Effects Pedals

Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. The Tone control allows for subtle coloration of the tone, while the Level control changes the overall output and is affected by the sustain and ratio settings. The Sustain control adjusts how hot the signal is, which changes the dynamics of the compression. The Ratio control determines how much the gain reduction affects the signal and the Attack controls how quickly the compressor reac…

Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal with an added boost section. The new boost section in the AT+ is a completely independent single control boost that you can kick in at any moment with the dedicated footswitch. On it's own it provides a little bit of grit, pushing your clean sound a bit up to a light crunch on some amps. Combine it with the AT drive inside though and you can take that amazing overdriven sound into a sweet sustaining lead …

This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. But you can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit so that your signal starts to eat itself. Push it all the way and your sound will completely duck down before violently coming back to life. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.
Power Supply: …

Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already hot amp into massive sustain, everyone needs a screamer on their board. Over the last 40 years there have been hundreds of models from different brands, some more original than others. But with so much choice it can be really hard to find the one that is right for your rig. That is no longer a problem thanks to the JHS Bonsai a 9-way TS style pedal that has perfect replications of 9 different screamer …

Pedal effect - reverb from Tc electronic with 4 pressure-sensitive footswitches for complete control of ambience. 4 MASH footswitches let you toggle between reverb sounds instantly. New Shimmer reverb uses SUB 'N' UP OCTAVER algorithm for other-worldly sounds. Preset bank switch lets you easily access up to 8 stored reverb presets. 10 quality reverb types plus 6 TonePrint slots that let you store effects and artist TonePrints. Pre-delay knob for fine tuning reverb response time provides total reverb control. MASH footswitches give you powerful effect-specific real-time parameter control. Craft reverbs and assign MASH functionality with free TonePrint App (PC, Mac, iPhone, Android and iPad). …

The Sub Octave Bass Fuzz dishes out thunderous low end with earth-shaking fuzz.To create this sonic behemoth, MXR’s engineers combined the Growl section of the Bass Octave Deluxe with a long-forgotten fuzz circuit. With three separate output level controls for the fuzz, sub octave, and dry signals, you can create your own recipe of subterranean tones without sacrificing any of your instrument’s natural sound. Further versatility comes in the form of the fuzz section’s tone controls and two switchable voices—warm and compressed or bright and aggressive—along with the Mid Level control, which allows you to give your dry signal some more punch in the midrange.
Inputs: Mono
Outputs: Mono
…

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay. Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch cont…

Bass Amp Modeler / Number of Factory Presets 99 / 99 User Presets / USB

optional power supply, high-gain distortion
UK/EU Power supply included: No
Type: Wah-Wah;Distortion
Artist / Theme: Slash
Power Supply: Adapter or Battery
Battery Type: 9V
Battery Operation: Yes
Made in: USA

Keeley 30ms Automatic Double Tracker. The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals. In Stereo Double Tracker Pro mode the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp and flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. The user can program by internal switches the wet output to …

Delay / Pedal Design Foot Pedal / Operation digital

Seafoam Plus Chorus – True Chorus and ADT with Reverb. It will forever change the way you think about chorus, because Keeley have developed a new type of chorus that until now has only been available in expensive DAWs and in studios. Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get.
Controls: Rate
USB: No
Number of Buttons: 1
Made in: USA
Type: Chorus;Reverb;Doubler;Vibrato
UK/EU Power supply included: No
Colour: Blue
Battery Operation: No
Inputs: Jack 6,3 mm TS
Outputs: Ja…

Imagine being able to add a little atmospheric sparkle or a full synth-pad effect. And you want something that doesn't take up a lot of space on your pedalboard or require a lot of power from your supply. The Neunaber Seraphim Shimmer V2 is everything you loved about the original, plus more. The Seraphim Shimmer V2 features a simple 3-knob layout and two selectable reverb and shimmer modes (original shimmer / W3T shimmer) in one pedal. The shimmer layer can be added or removed from the reverb. A long press of the footswitch seamlessly transitions between shimmer and reverb only.
metal housing
6.3 mm mono in / output jacks
power supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity …

Overdrive / Pedal Design Foot Pedal / Effects Overdrive

Harmonic tremolo guitar effect with adjustable filters. This is the second generation of the original model with flexi-switch for momentary or latching operation. It splits your signal into high and low frequency ranges and then processes them with an LFO that is split 180 degrees for an intoxicating push-pull effect. The sound is adjusted using the Level, Depth, Rate and Frequency potentiometers. In addition, it features the Rate (Attack/Manual) and Frequency (LFO/Manual/Attack) switches. The effect is true bypass and is equipped with a metal construction, one footswitch, an LED and is powered by a 9 V adapter (not included).
Power Supply: Adapter;9V
UK/EU Power supply included: No
True Bypass: …

The Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite …

The Carbon Copy Deluxe Analog Delay features extended delay time with tap tempo functionality, optional modulation, a switch to toggle between the warm sound of the original pedal and vibrant sound of the Bright version, and much more. The Carbon Copy Deluxe Analog Delay adds a bevy of new features to fine-tune the warm, organic sound that has made the original the bestselling analog delay in the world. With extended delay time-now up to 1.2s-and tap tempo functionality, you now have more control over your Carbon Copy repeats than ever. The Tap Division feature, with an easy-to-read status display, gives you four different subdivisions: dotted 8ths, 8ths, triplets, and 16ths. On the tonal side,…

Advanced multifunction delay and looper with up to three seconds of delay time. 12 effect types that cover a ton of tonal real estate to fuel your creativity: ECHO, MOD, MULTI, REVERSE, DMM, TAPE, REVERB, PITCH, SHIM, SAMPLE/HOLD, DRUM, DOUBLER. Select whether the echoes fade out naturally or stops immediately when the pedal is switched to bypass mode. Tap tempo with nine tap divide subdivisons. Up to 16 minutes of recording time on the fully featured looper. Loop audio remains in the Grand Canyon until you erase it, even after removing power. 13 presets can be saved or recalled. 3-button footswitch connector for remote operation. EHX 9,6 V DC-200 mA power supply included. Current Draw: 150 …

It has an old school metal vibe to it. Thick and dynamic, it's really great for chunky rhythm playing. It will push beyond that '80s sound, into very modern territories. With a down-tuned guitar at full crank with the red mode engaged, you can get into extreme and aggressive metal. By dialling the gain right back, adding a little midrange, and switching the aggression mode off, you can get into big, open sounding classic rock tones - This is the '80s rock multi-tool!Each one of the three tone pots has an extensive range that can really affect the 'size' of the sound, as well as the tone. With the bass down it can sound like you are playing a raunchy small amp. But when you increase it, a sense …

Distortion / Pedal Design Foot Pedal

With the Microtubes B3K v2 you get all the features of the original, with the ability to restore the mids for natural character. The attack switch has been replaced by the tone knob, giving much more control of the higher harmonic content (3 kHz to 8 kHz). The grunt switch is still present, as you would expect. The addition comes in the form of a mid boost, giving you a subtle 6dB boost from 300 Hz to 1 kHz to help you cut through a bit more. Fundamentally the Microtubes B3K is the same pedal we designed nearly a decade ago, aimed to give you a perfect combination of brutality and clarity. You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format. …

Take your favorite studio compressor to the stage with the MXR Bass Compressor. A complete array of controls—Attack, Release, Ratio, Input, and Output—makes it easy to fine-tune your sound, from subtle peak limiting to hard squashed compression effects. Its CHT Constant Headroom Technology gives you plenty of headroom and clear performance. This totally transparent compressor allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the ten, highly visible gain-reduction status LEDs. It's all packed into a durable, lightweight aluminum-housing pedal that's the size of a Phase 90.
Type: Compressor
Inputs: Jack 6,3 mm TS
Battery Type…

What else can you say about Luke's sound? He has played the GAS-789SL for years and now also the SL-OD Overdrive in front of his overdriven / distorted amplifiers to make the sound even faster, more smooth overdrive sounding without changing the basic sound. Two Overdrives (Low Gain and High Gain) + Boost (Clean boost) with +20dB boost (toggle switch) in one box - three separate bass boost (toggle switches) for each pedal to push the lower frequencies without getting muddy, the pedal couldn't be more variable. The new SL-OD is just 5.7 inch wide! Steve Lukather:Just wanted you yo know how much I LOVE the box you sent me. Hard to describe it ... it just makes it sound BETTER. Smooths out the …

Noise Gate / Pedal Design Desktop