Effects Pedals

Pedal Design Foot Pedal

Auto Wah

Pedal Design Foot Pedal / Operation analogue

Pedal Design Foot Pedal / Operation analogue

Portable Effect Pedal Power BankPortable external power for guitar pedals and other musical accessories that require 9Vdc power. A high capacity of 10,000mAh with 2 x 9V DC5521 jack outputs (centre-negative), with 2 short connection leads supplied, and a separate USB type A output for charging standard 5V USB appliances.The power bank re-charges through a micro USB connection (charge lead included) and a single button initiates power to the 9V outputs or switches on or off the miniature LED light to help make connections on dark stages. Provides freedom from fixed or noisy power supplies with multiple pedal setups for stage and street performers.DetailsCapacity 10,000mAhOutputs 2 x 9Vdc (…

The DAddario XPND Pedal Riser is a blessing for the pedal enthusiast. Sometimes your favourite stompbox is at an awkward position or angle on stage making it hard to engage when its needed most. But with DAddarios handy pedal riser youll be troubled no more. Built from ultra-durable aluminium its simple to install and will raise your pedal to a prime easily accessible position.Even better you can fit a number of these across your XPND pedalboard if youre a real effects nut and with built-in cable routing itll help keep your stage manageable. This smaller size is ideal for a single pedal.

Backline XPND Pedalboard Transport Bags are available separately for both XPND 1 and 2, so you can keep your board safe on-the-go. No matter what size you set XPND to, the transporter bag's customizable partitions can adjust to create a uniquely snug and secure fit.
Type: Pedal Bag
Handle: Yes
Zip: Yes
Strap: Shoulder Strap
Colour: Black
Compartments: 2
Made in: Indonesia
Depth (cm): 20.95
Height (cm): 16.89
Width (cm): 69.21

D’Addario XPND Pedal Risers are designed to elevate pedals in those “tough to stomp” places. Mont the risers using the included hook and loop strips and raise any pedal a full inch, making it easy to access. You can align multiple risers across your board as needed, and with built-in-cut-outs for simple cable routing, adding risers is quick and hassle-free. XPND Pedal Risers are built to last and are available in single or double width, to accommodate dual-sized or multiple pedals.
Variant: Large
Colour: Black
Material: Aluminium
Size: L
Made in: Vietnam

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one!WHY CALL IT THE "3699 FUZZ™"?Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone …

Nobody does Reverse Delay like this! Invented by ­Danelectro® in 1999, this pedal has achieved cult status. Originals cost a small fortune. Why? Because of its warm violin-like, organ-like tone. It literally flips the phrase you just played and plays it ­backwards. There’s nothing like it! Party like it’s 1999. Because it is!
Controls: Speed;Mix;Repeats
True Bypass: Yes
Colour: Green
Battery Detail: Al/Mn
UK/EU Power supply included: No
Package Contents: Manual
Outputs: Jack 6,3mm TS
Power Supply: 9V
Made in: China
Inputs: Mono
Type: Delay
Battery Operation: No

Besides being an amazing composer, producer and bassist, Jon Stockman is amazing at crafting some of the most devastating bass tones in the world. Darkglass Electronics got together in their then Helsinki headquarters and after endless tweaking and tens of prototypes they are ready to present their first co-designed creation: Alpha · Omega. This creation differs greatly from their previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using Darkglass Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equilizer makes Alpha · Omega the most fl…

Versatility, empowerment, limitless options, and ever-demanding tools at the disposal of every musician and composer are today on demand. A call for inventive devices continues to make musicians more inspired, clever and connected.Darkglass took their Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available. A comprehensive design allows programming each part of the pedal, from compression, distortion, and cabinet simulation in the signal chain to presets via MIDI and the Darkglass Suite. The Alpha·Omega now has its ultimate interface.…

Fuzz / Pedal Design Foot Pedal / Effects Wah

One comprehensive device, that out of the box offers a bank of 5 cabinet simulations, and the ability to change them through the Darkglass Suite, Bluetooth technology to listen to backing tracks while playing, rehearsing, or studying. Two headphone outputs to allow interaction among musicians. XLR output to connect the Element to your audio interface or PA system. With a uniquely innovative approach, the Element provides in one device an immensely practical tool to empower modern musicians.
Battery Operation: Yes
USB: Yes
Outputs: XLR;Headphone Jack 3,5mm;Mono Jack 6,3mm
Controls: Blend;Cabsim Select;Phones 1;Phones 2
Inputs: 3,5 mm Jack AUX IN;Mono (Jack 6,3mm)
Type: Headphone Amp;Cabinet Simulation<…

Bass Compressor / Pedal / USB

Bass Distortion / Desktop

Bass Distortion / Pedal

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. High Drive: Sets the amount of distortion for the high pass side. High Level: Sets the output volume of the distorted high-pass signal. Low Pass Frequency: Controls the cutoff …