band master EQ to shape the output
Master volume to control the overall output level
Soft touch relay bypass switching
Requires 9V …

Its an 80s British stack built in Canada that can fit in the palm of your hand. The Revv G4 distortion pedal captures all the 80s rock sound. The G4 has a character changing gain section labelled Aggression. You can scoop up modern heavy tones on top of the open old school vibe. Thats what sits at the soul of this box - its an aggressive but dynamic unit. The EQ is powerful - giving huge tonal sculpting options that go far beyond its initial sound. With the two aggression modes you get a blue channel that adds drive and bite to the treble and a red channel that is very extreme. Adding more gain bass and bite whilst further dipping the midrange - giving a huge aggressive tone.